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Album Of The Day: Fernando Ortega by Fernando Ortega

Album Art of Fernando Ortega's self-titled album - A black-and-white photo of a middle-aged man sitting at a table at a cafe or restaurant looking off into the distance with a coffee cup in front of him. Behind him are more empty tables and chairs. Over the background and to the right of his face is his name in white, lowercase letters with a shadow.

I'd never really listened to the music of Fernando Ortega much. I think I knew that he was most well-known for his versions of hymns. But then in 2004 I came across this album, his self-titled release, and I found that yes, there were a few hymns on the album and they are beautiful, but there's also a lot more. Fernando Ortega's smooth vocals are mixed with country, folk rock, and other styles on this release. Some of the songs lyrically talk about nature ("Dragonfly" and "When The Coyote Comes"), some about daily life ("California Town" and "Mildred Madalyn Johnson"), and some about the days where we struggle ("Shame" and "Noonday Devil"). It's a beautiful album and one I come back to on occasion. I really do need to check out Mr. Ortega's other albums one of these days! (I even have a few other of his albums I recently bought used on CD and I haven't listened to them yet.)

Release Year: 2004
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Album Of The Day: World Renown For Romance by Denison Marrs

Album Art of Denison Marrs's World Renown For Romance album - For the bottom fifth of the cover, its white with the name of the band and the album name on blue text, centered right. The top half is a dark blue background, with some sort of blocky, geometric design that is white and lighter shades of blue. Maybe some sort of 8-bit icon of a waterfall turned on its side and very badly compressed or something like that?

This is independent rock music at its best, in my opinion. For me, Denison Marrs is all about the walls of guitars and the interesting guitar tones. Actually, no, I love how Eric Collins's vocals sometimes float above the band and sometimes gets drowned out by the band. And wow, some of these lyrics are so catchy. I remember hearing songs like "Let's Dance" and "The New Droan (Light Years Away)" on RadioU back then and I had to buy this album. World Renown For Romance has been released twice on CD by Velvet Blue Music, first in 2001 and then in 2005 with completely different artwork and a bonus track (see 2005 cover below). Play it loud and rock out!

Release Year: 2001
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Album Art of Denison Marrs's World Renown For Romance 2005 album re-release - A white frame borders the top and bottom and is offset on about a fifth from the right side. The image is a dark image of some very abstract, streaking lights. It's like someone took a photo in a fast-moving car or with a long exposure on a dark night with some lights going by. The band's name and album title are printed towards the top in just a tiny shade lighter than the photo.

Album Of The Day: Church Music by David Crowder Band

Album Art of David Crowder Band's Church Music album - At the top it says the band name in white and the album name in a a more ornamental font at the bottom. In the middle is a large, gold metal circle with the letters 'DCB' cut out in the middle.

Released 15 years ago today, Church Music is an epic 74 minutes of music that is probably not what you grew up with at your church. (I know I certainly did not.) I love David Crowder and his band of ambitious instrumentalists because they bring the rock 'n' roll to whatever they are working on, even if it's supposed to be a album full of songs for churches to sing. There's certainly some nods to modern worship and even the classic hymns here, but it's also a rock fest and a dance party as the band incorporates even more electronic elements than in the past albums, which have been more guitar-focused. The cover of "How He Loves" made the John Mark McMillan song popular, but "Eastern Hymn", "Shadows" and "Oh, Happiness" are great songs by the band along with the rest of album. Dance!

Release Year: 2009
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Album Of The Day: 220 by Phil Keaggy

 strings and pickups fastened to a piece of wood. And below that, a smaller electric guitar body with a bare US-style electrical outlet on the top of the guitar's body and no strings on the neck. At the top, it says the artist and album name on a black piece of wood with white paint.

Phil Keaggy has been playing guitar for about 60 years now. He has released many dozens of albums, and 220 is one of my favorites. Phil does no singing on this one, just jamming on electric guitars with a band. It could work as fun background music, but it's even more enthralling, in my opinion, listening to it at full volume. Mr. Keaggy has such a variety of sounds he can get out of a guitar and really shreds in some songs.

Release Year: 1996
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Album Of The Day: Crimson Cord by Propaganda

Album Art of Propaganda's Crimson Cord album - A mixed media piece, it looks like the lowest layer is maybe a few photos of Jason Petty, the artist known as Propaganada, his face from straight on and from above in black and white. Painted above that is what looks like paint, a white paint base above the photo with black brushstrokes on the left, and red and blue in the bottom right. On top of the white looks like scribbles of thinner pen or marker.

Jason Petty, the rapper known as Propaganda, got his start with the underground LA Tunnel Rats crew about 20 years ago. Since then, he's been making collaborations with other rappers and producers as well as doing spoken word and more recently, podcasting and writing a book. Crimson Cord was recorded with the Beautiful Eulogy crew at the Humble Beast label, and I love their incorporation of very unconventional sounds and instruments into their tracks for Propaganda to rap over. And Prop's lyrics teach me about the world as he sees it and how the world is so much bigger than my white, Christian, Midwestern worldview. I hadn't heard music from Propaganda for many years and then caught back up with him on this album, and it's a great listen.

Release Year: 2014
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Album Of The Day: International Anthems For The Human Race by All Star United

Album Art of All Star United's International Anthems For The Human Race album - On a white background, five young men are grouped in the bottom right, making funny faces and only half of them looking at the camera. Above them, the band's name, 'All Star United', is printed in white with a large red border around the letters. In a smaller black font, the album title is printed centered below the band name.

Back in late 1998, I was a teen and new to the world of music, for the most part. So my introduction to glam rock was this release from All Star United. International Anthems For The Human Race is full of big pop/rock energy, from the short intro of "Welcome To Our Big Rock Show", the breezy "Theme From Summer", even to the hidden tracks on the end of the CD. Lead singer Ian Eskelin and his band also poke fun at their audience and themselves, from "Popular Americans" to "Worldwide Socialites Unite". Some of the lyrics also challenge Christian pop culture and American Evangelical norms a bit too, like calling Jesus "my superstar". And there's a few love songs on here too, with guitars, horns and keyboards for a glorious glam rock sound. Sadly, this album is not available on streaming, it seems. You'll have to dig out your CD, apparently. Find a copy of this and have 50 minutes of fun.

Release Year: 1998

Some of the songs from this album appear on this best-of compilation, Smash Hits:
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Album Of The Day: A Million Lights by Michael W. Smith

Album Art of Michael W. Smith's A Million Lights album - In a swirl of color, a silhouette of a man is in the center but it's a bit blurry. The swirl of colors seems to also be overlaid with a lot of stars throughout. The words 'A Million Lights' are in white in the center, as well as the artist's name and an 'MW' logo below and above.

In the '80s and '90s, Michael W. Smith was the king of Christian pop music. Smith is a talented musician and songwriter, the production was always great and the songs were always catchy. For the last 25 years or so, though, Michael W. Smith has moved to leading worship and recording modern worship music. Even his pop albums were more worshipful, which was not really what I was looking for. With this album, A Million Lights, Smitty brought his pop sound into the 21st century. Of course, the great piano parts are here, but a bit more of a modern dance/EDM sound is present and even a bit of auto-tune is here on a few songs. Lyrically, there's some love songs and some songs about the struggles and joys of life as a Christian. This is the Michael W. Smith studio pop album that I've listened to most that he's released since 1998's Live The Life, and I hope he does a pop album again some time if he wants.

Release Year: 2018
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Album Of The Day: Much Afraid by Jars of Clay

Album Art of Jars of Clay's Much Afraid album - On a golden background is printed the black-and-white photograph of a young man and woman in swimwear holding hands. From the framing of the photo, we only see one half of their bodies because the other half is cut off. It looks like they may be on a beach as there is some splashing water at the bottom. In the area of the sky in between the two persons above the clasped hands, the words 'jars of clay' are smushed together without spaces in a serif font and red color, and then 'much afraid' is scribbled below that in black.

Released on this day 27 years ago, Much Afraid was the first Jars of Clay album I owned. It's still one of their best albums, though they do have many great albums. I love the guitar solo on "Crazy Times", the great drums, keys and epic 7-minute runtime of "Frail", the frenetic energy of "Fade To Grey" and "Truce", and the quiet close to the album with "Much Afraid" and "Hymn". This album a perfect collection of 11 songs and I love the sounds the band put together with producer Stephen Lipson and drummer Greg Wells. It maybe was not exactly what their fans expected after their first album, but I find it to be even better. The band's members stayed the same and they continued to evolve their sound since Much Afraid, but it is the album that made me a fan. Plus, if you put the CD in your computer back in those days, you could get 50 free hours of America Online!

Release Year: 1997
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Album Of The Day: Hungry: Falling On My Knees by Vineyard UK

Album Art of Vineyard UK's Hungry album - A photo of a baby peeking up over some sort of barrier in front of them. Their big, blue eyes are looking far up. On top of it, 'Hungry' is written in blocky letters and then 'Falling on my knees' and 'Live from London' in much smaller letters.

In the late '90s, Vineyard Music seemed to me to be at the forefront of modern worship, a style of music that was sung by leaders at churches and also the congregation as a whole, but in a more contemporary style, not the style of the traditional hymns. Vineyard churches and their music label put out many recordings in this time and this Hungry: Falling On My Knees album is one of their best. Worship leader Kathryn Scott's vocals and great songs like the title track, "Be The Centre" and "Breathe" anchor this recording from a church service in London, but appearances from Vineyard worship leaders from around the world contribute as well. The styles of songs vary as well, from the slow and contemplative to the raucous praise and include Celtic sounds, rock and other musical styles.

Release Year: 1999
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Album Of The Day: Funeral by Arcade Fire

Album Art of Arcade Fire's Funeral album - Across the bottom, the words 'Aracde Fire' are made of blocky letters placed somewhat haphazardly. Above that, an orange background with the illustration of flowers and feathers in a decorative pattern, and one of the feathers is also being used as a pen. A hand is using that feather to draw some lines.

Released 20 years ago today, this first album from Canada's indie rock band Arcade Fire is often considered still one of their best, although I think some of their later albums were slightly better. I remember hearing "Neighborhood #2 (Laika)" on a CD sampler in Paste Magazine and being like, "I want to hear more of this." Their sound varies so much from the driving beat of "Neighborhood #3 (Power Out)" and "Rebellion (Lies)" to the slow boil of "Neighborhood #4 (7 Kettles)" and "Crown of Love". Arcade Fire also play so many varied instruments throughout this album and Win Butler's vocals are on occasion replaced with Régine Chassagne on lead vocals. It's 10 great songs and a beautiful listen.

Release Year: 2004
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