Blog

Album Of The Day: Hymns: Take The World, But Give Me Jesus by Ascend The Hill

Album Art of Ascend The Hill's Hymns album - A square photo that looks like the cover of a square, leather-bound book. The cover is very worn on the edges and has a blue, textured look to it. Inside a few leather borders in the middle is a large, ornate, gold-hued 'H' and the letters 'ymns' are smaller next to it to spell out the album title. Below that, in smaller gold print is 'Take The World, But Give Me Jesus' album subtitle. Above the tile is the band's name in small white print.

Recently, instead of listening to a lot of modern worship anthems sung by the biggest American mega-churches, I've been listening to a few different bands do pop/rock settings of old hymn texts to new music. These texts were written, in some cases, hundreds of years ago and have been sung by many thousands or millions of Christians and are deeply rooted in the Bible. Released on this day 15 years ago, indie rock band Ascend The Hill brings lots of energy, guitars, drums and bass to some old hymns, writing new melodies to some and adapting the old melodies to the band's sound for others. I've only first heard this album a few days ago, but I like it a lot already and am listening again today on it's anniversary. The lyrics are timeless but also definitely still apply today, and the band balances well the rock sound with the reverence and worship of these songs. You might recognize some of the songs like "Be Thou My Vision", "I Surrender All" or "How Great Thou Art", but you will also hear some new ones. And even if you have sung those hymns before, you have never heard them done quite like this.

Release Year: 2010
Listen on Apple Music
Listen on Spotify

Album Of The Day: Nothing Is Sound by Switchfoot

Album Art of Switchfoot's Nothing Is Sound album - At the top, on the right is a sun, a yellow circle, surrounded by clouds. Rays of light spread across the sky from the sun. In the middle is the outline of a tree in black, and the ground is also black and rises slightly up to the tree and separates the cover in half horizontally. Below the ground, a brownish page of paper seems to represent the soil and the outline of roots are emanating from below the tree in black. In black in the sky is the band's name, and below that in a hand-written blood red color is the album title.

"The shadow proves the sunshine." In 2003, Switchfoot's career went into overdrive as their album The Beautiful Letdown found them playing to bigger audiences and selling way more albums than before. Many expected them to follow up this album with another set of positive rock anthems, but Switchfoot was not interested in delivering that. Released on this day 20 years ago, this still delivered on the rock album, but it was darker and more brooding than any Switchfoot album before. Songs like "Nothing Is Sound", "The Blues" and "The Fatal Wound" find the band lyrically struggling with the day to day of life and their purpose. But they also find hope in their fellow man and a higher power in songs like "We Are One Tonight", "Stars" and "Daisy". I also love their calling out some of the world's problems in tracks such as "Lonely Nation" and "Politicians". This album is definitely not what I expected when this was released, but it's a favorite of many Switchfoot fans and has become more beloved to me over time.

Release Year: 2005
Listen on Apple Music
Listen on Spotify

Album Of The Day: Takk... by Sigur Rós

Album Art of Sigur Rós's Takk... album - On a rough, golden-hued surface that looks like a soft stone or something, in black and gray paint is the outline of some bushes and trees creating a tunnel to walk through in the middle. Some of it looks grey like it was painted and maybe worn off over time. What looks like a black painting of a person, maybe put there by stencil, is standing and looking at the camera. And below that in black is the band's name in a hand-written script. The left side has a black painted edge.

Released on this day 20 years ago is the fourth album from Icelandic post-rock band Sigur Rós. If you have never listened to this band, I highly recommend giving this album a listen. The music may be a bit odd at first because it doesn't fit what we might expect music to sound like, but it also has an immense beauty to it. The album is primarily instrumental, and Jónsi's falsetto vocals of Icelandic or nonsense (I can't tell the difference, for sure) fit really well with the instrumentals. Sometimes it's moments of energetic rock, sometimes just a beautiful, peaceful instrumental that you might find on a classical album. They incorporate so many different sounds into this album and it's a great hour of music. This is music I often listen to in the background while reading a book since I listen to this album so often, but it also works great as the focus of your listening as well.

Release Year: 2005
Listen on Apple Music
Listen on Spotify
Buy on Bandcamp

Album Of The Day: Land by Tree63

Album Art of Tree63's Land album - The background is what looks like a sky full of clouds, and various parts are colored blue-green, pink, and blue, so it looks a bit supernatural, but the clouds do have a 3-D, realistic shape to them. On the bottom is a black-and-white drawing of waves, with a shipwreck of an old seafaring vessel with its poles for the sails tilted a bit and the masts/sails missing. The back half of the ship is completely missing and the interior of the ship can be seen there. Above the mast, printed in a thin white font is the band name and the album title. Around the edge there is a large white border.

Released on this day 10 years ago is this sixth and final studio album from South African rock band Tree63. Eight years after their previous album, Sunday!, the band released this album after a successful crowd-funding campaign. It was really fun to hear from this legendary band again and hear them doing what they do best, which is quality rock with religious lyrics and not necessarily pop/worship anthems. 11 new songs are present and a few have a nautical theme like the cover artwork. It was fun to hear a new version of "Stumbling Stone" from their 1999 63 album from back when the band was just known as "Tree". It's not my favorite album of theirs, but it was so good to hear more from them and get to hear them do the music they wanted to do independently, not just what a record label thought they could sell. Thanks for making this for us fans, John Ellis and mates. Best wishes to the band members on their current careers, whatever they are, and thanks for all the great music.

Release Year: 2015
Listen on Apple Music
Listen on Spotify

Album Of The Day: Wind Up Bird by Matthew Thiessen & The Earthquakes

 a mess of colors of green, brown and orangish-red. In the foreground, a drawing of a blue and pink bird with a long yellow beak looking their left eye to the viewer, in amidst a bunch of large green leaves set in rows. Also, there's a very colorful circular bush or flower of some sort that's yellow, green, blue and gold. Towards the top, a blue box with a hairline white inner border has the band name in white print inside it in large letters, and the album title in slightly smaller letters.

Matthew Thiessen is most well-known as the lead singer and primary songwriter of pop-punk band Relient K. But when he's not doing that, he sometimes records as "Matthew Thiessen & The Earthquakes". Released 7 years ago in late August, it's a fun acoustic-rock album. Lyrically, I'm not really sure what's he talking about much of the time, but there are references to Oedipus and Robin Hood, love and the meaning of life. Musically, it sounds very simple and organic, with mostly just acoustic guitar and a simple drum kit, sometimes piano, and sometimes it's upbeat or a little slower. Matthew Thiessen is a wildly talented songwriter and it's fun to hear him do a bit different style and sing about different topics from his more well-known band. Give it a listen if you haven't checked it out yet; you'll find it a bit quirky but delightful.

Release Year: 2018
Listen on Apple Music
Listen on Spotify

Album Of The Day: Lauren Daigle by Lauren Daigle

Album Art of Lauren Daigle's self-titled album - A photo of a young woman peering into a camera with a gaping wide smile. Her hands, each nail painted a different color, are near her chest and reaching towards the camera. On her head, mixed in with her brownish-blond hair is a bunch of flowers and feathers, it seems, of all colors. Whatever she seems to be wearing for clothes is a frilly, feathery, colorful mess and the background seems to be just as colorful and bright, like she may in the middle of a parade of many colors or something.

Released 2 years ago today, this is the fourth and latest album from pop singer/songwriter Lauren Daigle. She's got great vocals and I love her musical style: it's a mix of crooning like Adele, Gospel/R&B, and beautiful creole jazz from her home state of Louisiana. In 2018 she had a top-notch album with Look Up Child, and if this new self-titled album isn't as good or worth the five-year wait, it's definitely not a shortage of new songs. Daigle delivers 20 songs for a lengthy double album, and although it's never bad songs, it never really wows me like the last album did. She does speak very personally about her struggles in life on some songs and celebrates God's love and grace on others. There are a few songs that might make some of her Christian fans uncomfortable, but that might be a good thing to make them think a bit. I need to listen to this more because I did like it more than I remembered from my last listen.

Release Year: 2023
Listen on Apple Music
Listen on Spotify

Album Of The Day: Beatitudes by Stu Garrard

Album Art of Stu Garrard's Beatitudes album - A painting of various blue-colored paints slathered generously on a surface, mostly a dark blue. In the middle, lots of red paint forms a rough heart shape, darker on the left side. Out of the top of the heart is a gold, four-pointed crown with a dot above each point. Hand-painted into the middle of the heart is the word 'Beatitudes' in white.

Stu Garrard has toured the world with the band delirious? and played in the studio and on tour for many other artists over his career that spans over 30 years, and is a very talented guitarist. However, this album isn't all about the guitar playing. Garrard spent years researching The Beatitudes, Jesus's call to humility, poverty, loving your neighbor and so much more. In his trying to understand it, Stu G. co-wrote songs about these teachings with many of his friends and recorded them for this album. The album is a bit of a variety of styles and is a slower, more contemplative album that you might expect, but it does end up being a cohesive album, great for reflection on God's words. Throughout the album, a poem about listening to God's words encourages us to listen to God's words. Stu G. lets the rock out a bit in the only track doesn't have a guest, "In The Middle". I love the appearances from other artists I enjoy like Propaganda, John Mark McMillan, Amy Grant, and many more. If you've got a bit of time to listen, give this album a virtual spin and contemplate the words of Jesus with these musicians.

Release Year: 2017
Listen on Apple Music
Listen on Spotify

Album Of The Day: Gonna Get It Wrong Before I Get It Right by Sam Ashworth

Album Art of Sam Ashworth's Gonna Get It Wrong Before i Get It Right album - An illustration of an animal's head poking out of a pool of blue water. It's hard to say what kind of animal it is, since we cannot see the rest of its body below the water, but I think it might be a turtle or something? Behind the turtle's head is a golden color that is the sky, and written on it in a darker gold is the album title, and the title can be even read through the turtle's head because it's semi-transparent. in between the lines of the title is written in a small, hand-written script 'by Sam Ashworth' in black.

Sam Ashworth has worked with a huge variety of artists, mostly co-writing but sometimes producing for or doing other things with H.E.R., Leslie Odom, Jr., Dierks Bentley, The Civil Wars, The Lone Bellow, Michael W. Smith, Sixpence None The Richer and many more. Released 20 years ago today, this is his first full-length album and it's 12 songs of indie pop and rock. Vocally, he sounds very similar to his father, Charlie Peacock, but Ashworth also has his own style that is more rock and less jazz-focused. This is an album I haven't listened to in many years, but it's very good. Sadly, seems like it's not on streaming currently, so it might be a bit hard to give it a listen unless you have the CD on hand as I do.

Release Year: 2005

Album Of The Day: 77 (Pt. 1) by Colony House

Album Art of Colony House's 77 (Pt. 1) album - A photo of a blue sky background with intermittent white clouds from below. From the right side is a man's large hand extended and a woman's smaller hand with purple painted nails is extended from the left. The two hands look they are about to be clasped together in a moment in the middle of the frame.

Released today, this is the fifth studio album from the band Colony House, one of my current favorite rock bands. With the "Part 1" in the title and the only 7-track length, it seems like it might be just a half of the final album that is coming later. Usually I wouldn't feature a partial album, but I'll make an exception for my favorite bands. Lyrically, it's clear the boys have found the recent years tough and are trying to find a positive way forward, and they mostly fill this release with mid-tempo rock ruminating on that. Probably my favorite song at the moment is "OK OK OK OK", which celebrates doing whatever in the moment with a loved one. I guess I'm going to continue to use this post to rant about how songs are getting shorter and albums too now, and I hope we get more from Colony House soon, but I guess for now I'll enjoy that we got any new music at all. These songs are good, even if I wished there were more. Looking forward to seeing them on tour in a couple weeks!

Release Year: 2025
Listen on Apple Music
Listen on Spotify

Album Of The Day: City On A Hill by Various Artists

Album Art of the City On A Hill album - In the center, an illustration of three people with egg-shaped heads and somewhat triangle-shaped bodies wearing colorful clothing standing and singing and playing instruments in the foreground off to the right. Behind them and to the left, a large hill is there and on it is three buildings, one a church. There's an angel flying near the city looking down on it. To the right of the angel it says 'City On A Hill' with the subtitle 'Songs Of Worship And Praise' printed in black. Around the edge, on a dark border, there's a list of all the artists involved in the project printed in white.

Released 25 years ago yesterday, this was an album full of new recordings of praise and worship-style songs from some of the biggest names in Christian music. Producer Steve Hindalong had done something similar in the '90s with the At The Foot Of The Cross albums, writing new hymns and similar style music for prayer and worship, and getting some of his friends in the music industry to sing them. Here a very similar formula is used, and with names like Jars of Clay, Third Day, Caedmon's Call, Sixpence None The Richer, The Choir and more lending their talents and in some cases songwriting, it gained a lot more popularity than Hindalong's previous albums of a similar style. "God Of Wonders" is still in the top 100 songs sung at churches and is one of the best songs here. Jars of Clay song "This Road" is a great closer, and they also cover "The Stone" by Jonathan Noel, giving that song a lot more recognition. It's fun to hear some beautiful duets like Leigh Nash of Sixpence with Dan Haseltine of Jars of Clay and Mac Powell of Third Day singing with Caedmon's Call. Also included are some of the final recordings of Gene Eugene, who passed away shortly before this was released. Some might argue the success of this album accelerated the turning of Christian music into only worship music, and maybe that's true, but it's fun to hear these pop/rock artists come together for a slightly more subdued, more contemplative collection of original songs.

Release Year: 2000
Listen on Apple Music
Listen on Spotify

Pages