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Album Of The Day: The Eternal Son by Rivers & Robots

Album Art of Rivers & Robots's The Eternal Son album - On a beige background, rocks, flowers and a geometric shape are illustrated together in the center and blobs of blue, gold and black are surrounding them, with white, thin rings around some of them as well. At the bottom, the album title is printed in black in small letters.

For the past few days, my album picks have been from the United Kingdom. So let's keep it going for a 4th day, I guess. Rivers & Robots is a British band that makes modern worship music, though not what you hear at most churches today exactly. Jonathan Ogden and band create beautiful and complex, sometimes jazzy and sometimes electronic pop/rock with lyrics praising God and/or talking to God directly. Many of the lyrics seem to be taken directly from Scripture, I think. It might not be exactly music to be sung in churches, at least in this form, but it's beautiful music that can draw us closer to God. I honestly only started listening to this band a few years ago and don't know if I can distinguish this album from their 4 other studio albums, but I've liked all of them and want to get into their music more.

Release Year: 2016
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Album Of The Day: Woven Cord by Iona with The All Souls Orchestra

Album Art of Iona with The All Souls Orchestra's Woven Cord album - In a classic but simple calligraphy look, the band name is presented in black ink at the top. Below is an ornate version of an Irish cross in the middle of a collage and the words 'woven cord' in black above it. On the edges of the cover, it seems like bits of other artwork or photos can be seen partially along with the canvas that contains the album name.

Throughout the 1990s, Celtic progressive rock band Iona released 4 studio albums and 2 live albums. Woven Cord was their second live album recorded in May of 1999, which contained songs from their earlier albums and a few songs from their upcoming 5th studio album, Open Sky. Iona has a wide variety of sounds, from tender instrumentals to passionate vocals, from pipes to electric guitars, from atmospheric to dance. And the addition of The All Souls Orchestra on this live recording even brings an even bigger sound to their live sound, though their live sound is by no means small even without an orchestra. Iona has continued to make music in the 25 years since this album as well and are one of my favorite bands. Unfortunately, this is one of these albums that I enjoy that is not on streaming services for y'all to listen to, so you'll have to do some searching if you want to listen. You can listen to some of their other albums on streaming, though note that there's at least a few bands using the "Iona" name. Who knows, maybe you can find a used CD of this album somewhere.

Release Year: 1999

Album Of The Day: Everyday Life by Coldplay

Album Art of Coldplay's Everyday Life album - On a gray background in the center, the title of the album is in s shimmering silver below some Arabic lettering. On the bottom, an old-time-looking photo of a band with saxophone, banjos, piano, etc., and some of the band members are the members of Coldplay. The same photo is also across the top, but facing the top. On the left of the cover, in a black space, the sun and the moon are shown in gold graphics.

Released on this day 5 years ago, this album is not one I listen to often, but I listen to it more than any other album Coldplay has released in the last 15 years. Coldplay released this by playing the songs live online from the country of Jordan during sunrise and sunset 5 years ago, which was a memorable way to debut the album. More than any other Coldplay album in the last 15 years, this album has a variety of sounds, not just the same energetic pop that they've been putting on their albums for the last 15 years before or since. There's a moment of Gospel music, some sounds of the Middle East, some beautiful instrumentals, and some lyrics talking about the world's issues today, not just feel-good pop anthems. It was refreshing to see the band coming back to making interesting music like they did on their earliest albums, and it's unfortunate their two albums since Everyday Life just seem they're going back to their formulaic stuff that does not connect with me as much. It's not that all their recent music is terrible, but this is their only recent album that I like listening through as an album.

Release Year: 2019
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Album Of The Day: Mezzamorphis by delirious?

Album Art of delirious?'s Mezzamorphis album - Hung up on a canvas and surrounded by blue lights and lighting rig are some circles that look something like infrared hands, bodies, faces, lightbulbs, and more. In front of those is a black square with the band name ending in a question mark and then a gray box with a 'd:' in it. Then in yellow below it, the album title in yelllow with orange border. Rigging, power and lighting equipment are visible on the edges of the photo.

I think this is my favorite album from delirious?. When this released in spring 1999, delirious? was pretty new to the USA and was known for their early days doing modern worship, a kind of updated version of church music, but their latest albums turned out to modern rock albums instead. Mezzamorphis found the band putting the music sung to God on hold though still talking about a relationship with God in their lyrics. The band experimented with their sound a lot and added more strings, guitar effects, theremin, and overall Brit-rock styling. At 50 minutes, it's actually their shortest album, which may be partly why it's their most focused album. I love this rock band and although the band did not last forever, I continue to enjoy their music and the memories of seeing them play live a few times over the years.

Release Year: 1999
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Album Of The Day: Revisiting This Planet by Kevin Max

Album Art of Kevin Max's Revisiting This Planet album - A black and white photo of a white man in a trim beard wearing a black shirt and handkerchief around the neck is wearing sunglasses, a light-colored cowboy hat, and is standing on a rocky southern US landscape looking up at the camera. The cover has a purple hue on the edges and what looks like vinyl ringwear, where the record has been moved around so much that the case has been wearing out along the edges of the record. At the bottom is the artist name, a small yellow lightning bolt graphic, and the album name in smaller, white print.

In 1972, Larry Norman released Only Visiting This Planet, one of the most successful Christian rock albums of the '70s. On this day four years ago, Kevin Max (formerly of dc Talk) released a cover of the whole album in homage to his friend Larry Norman. Revisiting This Planet is lovingly recreated by some of Nashville's best musicians and Kevin's vocals bring the rock vibe to Norman's classic album. It's certainly interesting to bring modern production methods and quality to these sometimes dated lyrics, though in other moments the lyrics feel like they could have been written today. The album does include an original song, "God Part IV", in which Max comments on previous thoughts about God from John Lennon, U2 and Larry Norman.

Release Year: 2020
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Album Of The Day: Goliath by Steve Taylor And The Perfect Foil

Album Art of Steve Taylor And The Perfect Foil's Goliath album - Four men in black suits are sitting on a white background with a deer head and bear head behind them. Above them, in a flowing script, is the band name and below is the album title.

Released 10 years ago yesterday, this is the return of '80s Christian rocker/satirist Steve Taylor. This Steve Taylor spent a few decades being a record label executive, movie director, and songwriter and finally came back to writing and recording his own music with his friends. It's a guitar-based rock album with lyrics that takes a bit of dissecting. The lyrics include lots of references to religion and finding the humor in religion and culture. It culminates with "Comedian", an epic six-minute ode to God, the best comedian of them all. It's non-stop energy and entertainment from a master songwriter who tells you like it is.

Release Year: 2014
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Album Of The Day: Free At Last by dc Talk

Album Art of dc Talk's Free At Last album - On a white background, a black-and-white photo of three young men from above. A long-haired white man on the left, a short-haired man with a black hat on in the middle, and a black man with lots of dark hair sticking up on top but none on the sides and wearing multple crosses around his neck. The band name is in the top left, with an eye illustration above it with a cross inside the eye. At the bottom right below the photo is the album name.

Released on this day 32 years ago, this album made dc Talk a household name among Christian music fans. At this point, dc Talk was mostly Toby McKeehan rapping on the verses and Michael Tait and Kevin Max singing on the choruses. With Free At Last, this was definitely still the case, but the band experimented with sounds and repertoire. "Free At Last" veers into Gospel, while "Time Is..." gets a bit more rock edge. Covers of "Jesus Is Just Alright" and "Lean On Me" with new rapped verses are highlights as well as the original tunes. A number of the songs challenge mainstream cultural norms promoting abstinence and modest clothing, which was kinda weird to me both when I first heard this and still today. This album is definitely a time capsule of where Christian music was in the early '90s, for better and worse, and a lot of fun.

Release Year: 1992
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Album Of The Day: For All The Saints by Fernando Ortega

Album Art of Fernando Ortega's For All The Saints EP - On an orangish-red background, printed in gold color on the top is the artist name, and the EP title on the bottom. In the middle, what looks to be an old pointing of Jesus in heaven holding a flag and surrounded by the throng of people, most if not all women. The background is a shiny gold, and everyone of the people in the painting have a gold halo around their head.

Released just 2 days ago, this is a new EP from veteran singer-songwriter Fernando Ortega. On this 5-track release, Ortega leans into hymns and setting sacred texts to music. I like his version of "How Can I Keep From Singing" and the "Gloria" is classic-sounding Fernando Ortega with beautiful piano and vocals. And "Jesus, Bread of Life" is a great new song of praise. All of these songs are solid. It's been a number of years since he has released new music, so it's great to hear from him again.

Release Year: 2024
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Album Of The Day: Lesson Of Love by Ashley Cleveland

Album Art of Ashley Cleveland's Lesson Of Love album - A photo of a young, white woman's face. She has blonde-brown hair almost down to her shoulders and is photographed from above, it seems. Below her face, her name is written in dark blue, very handwritten-looking writing. On the left side vertically, the album title is also written in smaller but also handwritten text.

Ashley Cleveland is one of my favorite voices in music. She can really belt out a vocal and her deep alto is such a contrast to many other female artists. Ashley Cleveland's third album, Lesson of Love, is a rock album that mixes in a lot of Gospel influences and also includes a few hymns from other Christian traditions. But even though it's got a few hymns, it still is a rock album. Ashley's husband, Kenny Greenberg, does great guitar work throughout and songs like "He Is", "Revive Us Again", and "You Are There" keep the album energetic. I love all these songs and never tire of hearing Ashley's voice and her perspective on the world.

Release Year: 1995
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Album Of The Day: Everything As It Should Be by Andy Gullahorn

Album Art of Andy Gullahorn's Everything As It Should Be album - Some sort of art, maybe a watercolor or maybe some digital art. At the top, a black sky with a very large, white moon. The artwork continues below with mountains in the backgroud, then some trees, and then three buildings of various sizes and a tower with a streetlamp, like a little town. At the bottom, in the ground in front of the town is printed the artist name and the album title.

I love how Andy Gullahorn's lyrics go from serious to very tongue-in-cheek. If you're at home, you might not even notice, unless you're paying attention to the words. At an Andy Gullahorn concert, people at first nervously laugh and then keep laughing. For example, on this album, "Death Without A Funeral" talks about a tough break-up. And then the next song sounds much the same musically, a beautiful acoustic/folk/pop song, but it's "Teenagers", a hilarious lyric lamenting all the things that are annoying about parenting teens. Andy Gullahorn mixes the serious, the humorous, the spiritual and the communal on this, his latest album. I've gotten a chance to see him play a few times and it's full of life, stories, and lots of fun, just like this album.

Release Year: 2018
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