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Album Of The Day: Northern Flicker by Taylor Leonhardt

Album Art of Taylor Leonhardt's Northern Flicker album - A picture of a field with brown grasses and other small plants, which stretches in rolling hills into the background. In the left background, a hill rises and is covered in in trees towards the top, and in the right background, there are more hills visible much further away. In the foreground is a young womany with long, dark hair, a red top and blue jeans on. She's facing toward the camera but running towards it so that most of her is just a blur of color while the background is well in-focus. Up in the clear, blue-gray sky is printed above the photo three off-white, dashed lines from right to left, a bit lower on the right than the left. In the top left, on the 2nd and 3rd line, it has printed in the same color the album title and below it the artist's name.

"When I'm going under / Headfirst in the deep dark well / Be my Stevie Wonder / Sing me to myself." Released just today, this is the third album by acoustic folk-pop singer-songwriter Taylor Leonhardt. I love how Taylor speaks so personally of her fears and doubts and still points back to faith and grace found in God as her centering point in songs like "Hosanna", "When The Scaffolds Fall", and many more. I do love new music and movies too, but I also identify with the song "Old Soul" as well in some respects. "Elegy" seems to memorialize a friend who passed away, and "Sightlines" talks about the comfort in knowing close friends/family are nearby. The songs throughout this album sound so great with an excellent folk/Americana flavor; Taylor's excellent melodies get stuck in my head for days. I find a lot of personal encouragement listening to these very honest, human songs from Taylor Leonhardt, and you may find the same thing too.

Release Year: 2026
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Album Of The Day: The Circling Hour by Iona

Album Art of Iona's The Circling Hour album - A picture of the sky, with clouds towards the bottom and clear at the top. In the top, there's the moon in the top right and Aurora Borealis of various greens, pinks and purples throughout, with the colors filtering through the clouds below. The band's name is printed in red letters towards the top in the middle, with the album title printed in white, smaller lettering just below it.

Released 20 years ago tomorrow (or somewhere around that time), this is the sixth studio album by Celtic progressive rock band Iona. This band has a beautiful mix of traditional Celtic sounds mixed with rock stylings, and though this is not their best album in my opinion, it's still worth a listen. Joanne Hogg's lead vocals are so beautiful, and the band's instrumentation is just as beautiful. it opens with an epic 8-minute track "Empryean Dawn", which starts with just soft vocals but then keeps building into a full-on jam that defines the album. The final coda of the album, "Fragment Of A Fiery Sun", contains some of the same lyrics as the opening track as well. "Wind Off The Lake" is an 11-minute musical exploration and is one of the best on this album. And tracks 8-10 are a trilogy of songs: "Wind, Water & Fire", where the vocals, electric guitars and pipes soar along together in the end after some calmer melodies. It's certainly a musical journey spanning so many styles: from rock, to Celtic, to classical, and many more. This album might be a more rock than some of their previous albums, but I still love it. Iona is one of those bands I wish I had been able to see live, but I may never get that chance.

Release Year: 2006
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Album Of The Day: Rotten Tomatoes by Colony House

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"It's so natural, baby / We make each other go crazy." Released 5 years ago earlier this month, this is the first major EP by rock band Colony House. Recorded and released between their 2020 and 2023 albums, this is 5 songs that span a variety of styles and didn't really fit on their other albums, though I am certainly glad they were released. "O Ya" is the opening track and is mostly just an all-out rock jam, though there are some lyrics yelled in here a bit. It's just a ton of fun and is a highlight at shows as the band just rocks out. It kinda feels like it could be a track from Caleb and Will's new side band, Two Car Garage, but it also is similar to earlier album jams "2:20" and "3:20" (and it's 4 minutes and 20 seconds long). "Lights On", "Natural" and "Motion" are the kind of catchy rock we've come to expect from this band and lyrically speak of love and fear and empowerment. Slowing it down a bit, "Automatic" is a love song to a close friend and includes guest vocals from alternative pop artist Fleurie, their opening act on their fall 2021 tour. It's a quick EP with some solid songs and can serve as an introduction to Colony House.

Release Year: 2021
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A photo of a middle-aged white man's face smiling slightly painfully into the camera, and next to his face, he's holding the Colony House Rotten Tomatoes 12-inch vinyl in its blue and red paper sleeve. He's got a short beard, is wearing a black shirt and has shelves of CDs behind him.

Album Of The Day: NWxSE by Smalltown Poets

Album Art of Smalltown Poets's NWxSE album - A color photo of five middle-aged men standing in front of a building with stone walls and tall, thin windows and a roof that goes up and down often. The sky above the building is a golden grey/white, almost the same color as the building. On the left side, a portion of a large, blue circle is on top of the photo, and on the right a similar red partial circle is over that edge of the photo. At the top, in the sky, is printed the album title in large, dark blue text with red and blue shadows on opposite sides, and below that printed in smaller text is the band's name in blue and red.

Released 5 years ago today, this is the eighth studio album by rock band Smalltown Poets. Formed about 30 years ago, this band from the Atlanta, Georgia area was on major Christian music labels for their first 10 years or so, but for the last 20 years or so have been releasing music independently from time to time. The band still rocks, and on this album they deliver 10 new songs that are fun, personal and contain some religious concepts. Like many albums released in the year after the COVID-19 pandemic, it definitely is a bit heavier lyrically as the band struggled with abrupt changes to our lives (as we all did). It's maybe a bit slower and there's no immediate stand-out, catchy single like on some of their earlier albums, but that's OK. Overall, it's a good new release from an experienced band that sounds as good as ever.

Release Year: 2021
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Album Of The Day: Songs In The Key Of Life by Stevie Wonder

Album Art of Stevie Wonder's Songs In The Key Of Life album - A series of 5 circles are inside of each other, each circle with rough edges that seems ripped out of paper, maybe. The interior of the circles is darker than the outer edges, a dark red in the middle and more of a light gold on the outside, until you get to the innermost circles. The innermost, smallest circles is all white and has a drawing or black-and-white photo of a black man with curly hair from the shoulders up and wearing sunglasses. On a bottom part of the circles, printed in a fancy black cursive-style font, is the album title and below it in slightly bigger text, the artist's name.

"Music is a world within itself / With a language we all understand." Released 50 years ago today, this is the eighteenth studio album by music legend Stevie Wonder. This album is a beast, coming at 105 minutes long on two CDs and streaming and originally released on two LPs with a 7" EP of bonus tracks. I'll admit it, I've been a big fan of music my whole life, but I haven't listened to enough of the classics, and boy am I glad I've given this one a listen a few times in the last few years. I certainly understand why many consider this one of the best albums of all time, as Stevie Wonder is making excellent music throughout this. Mr. Wonder's songs comprise many types of music, including funk, jazz, R&B, classical as well as pop into this Motown Records release. Surprisingly, the song I most recognize is "Pastime Paradise", as it is the basis for Coolio's rap hit "Gangsta's Paradise", but there's so many other good moments here. I'm a fan of a long, epic song, and there's actually 7 tracks here with a runtime of over six minutes. "Confusion" is a great instrumental jazz/funk track too. From this listen, I think my favorites were "Have A Talk With God", "Sir Duke", "Isn't She Lovely", and "Black Man". If you have not given this album a listen or if it's been a few decades (or even more), set aside a bit of time and give it a listen for its 50th anniversary.

Release Year: 1976
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Album Of The Day: Vice Verses by Switchfoot

Album Art of Switchfoot's Vice Verses album - On a somewhat golden-hued light background with some ringwear on it, so maybe a worn paper vinyl sleeve, someone took a large sharpie and wrote 'Vice Verses' in all caps, filling up the whole space with huge letters. Where the bottom of the first word meets the top of the 2nd word, that middle area is all black and then cut out of that black is the band name in a a bold, serif font. And below that is a stylized 'S', a word-mark for the band made of two angled blocks, the lower one with a star shape attached to the bottom.

"Still lookin' for a home in a world where I belong." Released 15 years ago today, this is the eighth studio album by San Diego-based rock band Switchfoot. I've been following this band for nearly 30 years now, they have many good albums and this is one of them. Songs like "Afterlife", "The Original" and "Dark Horses" bring lots of energy and feature excellent, hard-hitting guitar work from Drew Shirley. Then songs like "Restless" and "Thrive" as well as the title track are slower but have so much lyrical depth. I love "Selling The News" as well because it's a bit unexpected, but also speaks so well to our culture, maybe even more today than when it was recorded. Finally, "Where I Belong" has become Switchfoot's concert closing song for these last 15 years and is an awesome, epic closer, expressing the band's desire to join their fans in a journey to find where we belong in this world. Vice Verses is an excellent album of rock songs that is well worth a listen, whether for the first time or the 100th time.

Release Year: 2011
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Album Of The Day: The Cymbal Crashing Clouds by Ben Shive

Album Art of Ben Shive's The Cymbal Crashing Clouds album - An illustration of a city of some sort. The sky is pink for some reason, and on the left is a large tree with no leaves. Underneath the tree is a yellow owl with a white, human face that is as tall as the multi-story buildings the own is standing next to. Across the are to the right of the owl is four buildings, all pained white with not too many windows, and all of which have red roofs but different colored doors. In front of them, stretching across the bottom, is a road which has 6 cars of various colors on it. In front of the tree is a wall with a door in it and a person walking through. Behind the buildings on the right is a green, steep hill and there are four green churches on the hillside. Around the edge of the hill comes a train on a track that stretches out into the sky above the buildings and the track is falling apart. The train is red and the steam from the locomotive is the clouds, where the album title is printed in a script. To the left of that, in the pink sky, is the artist's name in yellow.

Released 15 years ago today, this is the second album by musician and producer Ben Shive. Mr. Shive has been known to me as a producer and multi-instrumentalist, working with many types of artists, mostly Christian pop/rock artists. I'm not sure why, but I've never taken the time to check out his two independent solo albums until today. It's definitely on the more experimental end of rock/pop music, but it's really layered, interesting music. Some of it could almost be mistaken for an unreleased later-years Beach Boys track that you had not heard before. I've heard lots of the artists he's worked with rave about his music, and I'm very glad I finally gave it a spin on this album's 15th anniversary. I'll have to give it a few more listens and devote more time to better digesting this album in the coming weeks.

Release Year: 2011
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Album Of The Day: In The Company Of Angels by Caedmon's Call

Album Art of Caedmon's Call's In The Company Of Angels album - A photo of what looks like a leather cover that is on top of a bunch of loose pages with ragged edges piled on top of each other, photographed from the top down. On the cover, the leather is a light brown and whitened with wear in spots. There's a simple line drawing of a church building with a double door and a cross on top that is in the most worn spot on the left side. To the right of that, it has the band's name printed in a handwriting-style font in black, plus the album title printed below that in smaller, serif font and then 'a call to worship' in another handwriting font below that.

Released 25 years ago today, this is the fifth album by folk-rock band Caedmon's Call. In the previous five years, the band had become one of the top Christian bands thanks to their acoustic-rock full-band sound, a whole decade before Mumford & Sons came on the scene. With three vocalists who switched off lead and a large band making lush instrumentation, they've always been a fun band, and their songwriting was fresh and thought-provoking. On this album, though, they take a bit of a different track. Instead of their normal style of personal folk songs with Christian themes, they are singing more modern worship songs in the band's musical style. The songs here are mostly new to the fans and not just the popular new church standards, though most are not written by band members. There's a few classic hymn texts with new melodies by Sandra McCracken, plus some new songs written by Kemper Crabb and Aaron Senseman and some by the band's Joshua Moore. Oh, and there's a new live version of their hit from the year before, "God Of Wonders", from the City On A Hill special event album. This is definitely not my favorite album from Caedmon's Call (their better stuff was released in the 5 years before this), but it's not bad music either.

Release Year: 2001
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Album Of The Day: Forever Phase by Paul Meany

Album Art of Paul Meany's Forever Phase album - An illustration with a large building on the right side with multiple levels, and a road stretching out down the middle. On the left, the road dissolves into space with stars and galaxies. The sky above is lighter than the space on the left, but there's lines of darkness radiating from the vanishing point in the back of the drawing. Where the sky and the space meet, there's a thin circle outline, maybe supposed to evoke a moon. In the middle, what looks to be a small person is there, and in the air near them there's a few curvy lines suspended there. Across the bottom in small letters is the album title painted in black.

Released one year ago today, this is the first solo album by electronic pop/rock artist Paul Meany. The lead vocalist of one of my all-time favorite bands, Mutemath, Paul is an excellent songwriter and musician. You can definitely hear the Mutemath style here, though these songs are certainly all his own as well. For a number of years, Paul has been working with Twenty One Pilots and other artists on production and other things. Like much of the earliest Mutemath songs, this album is pretty chill, keyboard-heavy and a fun vibe. Lyrically, it is clear Paul is still processing the end of Mutemath though also working to move on. This album is not as good as his previous work with Mutemath, but I certainly hope that Paul Meany keeps on making more music, as I expect he will. I definitely want to hear more, and I could probably also give this a few more listens.

Release Year: 2025
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Album Of The Day: Get In, I'm Drivin' by Ginny Owens

Album Art of Ginny Owens's Get In, I'm Drivin' album - A photo of the New York City skyline taken from the Brooklyn Bridge with cars streaking by on the deck below is the background. On top of that is layered a woman with brown hair down past her shoulders, bangs and a frilly black dress leaning on a classic yellow cab that looks a bit worn out. She's got a bunch of jewelry on her fingers and wrists and keys in her left hand. Printed over the top of these in big, semi-transparent aqua blue letters is the artist's name right in the center, with the album title in smaller, yellow letters just below it to the left.

Released 15 years ago earlier this month, this is the seventh studio album by pop singer Ginny Owens. The album name and cover art is funny to me as I know Ginny Owens is blind and therefore probably does not drive, but that's really not what she's talking about. After four albums with Rocketown Records from 1999 to 2005, Ginny recorded a Christmas album and a hymns album, and then this album of original songs in 2011. I kinda lost track of Ginny Owens for a bunch of years there and only recently picked up this album on CD, and I gotta say I'm glad I circled back to her music; this is the kind of stuff I love from her. The music is mostly piano-based and very poppy, but has a bit of a jazz/blues bent to it. The lyrics are definitely based on her life experiences and talk a lot about her Christian faith. It's clear she wanted to keep making music and worked hard to make this happen, and the lyrics are often about her power to get things done through God's grace and her own determination. I also love the slow, chilled-out cover of Stevie Wonder's "Higher Ground" that fits well with her own songs here. Unfortunately, this album is not on streaming currently so you might have to find a copy on CD somewhere to give this a listen.

Release Year: 2026
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