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Album Of The Day: Third Verse by Smalltown Poets

Album Art of Smalltown Poets's Third Verse album - On a red background, a simple drawing of four men in a rock band in the front with a road, a few small town buildings, and a pond with a horse are in the background above them. The illustration could have been done by a child or maybe just someone who has not practiced their art craft well, but it's colorful and unique. Around the drawing is a small back border and then a wide yellowish-gold frame, in which on the top is printed the band's name and the bottom the album title in a hand-drawn-style font.

Released 25 years ago this past September, this is the aptly-titled third album from rock band Smalltown Poets. It's maybe not the band's most beloved album, but I really like these songs. "Every Reason", "Any Other Love" and "That Line" are quality rock with a Christian message. Some of the best songs on this album are covers of '90s Christian rock you may not have heard, "Beautiful, Scandalous Night" and "The Lust, The Flesh, The Eyes, And The Pride Of Life". And well, I love a great all-out rock closing track, and "100 Billion Watts" definitely does that here. Smalltown Poets is not one of my favorite bands, but whenever I do give their music a listen, I wonder why I don't listen to it more often because it's good. They also recently put out an EP a month or two ago, which is good too.

Release Year: 2000
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Album Of The Day: Unclassified by Robert Randolph & The Family Band

Album Art of Robert Randolph And The Family Band's Unclassified album - The top and bottom have a golden brown, blurry background. In the middle, a photo of four men standing in front of some sort of metal gate. The one in front is looking to the left side of the frame and clearly excited and exclaiming about something, with his hand about to clap together. He's also wearing a black leather jacket and a black brimmed hat. At the top above the photo, it has the band's name printed in a reddish brown, and on top of the upper right corner of the photo is printed the words 'Unclassified' in uppercase in a black, stamp-like font.

"I need more love every day of my life." It's the weekend, so I needed some rock jams to kick it off. Robert Randolph started playing the pedal steel guitar in church as a kid, and by the time I first heard this album from him and his Family Band, Randolph was jammin' in New York City at clubs playing a mix of R&B, rock, funk, soul and Gospel. Half the songs on this album are just instrumental jams, and his band of longtime relatives and friends are excellent musicians as well. Unclassified always puts me in a good mood and is an excellent vibe from start to finish. If you haven't heard this album, you should give it a listen. They hit it out the park with this first studio album, and I'm not sure they did any better than this later, though I like all their albums.

Release Year: 2003
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Album Of The Day: Straightjacket by Steven Delopoulos

Album Art of Steven Delopoulos's Straightjacket album - A drawing of a gray sky with white clouds. In the middle, two white birds are carrying a white straightjacket by the collar up into the sky, and a few other birds are flying nearby. Written by hand above is the artist's name and below in the sky is the album title.

Released 18 years ago this past November, this is the second solo album from Steven Delopoulos, the New York-based folk musician and lead singer of Burlap To Cashmere. On this album, Steven gets very experimental, with songs like "Ruin Of The Beast" and "As If Love Was A Sword" having Gregorian chant/choirs, and songs like "May I Always Keep My Feet On The Ground" and "Halt" having very percussive clapping and/or yelling. Even though it's a bit odd musically, I love his lyrics and melodies, they sound like something Paul Simon might have come up with though a bit more Mediterranean in feel. Songs like "Work To Be Done" and "She Held My Hand" are beautiful acoustic guitar ballads. This man is one of my favorite singer-songwriters ever, and it's terrible that he and his band are not more well-known. This album isn't as stellar as his solo debut, but I definitely love it a lot.

Release Year: 2007
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Album Of The Day: Ethan Luck & The Intruders by Ethan Luck & The Intruders

Album Art of Ethan Luck And The Intruders's self-titled album - Towards the bottom, a black-and-white photo of a city skyline, buildings that are pretty tall in front of each other. Above that, instead of a sky is a different photo of men marching in a few lines, or well, their legs only, not their upper body, and the ground. Above that it has 'Ethan Luck' written in large green text on a red background, with 'And The Intruders

Released 10 years ago yesterday is this third EP from Ethan Luck. You might not know Ethan by name, but he's played music in bands like The O.C. Supertones, Relient K, The Dingees, Demon Hunter, and more. He was taking photos on a Switchfoot tour recently and has played many different instruments and roles in the bands, but this his own, independent music. This is good rock with a bit of a punk ethos to it, and it's only 5 songs, but I like his style. These songs are mostly love songs and some songs about love lost. Ethan's got decades of experience playing rock music and that shows in the quality of this EP and his other works.

Release Year: 2015
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Album Of The Day: Eastern Hymns For Western Shores by Switchfoot

Album Art of Switchfoot's Eastern Hymns For Western Shores album - It looks like a square-shaped envelope. In the top right, there's two stamps, one red and one yellow, with some eastern man's profile photo and they are wearing glasses and a general's outfit. Below and in the center is the address area, and instead of an address is written across those lines in handwriting, 'Eastern Hymns for Western Shores'.

Released 15 years ago this month, this is the second independent, studio EP from Switchfoot, released between their 7th and 8th albums. It features 5 songs exclusive to this EP and one alternate version of a song from their 6th album, Oh! Gravity. There's definitely a level of experimentation musically and lyrically on these tracks and it seems like a collection of a few songs that didn't really fit on any previous album. This was only ever sold directly by the band on their web store, and it originally came as a part of Christmas merch bundle, though months later they started selling it individually and I picked it up a few years later. It came in a paper bag with some postcards that serve as artwork for the EP, so it has some fun, unique packaging. This is one of those where it's not on streaming, so maybe you need to scour your local used CD shop to find a fan who has let go of it if you don't have your own copy already, or maybe someday the band will print more (don't hold your breath on that).

Release Year: 2010

Photo of a rotund man with short brown hair and long, lighter beard and mustache holding a handful of postcards in one hand and a CD in a cardboard slipcase and a brown paper bag in the other hand. He's smiling, has glasses, and has a bunch of CDs in large shelves behind him in a room lit with a golden light.

Album Of The Day: In Feast Or Fallow by Sandra McCracken

Released 15 years ago this past April, this is Sandra McCracken's sixth studio album and second album with lyrics pulled from old English hymnals from the last few hundred years. But even though this is hymn lyrics, it definitely does not sound like a church choir. Sandra's other albums around this time are folk-rock songs, and this album's music and production is very much the same. These songs sound much more like contemporary works, as the melodies and song structure are mostly brand new, though the lyrics are mostly taken from old hymns. Looking at the song titles, you might not think you recognize many of these, but the song titles do not seem to be the main chorus on this album. For example, "Faith's Review & Expectation" ends the album with a new melody for "Amazing Grace". There's something special about these old hymn texts and it's fun to hear them set to modern music. I like the appearances by Thad Cockrell and Derek Webb on the title track, adding beautiful harmonies and taking turns on the lead vocal. Sandra McCracken has spent the last 10 years of her musical career since then making modern music for hymns and psalms and this early hymn album was the start of things to come.

Release Year: 2010
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Album Of The Day: Collide by Andy Hunter

Album Art of Andy Hunter's Collide album - On a mostly black background, a bunch of lines and paintbrush strokes are on top of each other int he middle. In the middle one very wide paintbrush stroke is in white, and written above that in a small black typewriter font is the word 'collide'. Around that, kinda orbiting it in circles, is printed in white a few translations of the word 'collide' in other languages, I believe. In the top left, a white box with the 'ah' word mark of the artist is present as well.

Released 15 years ago today, this is Andy Hunter's fourth solo release and his first fully independent release. If you haven't heard of Andy Hunter before, he's a DJ and Producer who does dance club music. Think of that action movie where they go to some dark club with fancy lights and the music is so loud no one can hear anything; that type of music. On this album (or is it an EP?) each song is about 7 minutes long and includes lots of bass and drums with synths, electronic sounds, and some vocals. It's only 5 tracks plus a remix so some might call that an EP, but I don't know, it's about a long as a full-length album from most other artists. This music has tons of energy and fun sounds and although I don't dance much, it's really enjoyable to listen to.

Release Year: 2010
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Album Of The Day: O Brother, Where Art Thou? Soundtrack by Various

Album Art of O Brother, Where Art Thou? Soundtrack album - The sky is replaced with a gold paper, but the bottom is a photo of three men in prison uniforms chained together running away from the camera through fields of green plants. In the middle of the gold background, the movie's title is printed in large black print, and above that it has the top four actors printed in an old-time poster font, and then printed in a modern, small black 'Music from a film by Joel and Ethan Coen'.

Released 25 years ago today, this is the soundtrack to the excellent Coen Brothers film set in the American South during the Depression. T-Bone Burnett put together a who's who of artists to record new versions of period-appropriate songs that do a good deal to make the film very enjoyable and memorable, though there are many other elements about this film I love as well. The mix of country, bluegrass, Southern Gospel and blues is just so much fun music to listen to, even when you're not watching the movie. Actor Tim Blake Nelson even gets his moment to shine on this album with "In The Jailhouse Now". Even if you haven't seen the film, you probably know a few of these old standards like "You Are My Sunshine", "I'll Fly Away" and "Down To The River To Pray". I don't yet have this on CD, but I'm looking for a copy now after giving it a listen today. I also want to watch the movie again sometime as it's been at least a decade since I watched it.

Release Year: 2000
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Album Of The Day: Professional Rapper by John Reuben

Album Art of John Reuben's Professional Rapper album - A black and white photo of a young white man's face cut out on a red and black background. On the top half, it's a red cityscape with black buildings, and on the bottom half it's red and black thick lines emanating out from his face. Around his face is a circle that has the artist name and album name printed in a white font with stars separating them.

"I have no opinion, I don't / I could but I won't / I'm tired of arguing." Released 22 years ago this week, this is John Reuben's fourth studio album and the first album where he really started to find his definitive sound that is a amalgam of rap with rock beds. John Reuben makes albums that acknowledge Christian values, but also ask the hard questions and have a healthy dose of humor as well. Some of my favorite rock vocalists show up on this album for background vocals, both Adrienne Camp of The Benjamin Gate and Tim Skipper of House of Heroes. Sure, he's a middle-aged white man co-opting the world of hip-hop created by black Americans, but he creates rap that speaks to me, so I love it. Thanks for continuing to speak truth and ask the questions, John. I'll keep buying the albums. "It's been 20 years, no wonder the '80s are in."

Release Year: 2003
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Album Of The Day: Never Picture Perfect by Rich Mullins

Album Art of Rich Mullins's Never Picture Perfect album - On a creamy white background, a color photo of a middle-aged man sitting on a chair in shorts and a black shirt. He's looking to the right of the camera with a very serious stare. The photo is very grainy and has a rough, kinda painted edge. Above the photo, written in a dark red pen is the artist's name. And below in a dark red italics serif font in all lowercase is the album title.

If you read my Album Of The Day posts often, you know I'm a big fan of Rich Mullins by now. He wrote great songs that talked about life's struggles but also found lots of solace and joy in Jesus. Released 36 years ago yesterday, this is Rich's fourth studio album and it includes a bit of his humorous side along with his normal Christian pop. "Alrightokuhhuhamen" is a funny way to encourage us to remember to listen when God is calling us to do something. "Hope To Carry On" was a song I first heard on WOW 1998 when it was covered by Caedmon's Call and is an all-time favorite song, even better when it's got the short "I Will Sing" right before it. "Higher Education And The Book Of Love" decides to condemn our Educational institutions because they are anti-God or something, and I don't know if I fully agree with that, but it's certainly a hot take that I didn't really expect from Rich. But wow, I love the rest of the B side of this album; "Bound To Come Some Trouble", "My One Thing" and "Somewhere" are all great, and with "The Love Of God" right in the middle, it's just a great lineup. This is only just over 37 minutes, but it's a great album of late '80s Christian music.

Release Year: 1989
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