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Album Of The Day: Exodus by Various Artists

Album Art of the Exodus album by various artists - On a red background, the word 'exodus' is painted in bright yellow towards the top, with a yellow flame coming from the top of a green pole with a circle on the top of it. Around the edges are a large border with blue squares in each corner, each with a yellow line drawing representing a person with raised hands inside them. And around the border is gold circles with blue lines coming from them towards the middle, repeated about a dozen times on each side.

Released 28 years ago today, this is the first special event album by Michael W. Smith's record label Rocketown Records, and it was a massive hit in Christian music. Around this time, modern worship music was becoming more and more well-known, and Exodus paired that trend with some of the most popular Christian music artists of the day. Jars of Clay, Sixpence None The Richer, and dc Talk contributed original songs with a more worshipful tone than most of their other music of that time. Michael W. Smith co-writes a song with Cindy Morgan, who sings it here. The Katinas and Crystal Lewis cover modern worship favorites and make them their own. Third Day covers Michael W. Smith's "Agnus Dei", which was a chorus on Michael W. Smith's 1990 album and was already becoming a worship staple by this release, and I love their guitar-heavy reinvention of it. Michael W. Smith opens the album with an instrumental track to add a very cinematic but also worshipful feel to it, and a reprise closes out the album briefly. But before that, Michael W. Smith closes out the album with a beautiful cover of Rich Mullins's "I See You" only 9 months after Rich died in a car accident. Exodus is a beautiful collection of songs that fit well together despite the disparate artists and styles, and it proved the top CCM artists could make big waves if they get into worship music. Like many special event/compilation albums of the time, this does not exist on streaming, and you might have to find it on CD. And I love the CD packaging, too, as Jimmy Abegg has beautiful artwork including illustrations of each of the artists along with the lyrics and credits in the booklet.

Release Year: 1998
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Album Of The Day: Big Blue Sky by Bebo Norman

Album Art of Bebo Norman's Big Blue Sky album - A color photo of a young, white man in a black shirt being photographed from below him and off to the side. He's looking to the right of camera and has short, brown hair and a neutral expression. Behind him looks like a blue sky with a bit of darkness to it, so maybe a blue from dusklight or just before dawn. Printed over the photo is the artist's name above the shirt, and to the right of that is the album name with no spaces.

Released 25 years ago today, this is third album by folk-pop singer-songwriter Bebo Norman. His previous album, his major-label debut, was a bit more country and had a lot more banjo and acoustic guitar. On this album, there's more keyboards, some electric guitar, and therefore a more pop/rock sound with a bit of folk elements. This was my first Bebo Norman album and I think it's still my favorite of his albums, and only this album do I listen to regularly. I remember seeing him in concert and the keyboards/loops in "Break Me Through" filling the auditorium and loving it. (I didn't remember anything about Katy Perry's opening set, though, from that show, but I know she did perform.) These are fun, engaging songs exploring Christian themes and more universal themes such as love. I don't know why, but by the time he released a few more albums I was not really enjoying his music then anymore. Maybe my tastes changed, or maybe his music changed somehow. Anyways, this was an album I listened to a lot in the year after it was released, and it still is one I go back to on occasion. Bebo retired from music and apparently is now a medical doctor in the Nashville area, I hear.

Release Year: 2001
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Album Of The Day: Heavenly Place by Jaci Velasquez

Album Art of Jaci Velasquez's Heavenly Place album - In a well-lit room, a photo of a teenage girl with long, black hair and a brown patterned dress is shown on the right side, with some sort of circular stand and curtains behind her on the left, though out of focus. The woman is looking at the camera and looks petite with a slight smile. Towards the bottom of the photo her name is printed in large red letters, with the album name in much smaller white letters above her name on the right. On the top and bottom there's a hand-drawn decorative border design in red and black.

Wow! This is a blast from the past. Released 30 years ago yesterday, this is the major-label debut album by pop singer Jaci Velasquez. Though she was only 16 years old when this was released, she had already released three albums before this. This is mostly Christian pop music, though a few of the songs have a bit of a Latin pop flavor hinting at the singer's heritage. Almost none of these songs are written by Velasquez herself, but are instead written by some of the best songwriters working in Nashville's Christian pop scene at the time. I haven't listened to this album in at least 25 years and Jaci Velasquez was never really a musical favorite of mine, but my sisters definitely had this album and listened to it a lot in the late '90s. So I listened to it with them and remember all these songs pretty well, as it's a well-written ten songs of pop. OK, maybe I even listened to it once or twice when they weren't around too. Jaci would go on to sell over three million albums in the U.S., also release pop music in Spanish, and even have a few acting roles in movies throughout her career.

Release Year: 1996
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Album Of The Day: Lifegiver by Hyper Static Union

Album Art of Hyper Static Union's Lifegiver album - On a dark red background with a bit darker edges, four black bars are lined up in the center, each with a different height. Below the bars is the band's name in white and black, with lines bisecting some of the letters vertically. Below that in a smaller, black text is the album title.

Released 20 years ago this past Saturday, this is the third album by rock band Hyper Static Union and their only album released through a major record label. I like their crunchy guitars and that bluesy vibe. They wear their religion on their sleeve, but the songs are catchy and it's clear they are good musicians. The lyrics point to a God above and proclaim his love, while the band rocks out. I haven't listened to this band in many years and I'm liking it a lot more than I remember; I'm not sure why I stopped listening to them back in the day. I needed to give them another chance, I guess.

Release Year: 2006
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Album Of The Day: Crescendo by Jackie Hill Perry

Album Art of Jackie Hill Perry's Crescendo album - On a white background which is a bit more grey at the edges, there's a color photo of a black woman with long, braided hair looking into the camera while holding her chin high. From left to right, there is the musical symbol '<', which is a crescendo. It means the music starts quiet and gets progressively louder. The top part of the '<' passes behind the artist, but the bottom part is in front of her. The front part looks more gold and the back part looks a bit more white. In the top left is printed the album title, and in the top right the artist name, as well in the bottom left in small print is the label name, 'humble beast'.

Released 8 years ago today, this is the second album by rapper Jackie Hill Perry. She delivers fast-moving verses and, on this album, there are musical interludes between songs that are classic hymns or Gospel music, slowing down the album and adding moments of contemplation for the listener. Songs like "Hymn" feature a bunch of guest rappers and definitely is all about preaching the Gospel. But other songs use Jackie Hill Perry's personal experiences to talk about where she can improve while also pointing to God as her Lord and Savior. I love the production style here from a slew of Producers including the guys running the Humble Beast label which released this album. The album mixes a variety of styles and brings a lot of musicality to that is not there when it's all Jackie rapping. It's fitting to have an album with such a musical title to have such dynamic swings in musical elements. I haven't liked her production on her new Reach Records releases as much, but I hope she continues to create hip-hop because the raps are excellent.

Release Year: 2018
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Album Of The Day: The Me That Remains by Amy Grant

Album Art of Amy Grant's The Me That Remains album - A mixed-media collage that looks to be hung on a orange and red painted wall or maybe canvas. On the right side is a drawing of Amy Grant, most of it colored in, with the right side only a black-and-white rough sketch, but still made up of various scraps of handwritten text and and drawings. Looking closely at her dress, though, you can also see photos of Amy Grant and Vince Gill, a Tennessee state-shaped magnet, and other paper snippets as well as fabric making up the dress. Behind Amy is a landscape also made up of photos, tickets stubs, and other pieces of cloth, wire, sea shells and more. In the middle of the sky there's an aqua blue sheet that has the album title written on it with cloth or foam clouds above and below it.

Released today, this is the twentieth album by singer-songwriter and pop superstar Amy Grant. Mrs. Grant has been making music for almost 50 years now, and is most well-known for '80s and '90s pop like "Baby Baby", "Every Heartbeat" and "Takes A Little Time". Her first album of new, original songs in 13 years, The Me That Remains finds a bit slower, a bit more country-tinged and more reflective on life and society than in-our-face Christian messages and pop hooks. After a few listens today, I'm really liking this album a lot. Looking at the album writing credits, I love the collaboration here: "Please Don't Make Me Beg" co-written with Jon Foreman of Switchfoot, "How Do We Get There From Here" written and sung with Ruby Amanfu, and "The Saint" co-written by long-time friend and pop songwriter Michael W. Smith. Some fans of the Christian artist may find less spiritual, religious language than they might expect here, but there's still some if you're looking for it. And Amy Grant definitely speaks up for those less fortunate and dwells on her struggles in life a bit, as one who has been somewhat of a celebrity for nearly 50 years might do—I think it fits her well as her current role as the queen of Christian music and elder stateswoman of American music.

Release Year: 2026
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Album Of The Day: Mercy by Natalie Bergman

Album Art of Natalie Bergman's Mercy album - A grainy black-and-white photo of a white woman with blonde hair standing in front of a black background with a large white cross. The woman is wearing a white coat with a V-neck and a strap across the neck, and her arms are held out in front of her together, palms facing up. She is looking up towards the sky in the direction of the light, as the hands strike a shadow on her chest.

Released 5 years ago today, this is the first album by singer-songwriter Natalie Bergman. She performs a very unique combination of folk pop with soul and Gospel elements. Her falsetto vocals with very Gospel-centric lyrics and pop sensibilities is very unexpected but definitely worth a listen. It's not exactly what I would expect from Jack White's Third Man Records, though then again I would not expect the norm from that label either. Lyrically, you'd expect the music to be sung by a Gospel quartet or maybe some older white lady, but instead this is an attractive woman in her 30s. And musically, you expect it to be music about making love to a partner and the frivolities of life, but instead it's songs about a relationship with Jesus. It's just not what I would expect all around, but I think I like it. Check this out and you might like it too.

Release Year: 2021
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Album Of The Day: Carry Us Through by Sarah Masen

Album Art of Sarah Masen's Carry Us Through album - On a black background, a black-and-white photo of a woman in a black shirt with a dark grey or iridescent print on it is photographed in profile, with her facing to the left of the frame. Most of the light is coming from the direction of the camera, so the features of the white woman with short hair really pops from the black background and the black shirt. To the right of her, at about the level of her neck, is the artist name in bold white text and the album name to the right of that in thinner white text.

Released 28 years ago today, this is the third album by pop/rock singer-songwriter Sarah Masen. Produced by Charlie Peacock for his short-lived re:think label imprint, Sarah Masen's vocals soar over some simple, jazz-tinged indie pop. Her music wasn't something I listened to when this was released, but in the last few years I've been listening to her '90s albums more and I'm really liking them. The songs are well-done and catchy and her sound is fairly unique. I should check out her more recent, independent music too.

Release Year: 1998
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Album Of The Day: Point #1 by Chevelle

Album Art of Chevelle's Point #1 album - On a black background, the middle is a light green color and looks like either a green marble or some sort of rug, though there's dark gouges/cracks in it and a few holes. On the left edge there is the tops of two feet poking into the frame, which is why I think it's a bit of floor, carpet, or maybe a bathtub? With the rest of it black, it's hard to tell. Printed above the green in a darker green text is the band's name, with the second 'e' turned around to mirror the 'e' on the other side of the 'v'. And in the blackness in the bottom left is printed the album title in small, white text.

Released 27 years ago today, this is the first album by Chevelle, a hard rock/metal band by two brothers for almost 30 years now, though actually at this moment a third brother was playing bass too. This album really hits hard, and by that I mean that this three-piece creates a lot of noise and lets out a lot of anger on this album. Guitarist, lead vocalist and songwriter Pete Loeffler passionately sings and sometimes screams poetic lyrics trying to understand the complexities of life and questioning the things he's been taught. The highlight for me is still the title track which opens the album with six minutes of excellent metal, including a two-minute intro. But it doesn't stop from there; throughout it's 42 minutes of grunge-y guitars with thundering bass and drums as well as Pete's dynamic vocals. Producer Steve Albini and Chevelle kept the instrumentation and the production sparse and it keeps the energy up and probably sounds more like their live show, which I think was a very good choice for this band's debut. The band has continued to make music, but I haven't listened to much of their music except for this album in the last 20 years, honestly, as I found their few albums after this less and less compelling to me personally.

Release Year: 1999
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Album Of The Day: Pro Pain by Mars ILL

Album Art of Mars ILL's Pro Pain album - A drawing of a two-door sedan car in a crash test setting, with the whole front of the car crumpled and mid-explosion. On top of the line drawing is painted blues, yellows and reds in various large swaths of color, with the paint not hitting the white edges. In the top left it says 'manchild and dust' in small black text, then the artist name in much larger white text with a black outline. At the bottom left, the album title is printed in brighter colors, with a white outline. In the bottom right is a Mars ILL word mark, where the 'ILL' kinda becomes part of the letter 'm'.

"Twenty years from right now my words are still grabbing your nature" Released 20 years ago tomorrow, this is the third major studio album by Atlanta hip-hop duo Mars ILL. DJ Dust puts together intricate hip-hop beds from classic records and other sources, and I love how each time I hear something new I missed on previous listens. Emcee ManChild does fast-moving rap about life, love and the rap game. Mars ILL is my favorite rap/hip-hop artist of all time, and their three albums are so, so fun to listen to. Yes, it's a bit of an underground/indie rap sound, but it's so well-made and the words and music have so much meaning to them. These two spent about 10 years in the underground hip-hop scene and this album was their final major release, as they moved on to other creative and professional pursuits, and only a few new songs have been released by them since. Seriously, if you like rap at all, check this duo out and I hope you like it.

Release Year: 2006
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