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Album Of The Day: All I Owe by Matthew Smith

 his hair, mostly, with a bit of the top of his noses and eyes and his right ear at the very bottom, and we can see his shoulder of a brown coat of some type on his right shoulder. Behind him looks to be some golden and brown wallpaper. Over the top of the photo above his head is a dark brown rectangle that says the artist's name and the album title on separate lines. The rectangle has some decorative curved lines and leaf designs coming out of it.

Released 20 years ago yesterday, this is the first full-length album from folk/rock artist Matthew Smith. On most of these songs, he takes some old English-language hymn texts and sets them to new rock melodies for some theologically-interesting, more modern music for listening and worship at church. This album has some melodies you may recognize like "Come Thou Fount Of Every Blessing" and "Nothing But The Blood", but most of the rest were both new lyrics and melodies to me. I really like this idea of setting hymns to more modern music and enjoy this album, though I definitely haven't listened to it enough; for some reason I don't choose to listen to these albums often, but I should more as the lyrics are better than a lot of modern worship music. Matthew Smith seems like a very nice man and I appreciate the music he has made. Matthew Smith recently talked about this album on The Album Anniversary Podcast with my friend Caleb. It's almost that time of year for my favorite Matthew Smith project, Your King Has Come, a special Christmas album with multiple artists.

Release Year: 2006
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Concert Film Of The Day: The Last Band On Earth by The Elms

DVD Cover Art of The Elms's The Last Band On Earth concert film - A black-and-white photo of a guitar on a dimly lit stage with bits of light shining on it only in places is mostly black, but provides a backdrop. Printed on top if it is in small text, 'An Absorb Picture' in small, all-caps dark grey text, with 'The Last Band On Earth' printed in very large block text with a gold outline. 'A film about The Elms' is printed in smaller text below it with a white outline. There's a white border around the whole thing.

Released 15 years ago today, this is the second concert DVD released by rock band The Elms, one of my favorite bands. After four albums and 10 years, The Elms decided to retire as a band and move on to other things, and on July 30, 2010, they played their final concert in Indianapolis, Indiana, USA. They played over 30 songs for over 3 hours in this epic finale as a band, I hear. This concert film was created by the band in the year following the concert and released on DVD independently. The film accurately captures the energy and musicianship of their live shows in its 110-minute runtime. (No, they did not release video of the entire concert, but there's about 20 songs here.) The audio sounds great, and the video is frenetic and oscillates between black-and-white and some sort of hyper-colorized version that gives the film an almost psychedelic look. The video is sometimes also very blurry and grainy and has fast cuts, which are interesting choices and I'm not sure I like it visually as much as their first concert DVD. But it's great to have this recording of the band's last show and it's certainly the way the band wanted to present it. The DVD film can still be purchased from the band's website along with their vinyl box set. In the 16 years since, the band has reunited a few times for a live show and hanging out with fans.

Release Year: 2011
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Album Of The Day: Momentum by TobyMac

Album Art of TobyMac's Momentum album - A photo or collection of photos spliced together where all of the background has a heavy horizontal motion blur, so it's hard to tell what the background is. But it looks like it could be a sidewalk and a brick wall with an advertisement sign on the left side. In the middle, pasted on top of the photo is a black-and-white cutout of a man in shorts and a black shirt with a beanie on jumping through the air and screaming. There's a blurry color photograph version of it layered in behind as well. Below the jumping person it has the album title in small white text with the artist name in larger text below it.

"So if you're wondering why I / Continue to try my / Skills in this rap game / Girl, I can't get enough." Released 25 years ago today, this is the first solo album from pop/rap artist TobyMac. Known in the '90s as being the rapper in the Christian rap/R&B trio dc Talk, after the group disbanded, Toby McKeehan (aka TobyMac) started a solo career that was rather successful and continues to this day as a Christian pop/rap artist. Maybe thanks to the co-production from Pete Stewart on some tracks, many of the songs here contain musical beds that are guitar-heavy and a large wall of sound. Other songs sound a lot more like early DC Talk, with simple hip-hop beats and beds with guest vocals on the choruses. This album is one I listened to a lot back when it was released, but honestly, I find it harder to enjoy Toby's music more than other artists. I find the lyrics pretty childish and overly positive, plus I now understand more of what non-Christian artists he was trying to imitate and it seems less amazing. I also always thought TobyMac was better at finding and building talent at his Gotee Records as I liked their artists a lot more than his output. Still, I suppose it's worth a mention that this was a big release in Christian music 25 years ago.

Release Year: 2001
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Album Of The Day: Spirited by Stephen Christian

Album Art of Stephen Christian's Spirited album - On a powder blue background that looks more grey on the left and fades into a bit of brown in the top right, a man is standing in the center and looking off to his right. He's wearing black pants and a black shirt, and his skin is white and he's holding a leather jacket in his left arm with his hands clasped over his chest. He's got brown hair that is short on its sides but pretty long on the top. Printed above his torso on top of the photo is the album title in very thin white text. And on the background just below it on both sides of his waist is his first and last name in much smaller white text.

Released 5 years ago today, this is the second solo album from pop/rock artist Stephen Christian, most well-known as the original lead singer of Anberlin. While Anberlin was a rock band that made mostly love songs, Stephen Christian's solo music has been more Christian pop/rock. Stephen here records 10 songs of worship-oriented music, most of which he wrote or co-wrote along with some of the biggest songwriters in Christian pop/worship music. While I think these songs are not as great some of his other works, it's clear that Stephen Christian has a lot of talent in songwriting and performance. These songs use a lot of religious and biblical language that most non-Christians will not understand, but musically they are interesting, guitar-led rock sounds that I find really enjoyable. I've been playing the track "Call/Run" often since I first heard it, and the rest of the songs are really well-made as well. It seems to me like Stephen Christian is one of those artists who will always be writing and recording music and I'm happy to see it in whatever type he wants to do, no matter if it's this Christian music or his more mainstream pop/rock works under the name Anchor & Braille or even something else.

Release Year: 2021
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Album Of The Day: Terraform: The Sky by Propaganda & L's

 The Sky EP - A photo of a desert-ish background with some cacti and scrub bushes and a partly cloudy sky above and some large rock formations in the background. In the center from the waist up there is a man in a denim robe/hoodie also wearing some sort of hair covering. He's black and his hair is long and braided, and he's holding a cup of coffee in his right hand. Around his head is a golden circle, kinda like a halo of a saint in an early religious artwork. In the sky, on top of the photo is printed 'The Sky' in large text, then 'Propganda and L's' in smaller text. In the bottom right, the words 'Terraform' are in small white text.

"I'ma alter your summer solstice / Uh, I'm a beacon to all cultures / Uh, I'm a cosmic explorer / Build a new world, big homie, terraform." Released 5 years ago tomorrow, this is the second EP in the "Terraform" series from rapper/poet Propaganda. From Los Angeles, Propaganda is one of my favorite rappers of the last decade. He's creating intelligent rap music, plus he's building community in his hood, doing spoken word poetry and maybe even some improv comedy or something too, if I'm understanding his Instagram correctly. But on this EP, he's lyrically drawing on ideas from the sky and exploring space to remind us that we own this world, we should take care of it, and we need to build the world we want. It starts with '2:30" which is spoken word over beats talking about the 2017 solar eclipse and how it put our world into perspective. And on "Mars" he also points to how if we colonize another planet, we'll probably have the same problems we've had in colonizing continents here on Earth. My two favorite songs on this EP are "Gutteral" and "Calibrate" as some of these lines get stuck in my head. Thanks, Propaganda, for making me think and encouraging me to think bigger. And shout-out to L's for the production too; it's quality hip-hop.

Release Year: 2021
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Album Of The Day: Quantity Is Job 1 by Five Iron Frenzy

Album Art of Five Iron Frenzy's Quantity Is Job 1 EP - On a red background, a drawing of a large green blob that is dancing and has a much larger upper torso and forearms than the rest of his body. His arms are off to his right and he's got a big smile. To his left at his feet are 5 much smaller orange blobs that are all watching and seem very scared of the larger green blob. Printed on the left side is the band's name in large white text with a blue outline, and below that in smaller text is the album title.

"I have an evil plan to save the world for every man / And I think it's better than the way it's being run." Released 28 years ago today, this is the first EP from ska/punk band Five Iron Frenzy and their third release overall. Although it is an EP, there's actually a good 7 songs including an Electric Light Orchestra cover that are most of the runtime. And these songs are memorable, from the opener "My Evil Plan To Save The World" to "Dandelions" and "One Girl Army". But about half of the EP's 17 tracks are a series of joke songs entitled "These Are Not My Pants (The Rock Opera)". In this series, the band records the lyrics "These are not my pants. Whose pants are these?" in various musical styles, each version being a minute or less. This has made me laugh a bunch of times in the last 28 years, but I'm not sure if it has as much replay value as the rest of the Five Iron Frenzy catalog. It's a fun EP that shows the band's musical prowess as well as their humor, and you should check it out.

Release Year: 1998
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Album Of The Day: Bleach by Bleach

Album Art of Bleach's self-titled album - A grainy picture of a light brown couch sitting a red/pink wall, with a light on the ceiling above the frame of the photo. Printed in the glow of the light on the wall on top of the photo is the band's name in large, lowercase text in an orangish-red, with faint repeats of the text behind over and over in the wall backdrop.

Released 27 years ago today, this is the third album from Christian rock band Bleach. This band was never one of my favorites, but were a pretty solid entry in Christian music with a good rock/alternative style. Although the lyrics definitely had spiritual references, they didn't seem to be as preachy as some of the more mainstream Christian bands. Maybe I just never really felt lead vocalist Davy Baysinger's southern twang or something. I remember a few songs like the opener, "Heartbeat", from the "Extreme Days" movie soundtrack and Christian radio. Apparently Bleach has done reunion shows on occasion, and they recently even released an album of old songs re-recorded, so if you're a Bleach fan, check that out.

Release Year: 1999
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Album Of The Day: Economy by John Mark McMillan

Album Art of John Mark McMillan's Economy album - A photo of a few abandoned-looking houses with an ocean and beach behind them, heavily colored pink throughout the whole photo. Around the edge is a large white border. Printed above the photo in the center is the artist's name in large white text, with a '/' on the next line, then the album title on another line below that.

Released 15 years ago today, this is the fourth album (second easily available) by rock artist John Mark McMillan. On this release, he mixes poetic lyrics with an excellent rock ethos. His band is firing on all cylinders throughout, with layers of screaming guitars and pounding drums and bass. Released on Integrity Music which is a label known for modern church music, this album and artist doesn't exactly fit there. I think this is more a rock performance than songs for praise and worship, though some of his lyrics do have some elements of that. It's not my favorite John Mark McMillan album, but it may be his most rock 'n' roll and I think that's why some fans really like it. It's a solid album and well worth a listen. And if you want, you can listen to me and a few others talk about it in depth on The Album Anniversary Podcast recently.

Release Year: 2011
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Album Of The Day: Eat, Sleep, Repeat by Copeland

Album Art of Copeland's Eat, Sleep, Repeat album - A black-and-white painting of three people, maybe a father and mother along with a younger kid, though they all look a bit baby-faced. The woman and the youngster are sitting on some steps up to a porch, I think, with some bushes past the steps. The man is walking towards the steps in boots and holding some wood scraps, it seems. There's no printing about the band or album title, though the CD version did have a sticker that went over the top of the artwork that had this information originally.

"I'm in love with my doubt / It's freaking me out." Released 20 years ago today, this is the third album by alternative rock/emo band Copeland. Aaron Marsh and his bandmates put together achingly-beautiful songs about love found and lost and just the daily struggles of life. Songs like "Love Affair" even features strings and horns and songs like "Control Freak" are very catchy. I remember when I first heard this thinking it was very different from the first two Copeland albums, but it's not as different as I thought in retrospect. I'm not sure exactly why, but I was really into Copeland from 2003-2006, but I haven't really gotten into their music newer than this too much, though I have listened to them on occasion and even seen them play live a few times. Still, this is a pretty solid album and worth a listen if you like this type of indie rock music with a bit of an emo style. Copeland do a good job at crafting a unique lyric and catchy melody.

Release Year: 2006
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Album Of The Day: What Matters Most by Wes King

Album Art of Wes King's What Matters Most album - The main background is a golden orange color, kinda the color of old paper. There's handwriting on them, and in the bottom right there's also some musical notation. In the bottom left there's also a faint image of a home. Towards the top, on the left it has the artist's name in somewhat large black text, and then a hand-drawn golden yellow rectangle and three old photos reproduced with a golden hue inside the rectangle. The left has a man standing in front of an old car, the middle is two young kids, and the third a young woman in front of a house on suburban street. Below the photos it says in smaller black text the album title.

Released 25 years ago today (or maybe earlier in this month), this is the sixth album by guitarist and singer-songwriter Wes King. Throughout the 1990s, he released five Christian pop/rock albums, and this was his last release. It was released on the very short-lived Word Artisan imprint of Word Records, with all other of the label releases being around the same time from Phil Keaggy. Wes King here crafts some personal songs about life as well as some songs about the Christian faith, and they are beautifully crafted with strings on many tracks along with Wes's excellent guitar work and vocals. The title track might be my favorite on this album. "Staring Down The Dog" gets into a country-rock groove too, which is fun. Like many of his other albums it's just a quick 10 tracks and 40 minutes, but it is a quality album that I don't listen to enough. Wes King has been posting on Facebook about a new album in the works, which is an interesting idea for someone who has not recorded any new music in a few decades as far as I'm aware. I hope it turns out well and that he's got some good things to say all these years later.

Release Year: 2001
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