Blog

Album Of The Day: Westfield by Thom Daugherty

Album Art of Thom Daugherty's Westfield album - On a blood red background, a black-and-white photo of a man and women cut out with no background in outfits from mid-20th century, a man in a suit and a tie and a woman in a dress with an apron over the front. The man is holding the wife and they are about to kiss, it seems. Their eyes are not visible due to a large scribble of black marker across the top of the photo at eye level. To the left of the duo in smaller black text is the artist name, and in large white outline with a white drop shadow is the album title over the top of the photo.

Released 5 years ago this past Sunday, this is the first full-length album from Thom Daugherty, a musician and producer best known as the guitarist for The Elms. Like The Elms, this music represents and speaks to the middle class, midwest American well and features excellent guitar and a classic rock sound, though it's definitely not exactly the same sound as The Elms. I like Thom's vocals as they are kinda deep and go really well with the rest of the rock sound. Lyrically, Westfield discusses Thom's views of social issues and how those relate to politics and religion. Some might not like that, but I find it makes me think about these issues and decide what I think, which is one of the things good music should do. It closes with a great song, "Porch Light", which is about visiting family and the places you came from. This album isn't one I have listened to much because I can't find a way to buy in lossless audio formats or physical media, but when I have access to streaming I give it a listen on occasion. It's definitely worth a listen to this independent release.

Release Year: 2020
Listen on Apple Music
Listen on Spotify

Album Of The Day: Coming From Somewhere Else by Kennedy, Kirkpatrick, Madeira & Sprague

Album Art of Kennedy, Kirkpatrick, Madeira and Sprague's Coming From Somewhere Else album - A photo with a very yellow hue to it is showing a series of wooden steps and and there are four pairs of legs on standing the middle step. The two on the left have very shiny, maybe sparkly or shimmering pants, the first red and the second yellow. Then on the right some bright red pants and on the far right some black pants. The shoes seem to be mostly a black or brown, but the color of the photo seems to be only yellow, black and red so it's hard to tell. Below their feet, it has the artists's last names, and then the album title, all in lowercase in black. In small print at the bottom it also says 'rocketown writers series'.

Released 25 years ago this past Friday, this is an album of four songwriters performing their own versions of the songs they wrote, many of which were popular songs by other artists. Most well-known by a wide audience is the album closer, "Change The World", which Gordon Kennedy wrote with Wayne Kirkpatrick and Tommy Sims and was a big hit for both Wynonna and Eric Clapton. Wayne Kirkpatrick gets to perform his own version of "Place In This World" which was a hit single by Michael W. Smith. Phil Madeira is a songwriter who wrote "Everywhere I Look" made popular by Phil Keaggy and "Hunger And Thirst" recorded by Susan Ashton. And Billy Sprague and Wayne Kirkpatrick wrote "Man After You Own Heart" which was recorded by Gary Chapman, and Sprague also co-wrote "Via Dolorosa" for Sandi Patty. They also recorded one new, original song, "Coming From Somewhere Else", written by all four together. While most of these were '80s and '90s Christian pop radio singles, here they find much more of a Nashville folk-country, somewhat jazz-y vibe with more acoustic guitars and the vocals of the songwriters themselves, which is cool to hear. Recording their own versions of these hits is not always something these songwriters get to do, and it's fun to give it a listen especially if you are familiar with the original recordings of some of these songs. The album cover says "Rocketown Writers Series" on it, but unfortunately, I don't believe that Rocketown Records ever released another album in this so-called series, though I certainly would have given it a listen had they done so.

Release Year: 2000
Listen on Apple Music
Listen on Spotify

Album Of The Day: Learning To Breathe by Switchfoot

Album Art of Switchfoot's Learning To Breathe album - On a somewhat pastel blue background with a hint of purple hue, an graphic of three stick figures with just one short arm each. Their heads are squares and look kinda like TVs, each with the same dot pattern on them. Behind them, in the background, is the outline of a TV screen with the dot pattern as well. The TVs have a white screen and 15 dots, all grouped together, with one near the middle colored red and the rest are black. At the top, the band's name is printed in large red, block-y font with a hairline thin black edge, and then the album title is in smaller letters below the band's name.

Released 25 years ago last month, this is the third album from Switchfoot, and though it's a quick 43 minutes, it's one of my favorite albums from them. Around this time, the band was still a three-piece officially, but the band started to have extra people on tour to fill out their sound. On this album, it's still very simple guitar, vocals, drums and bass on most songs. "I Dare You To Move" became a worldwide hit when it was re-recorded for their fourth album, but it first showed up here as the opening track. "Learning To Breathe" is another solid song about personal growth. "Poparazzi" and "The Loser" are really fun ones too. One of my all-time favorite Switchfoot songs is "Love Is The Movement", an excellent reminder that the most radical thing we can do is love others, plus the song has a bit of a Gospel flair and epic-ness to it. Speaking of epic, the closer "Living Is Simple" reminds us of the joys of life. Switchfoot has grown and expanded their sonic palette over the last 25 years, but I still love these early days as a bit more of a scrappy little rock band.

Release Year: 2000
Listen on Apple Music
Listen on Spotify

Album Of The Day: Tree63 by Tree63

Album Art of Tree63's self-titled album - A collage of photos of various colors and subjects. On the right, a tall, slender photo of a beach and the sea above it, with some dock or land on the horizon beyond and cloudy sky above. On the left, three columns of smaller images in 6 rows, one of which is a picture of the band, but other pictures of a video game controller, a bike tire, a flower, an interior of a bus, a few different streets, and a wall with geometric painting on it, among other things. At the bottom of the big photo on the right, it has the band's name printed in blue with white circles behind it.

Released 25 years ago this past Friday, this is the first album released in the USA by Tree63, a South African rock band with Christian lyrics. In the late '90s, the band was known as "Tree" and released two albums, Overflow and 63, and this album is a compilation of the best songs from those first two albums and the first album to use their new name, Tree63. If you didn't get the imported albums on CD like I did 25 years ago, you didn't hear the other songs, though all those old songs are currently available on streaming if you want to now access the classic songs you never heard. But the band took "Joy", "Look What You've Done" and "Worldwide" from the Overflow album and re-recorded them to sound more like the production style of their 63 album. And then half of the tracks from 63 were joined with those three new recordings to make this 10-song best of early Tree63 self-titled album that introduced the band to the North American market. John Ellis and his bandmates created great rock music with honest and sometimes worshipful lyrics. Songs like "1*0*1", "Treasure" and "Can I See Your Face?" are excellent rock music with quality Christian lyrics. If you're a fan of Tree63, I recommend you check out the original two albums and their 26 tracks, but this 10-track compilation is a great look at the band's early songs and works well together as an album.

Release Year: 2000
Listen on Apple Music
Listen on Spotify

Album Of The Day: Transform by Rebecca St. James

Album Art of Rebecca St. James's Transform album - On a bright red background with a more orange spot on the left, a white woman with curly brown hair is pictured off to the left, with the left edge of her head and body off the edge of the frame. She is wearing a shiny black jacket and colorful pants, and her left hand is outstretched off towards the right, kinda like she's flying. She has a bit smile and is looking at the camera. Above her head, at the top is a gray bar stretching across the top, with the artist name printed in white letters and the album name right after in smaller red letters. In the top right, there are also a few squares printed in various colors.

Released 25 years ago yesterday, this is the sixth studio album from Rebecca St. James and it might be my favorite album of hers. Though there's definitely a bit of rock guitars on this album, it's mostly a dance/pop album. Songs like "Reborn", "One" and "All Around Me" are Gospel lyrics with a heavy dance vibe. "Lean On" is even co-written with electronic rock band Earthsuit, though the programming seems to be provided by Producer Matt Bronleewe. Rebecca St. James was a bit more rock 'n' roll than some other female Christian music back in the '90s, and I was drawn to that, but even though this is mostly pop/dance, it still is an album I enjoy. The lyrics aren't particularly groundbreaking, but they present Christian views with quality music that still holds up, in my opinion.

Release Year: 2000
Listen on Apple Music
Listen on Spotify

Categories: 

Album Of The Day: Jars Of Clay by Jars Of Clay

Album Art of Jars Of Clay's self-titled album - The majority of this is a dark blue background that looks like branches being photographed through sunlight and very blurry. In the middle is a black-and-white is 4 white men, most of them in baggy clothes and not looking at the camera. In the bottom right of that photo is the handwritten band name with a drop shadow above both the photo and the background.

Released 30 years ago this year and probably released 30 years ago today to mainstream US markets, this is the much-beloved debut of Jars of Clay. The band came out of the gate with some great songs and an acoustic-rock style that was unique at the time and has been imitated many times by bands since then. Some might not like the electronic drum loops, but I think it makes the album a bit of a unique release. There's also beautiful strings, fiddle work and even female vocals on a few songs. "Love Song For A Savior" may be their most-played song ever on Christian radio, and "Flood" got them onto non-Christian radio and MTV a bit at the time. But the best song of this album in my opinion is the 5-minute "Worlds Apart", a beautiful musical and poetic prayer of surrender to God. It's not my favorite Jars of Clay album, but it's their beginning and it's a top-notch album that continues to be a favorite so many years later.

If you want to hear me and a few others talk about this album for a while, Caleb invited me on his podcast and we talk about it for, wow, nearly 2 hours. It was a fun discussion and you can certainly find it wherever you listen to podcasts. Just look for "The Album Anniversary Podcast" and find the Jars Of Clay episode. Here is where to find the episode on Apple Podcasts or Spotify.

Release Year: 1995
Listen on Apple Music
Listen on Spotify

Album Of The Day: Circle Slide by The Choir

Album Art of The Choir's Circle Slide album - On a pastel yellow/gold background, a black-and-white illustration of a landscape is somewhat center but nearer to the top, a horizontally-bigger rectangle with a black border. The illustration has a grassy, rolling hills with on the left side, one tree on the top of a hill. The tree has a lot of branches and a lot of mass, and out of one branch is a tire swing. The majority of the sky above looks mostly cloudy but bright, but the top right is particularly dark for some reason.

Released 35 years ago today, this is the fifth studio album from The Choir, an atmospheric alternative rock band that has been active for over 40 years and is still recording new music. I got into The Choir only in the last decade or so, mostly through folks recommending their music and the band re-releasing and remastering their albums. 35 years after its release, this album is still a beautiful collection of instruments, not just your guitar, bass and drums but keyboards, saxophone, e-bow and even some female backing vocals. It sounds less dated that many albums from the early '90s, I'd say. I'm definitely a fan of an album where the opening track, the title track, is a 7-minute jam about heaven or something, and there's a 6-minute closing song too. It's quality rock from the band's earlier days and music that is still worth listening to today. (I need to listen to their other albums more too.)

Release Year: 1990
Listen on Apple Music
Listen on Spotify

Album Of The Day: Truth, Soul, Rock & Roll by The Elms

Album Art of The Elms's Truth, Soul, Rock And Roll album - A photo of four young men in collared shirts and coats. The one in the front has a pinstriped suit coat and a scarf. The man on the right's head is almost completely obscured by a bright light and is behind the one in the front, so not too much detail to make out of them there. They are all sporting short hair and their outfits all seem to have versions of dark red or blue colors. On top of the photo, vertically centered but on the left horizontally is the band's name in loercase, with the 'e' from 'the' and the 'e' from 'elms' overlapping. The text is all white and below it is the album title in a much smaller font.

Released 23 years ago today, this is The Elms's second album and it cemented the band as one of my all-time favorite bands. Their first album was good, but on this album, they definitely dialed up the excellent guitar tones to 11 and I love it. From the opening riff of "Speaking In Tongues" to excellent rock songs like "You Saved Me" and "Come To Me", the guitars are definitely a highlight of this album for me. The whole band does a great job, though, with excellent bass, drums, and vocals as well. Lyrically, this band does a great job of writing love songs and being honest but positive about the struggles of life. This album was my personal soundtrack for many, many years and it continues to be played very regularly by me to this day. It was so much fun to see them play these songs live a month ago at a reunion show and meet other fans!

Release Year: 2002
Listen on Apple Music
Listen on Spotify

Album Of The Day: A Liturgy, A Legacy, & The Songs Of Rich Mullins by Andrew Peterson

Album Art of Andrew Peterson's A Liturgy, A Legacy, and The Songs Of Rich Mullins album - A black-and-white photo of a man in a funny double-breasted coat that has large silver buttons on both the right and the left of the center. He's got a somewhat surprised look on his bearded face and has thick, dark hair. His hands are clasped together in front of his waist and and looks a bit awkward. The top of his head is not visible nor are his legs, and it looks like the background is a field of some sort.

I've done a bunch of live albums in the past week, and an album of Rich Mullins covers. So for today, we're going to mash both of those together! In September 2017, 20 years after the death of Rich Mullins, Andrew Peterson held a one-night-only concert at Nashville's historic Ryman Auditorium. To celebrate the life of Rich Mullins, he and his friends along with some of Rich's friends recreated, note for note, Rich's finest album, the 1993 release A Liturgy, A Legacy & A Ragamuffin Band. I wasn't there, but I totally wished I could have made the trip to be there. It passed, and I thought we would only hear the legends of that evening. Then earlier this year, Andrew Peterson announced that his team had actually recorded it, it sounded great and they wanted to release it! Hooray! I ordered it on vinyl from their crowd-funding campaign, and I'm so looking forward on having the recording in hand. But for now, I have this digital version.

Released today to digital platforms, this is the full two-hour concert, complete with brief banter between songs and over a dozen covers of Rich Mullins favorites not on that album. Tracks 15-27 are an excellent, nearly note-for-note recreation of the A Liturgy... album, and it's done so well by all the musicians involved, it honestly does sound just as good as the studio album. There's not just drums, bass and guitars like a standard live show, but strings, flutes, and pretty much anything that was played on the original studio recording. Plus the audience knows all these songs well and joins in as a choir at just the right times. I think my favorite tracks currently are Jeremy Casella's version of "The Howling" and Andrew Osenga and the band rockin' out on Mark Heard's "How To Grow Up Big And Strong". Even if you're not familiar with that album, they sing a lot of well-known and lesser-known Rich Mullins songs from throughout his career. I'm going to love listening to this for many years, almost as much as Rich's album, honestly. Rich Mullins was a great songwriter, and I love that though he passed on to be with God, so many people honor his legacy and share it with all of us.

Release Year: 2025
Listen on Apple Music
Listen on Spotify

Album Of The Day: Live At The Knight by John Mark McMillan

Album Art of John Mark McMillan's Live At The Knight album - A black-and-white photo of a man on a stage in the foreground, facing away from the camera and towards an audience. He's wearing a suit coat and holding a guitar. The audience is on the floor and on a balcony, hundreds and hundreds of people. Obscuring the video on the top and on the right is some sort of light refracting in the lens or some sort of effect to make it look cooler, mostly vertical lines of light. In the middle of the photo is printed in a brownish-gold serif font the album name on one line and then the artist name on a line below.

Released 10 years ago this coming Thursday, this is the first live album by John Mark McMillan, and it's one of my favorite live recordings. Recorded in his hometown of Charlotte, North Carolina after the release of his excellent Borderland album, this features many songs from that album and his previous albums. John Mark McMillan's brand of rock (some might say soft rock) has many layers of instrumentation, and the stage on this recording was filled with many band members making layers of drums, guitars, bass and keys, plus even some horns and strings on a number of songs as well. His wife, Sarah McMillan, sings lead on a few songs from their You Are The Avalanche EP and does a great job. One of my favorite parts is when John Mark sings "Heart Won't Stop" from that EP and mixes in a cover of "Stand By Me" with some pounding guitar from James Duke. John Mark McMillan loves singing about his relationship with God, but he's also a musician making great music and lyrics about real life too, not just making what the church is looking for, and I really like his style. I like that my physical copy has a CD of a 78-minute version, plus a beautifully-filmed DVD of the full 95-minute concert, but you can listen to the whole version on streaming, thankfully. (I wish it was a Blu-Ray not a DVD, but it still sounds excellent and looks pretty good too.)

Release Year: 2015
Listen on Apple Music
Listen on Spotify
Watch on YouTube

Pages