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Album Of The Day: Katy Hudson by Katy Hudson

Album Art of Katy Hudson's self-titled album - A close-up photo of the right side of a white girl's face, cut off at the nose and just above the eye and below the mouth. She has blue eyes and pink lips and brown-blonde hair. The picture is pretty blown out so her skin looks mostly white. In the middle, on top of her cheek, there's a box where the colors seem to be inverted and it shows a black background with the brown hair looking blue off to the right. On the black is printed the artist's name in lowercase with a period after it. There's a small white border around the edges.

Released 25 years ago today, this is the debut album from Katy Perry, although at this moment she was going by her given name, Katy Hudson. This first album of Christian rock/pop songs was released on a small Christian record label, and somehow despite not being a great debut, Katy proceeded to climb to the top of the pop music world within a decade. What's clear from this album is that, at even 16 years old, Katy had some decent songs and was a capable, precocious young performer. Though I didn't really listen to this album until a few years later, it's a fun mix of lyrics about teenage insecurity, grappling with religious themes, and asking God for guidance. The record label went bankrupt shortly afterwards and Katy Perry probably has no interest in their fans hearing this early work, so it's not on streaming. But it's an album that's an interesting beginning for an international pop star and celebrity and an interesting look at the Christian music industry 25 years ago.

Release Year: 2001

A middle-aged white man photographed in a brightly-colored office room with black CD racks in the background full of CDs, a black lamp on the lower shelf on the left, and a black water tumbler on the left as well. The man is wearing a red T-shirt that says 'I Like Switchfoot' and is holding the Katy Hudson CD in his right hand and smiling.

Album Of The Day: Heart In Motion by Amy Grant

Album Art of Amy Grant's Heart In Motion album - In front a blue backdrop, a young white woman in a red dress is shown in profile and looking down and to the left. She's got a gold chain around her neck and her hands are clasping the item on the chain just in front of her chest. She's got long, brown curly hair. Printed above the photo on the right side is the artist's name down the right side vertically. And printed just to the left of that is the album title in smaller yellow text, with the first letter printed vertically, and the rest of the letters printed horizontally.

Released 35 years ago today, this is the ninth studio album from pop singer Amy Grant. It is one of the best Christian pop albums of the '90s and has some of the best pop anthems from the early '90s, in my opinion. "Every Heartbeat" was a favorite of mine and I like it even more these days as co-writer Charlie Peacock does his slightly slower, bluesy version. "Baby Baby" was one of Amy Grant's biggest hits ever and made her known even outside of Christian music. Songs like "I Will Remember You", "Good For Me" and "That's What Love Is For" are ones I definitely remember fondly as well from being a kid. I didn't really own or listen to a copy of this album as a kid, but my sisters definitely had a cassette tape of it and listened to it often, and I heard it a lot because of them. It's fun to listen to this over 30 years later and reminisce, but also it's just a really good pop album too.

Release Year: 1991
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Album Of The Day: Free Flying Soul by The Choir

Album Art of The Choir's Free Flying Soul album - On a golden yellow background on the edges which fades to white in the center, what looks like some sort of stone or wood carving of a winged man flying towards the camera from above. His hands are stretched out above the camera and he's looking ahead, above the camera. He's got a big chin and large eyes that seem to be painted on. In the top left, the band name is printed in a hairline box, and in the bottom right, the album title is printed in smaller text on a hairline baseline.

"I am the ocean / Purified by all the tears of time." Released 30 years ago this past Sunday, this is the eighth studio album by alternative rock band The Choir, a band which has been active for over 40 years now and still puts out new music. I wasn't listening to much music back when this came out, but thanks to their regular habit recently of re-releasing their albums on CD and vinyl, I have been learning about this band I missed in my younger years. This is 45 minutes of quality rock with a bit of that grunge sound that was so popular during that era. Sometimes I don't know what their songs are talking about, like "Salamander", "Polar Boy" and "Yellow-Haired Monkeys". Though I guess there does seem to be some connection between the animals of nature and the album title, Free Flying Soul. This was just re-released in the last year or two, so it's pretty new to me and not my favorite album from The Choir, but it's definitely a good listen.

Release Year: 1996
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Album Of The Day: Worship & Believe by Steven Curtis Chapman

Album Art of Steven Curtis Chapman's Worship And Believe album - A somewhat grainy black-and-white photo of a middle-aged man standing holding a guitar and holding his right hand up in praise while looking upwards with his mouth open and eyes closed, maybe in the middle of singing. The man is lit but the background is mostly dark and is probably a hazy stage. Above where his guitar is, it says in large letters the album title in a gradient that is gold in the top right and a darker golden brown in the bottom left. Also, a thick border around the edge is also that golden to brown gradient. At the very bottom in smaller, white letters is printed the artist's name.

Released 10 years ago this coming Wednesday, this is the 18th studio album by Steven Curtis Chapman and his third album released through Provident Music. Steven Curtis Chapman has been primarily known as a Christian pop singer/songwriter from the 1980s to today, although he has taken detours into other genres such as country/bluegrass. In this release, he takes a detour into worship-focused music, music that could be used for prayer and praise at modern church services. Instead of his normal stories of life and love that point to God as the savior and creator, these are songs praising God and drawing the singer and listener closer to God. Unlike many others who jumped into the worship genre, Chapman does not cover other worship songs by others; he delivers 11 new studio tracks of worship written by himself with only a few co-writers. As far as I'm aware, none of them have been hits at churches, but I remember giving this album a first listen almost 10 years ago on a train ride and finding connection with these songs. There are a few guest singers with SCC on this album on songs they co-wrote, Matt Maher on "Hallelujah, You Are Good" and Chris Tomlin on "One True God". This album is honestly a lot better than I would expect from someone who was not known as a worship artist, though it's not his best work. Like many modern worship albums, for whatever reason there needs to be both studio and live recordings of these songs, so the CD version has 4 live recordings of the same songs as well as the studio versions, and the streaming deluxe version includes live versions of 6 songs. (I don't understand why to have both, since both the live and studio versions sound very similar.) If you want to get an introduction to Steven Curtis Chapman's music, look for his greatest hits or an older album, but this worship project is surprisingly good though I don't listen to it very often.

Release Year: 2016
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Album Of The Day: The Valley by Eisley

Album Art of Eisley's The Valley album - A young girl in a brown-tinted photo is in the middle, and behind her is a red cloud of smoke or something. At her feet and around the red cloud, there is ground and a sky, on the lower left there's low clouds above the ground, and on the right are castle buildings that are noticeably smaller than the girl in the middle. In the top left there's a crescent-shaped moon with a face looking towards the girl. There are also dotted lines of light emanating from the middle. The girl is wearing a white dress, has long hair kept away from her face by a headband that also has flowers over her ears. Above her head is the band name logo, block letters with slightly different sizes and offset a bit from each other vertically. Below her waist, printed over the art, is the album title in a fancy script font.

Released 15 years ago tomorrow is the third studio album from Eisley. This indie-pop/indie-rock band is comprised mostly by the DuPree siblings from east Texas, and sometimes described as "emo". Eisley often utilizes fantastical or magical elements to their lyrics, while also reflecting on their personal experiences. I was a huge fan of their debut album and their pre-debut EPs, but then didn't keep up with the band's later works as much. So I haven't listened to this album more than a few times and it's been at least a decade since my last listen, and I found it's a pretty good listen today. The only song I know well is "Ambulance", which is maybe still the best track, but the rest of the album is also well-done rock music from youngsters who had been playing and writing music for about a decade. Their debut album Room Noises is still my favorite release of theirs, but this album is also pretty good and I'm not sure I gave their later albums a fair shake in the past.

Release Year: 2011
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Album Of The Day: Electric Jesus: Music From & Inspired By The Motion Picture by Various

 Music From And Inspired By The Motion Picture album - The background looks like wood paneling on an indoor wall. In the middle is a a very metal-looking drawing of the words 'Electric Jesus', with light green and dark brown stripes, orange letter edges, and a pastel gold halo drawn around the edges of the words. The words are in a general circle shape, and there's fake ringwear that might happen with a well-handled record to make it look retro. Along the bottom, it says 'Music From And Inspired By The Motion Picture'.

Released 5 years ago today, this is the soundtrack to an independent film called Electric Jesus. It's a comedy film about a group of teens in 1986 who start a Christian metal band and go on tour to spread Jesus across America (and make their manager some money). The fictional band is called 316 and they perform 6 tracks on this album. There's also appearances by other bands made up for this film, with fun names such as Bloody Mass, Satan's Clutch, Joy Explosion, and Soul Exhumation. Most of the music is new songs written and performed by Daniel Smith and friends, a.k.a. Danielson. A few classic rock songs are covered along with the originals, one by Fleming & John, and Steve Taylor & The Danielson Foil also appears for one new song as well. It's mostly pretty silly music, as the band 316 is eager but very inexperienced and often don't really understand that their songs like "Commandos For Christ" may be taken the wrong way. But it's also well-written and expertly performed music, so it is fun to listen to as it pokes fun at Christian youth culture and '80s rock. There's also some instrumentals from the movie performed by Familyre Friends and a few songs that didn't appear in the movie peppered throughout as well. It's mostly a fun listen if you've seen the film it's based on, but I suppose if you haven't seen the movie, it might pique your interest.

Release Year: 2021
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In a brightly lit office room with CD shelves behind, a rotund middle-aged white man holds a vinyl package of the Electric Jesus soundtracks as in one hand and the Electric Jesus movie Blu-Ray in another and is smiling to the camera between them.

Album Of The Day: Riven: The Soundtrack by Robyn Miller

 The Soundtrack album - Against the backdrop of a red sunset with a purple sky at the top, the decorative hilt of a dagger is in the foreground, with a handle with a circular design around it. In the background, surrounding the fancy dagger handle, can be seen a series of very oddly-shaped rock formations, where large rocks are sitting on very small, unlikely bits of rock as they near the ground. Beyond, by the sky, can be seen the sea.

Released 28 years ago yesterday is the soundtrack to the sequel to Myst, Riven. Myst and Riven are some of my favorite computer games of all time. They were an exploration of fantastical, magical worlds and through that exploration, you uncover a dark story of greed, anger and wielding of powers against others that left these places in ruins. The instrumental music for this game is haunting, otherworldly, and captivating, and in the game it helps build suspense as you explore. Riven is a game I played mostly 27-28 years ago, and this is only the second time recently I've listened to the soundtrack, but I like it and it brings me right back to exploring those digital worlds. Robyn Miller worked on the design and story of Myst and Riven with his brother Rand Miller. Robyn also composed and created the music, mostly on keyboards and computers. In 2024, video game studio Cyan released a remastered version of Riven, and Robyn also released a remastered, expanded soundtrack and the new cover art is here as well.

Release Year: 1998
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 The Soundtrack Deluxe album - On a dark green background, a lighter green circle is shown. Inside the circle is a pentagon, and each corner of the pentagon is a drawing of a book. From the center and going out to the book's center is five leaves, one for each book, and they also look like a fountain pen as well as a leaf. In the middle there's another circle with 5 smaller leaves just outside it, and inside the circle is an orange geometric design, it looks like a box with a horizontal line through it.

Album Of The Day: Chase The Sun by The O.C. Supertones

Album Art of The O.C. Supertones's Chase The Sun album - Six young men are photographed standing on a city sidewalk with a theater marquee behind them and a metal door on the front of a shop off to their right. One of them is leaning against the metal door. They are all wearing white shirts and black ties, and suits and black pants that look a bit baggy. They're all looking at the camera with mostly blank expressions, a few slightly smiling. Above the photo the top fifth vertically is a bright blue, with 'The Orange County' printed in small, orange text, and then 'Supertones' printed in much larger white text in a stylized cursive-ish font. At the bottom of the photo it has 'Chase The Sun' printed in smaller, uppercase letters in the bottom right.

Released 27 years ago today is the third album from The O.C. Supertones and my favorite album of theirs. Some of their albums may be a bit more ska, a bit more rock 'n' roll, or other things, but I like this one. Don't get me wrong, songs like "Grounded", "One Voice" and "Sure Shot" are definitely rockin'. But songs like "Hallelujah" and "Chase The Sun" have a bit more of a surf rock mixed with reggae vibe. The instrumental track "Revolution" near the end goes full on surf rock jam too. As with all their albums, The Supertones keep the Christian message front and center with songs like "In Between" and "Old Friend". "Away From You" is a beautiful pop/rock song featuring excellent background vocals from Christian pop singer Crystal Lewis and is one of the best tracks of the band's career. It's not their most rock or ska release though it does have plenty of horns and rock music, but it's overall their best in my opinion and I highly recommend a listen.

Release Year: 1999
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Album Of The Day: Acoustic Sketches by Phil Keaggy

Album Art of Phil Keaggy's Acoustic Sketches album - The artwork is based on a black-and-white photo of Phil Keaggy playing an acoustic guitar. The original picture is shown in the area of his face and both left and right hands. But the rest of the photo is altered to be a light brown background, and what looks like the edges of the whole photo of him playing is embossed in the brown. In the top towards the right, there is a black box that says the artist name in smaller red text on the top and bottom, and the album title in larger, yellow text in the middle.

Released 30 years ago sometime this month to the Phil Keaggy Club and re-released a few years later on Sparrow Records, this is the fourth instrumental album by Phil Keaggy by my counting. It's an hour of Phil Keaggy playing beautiful instrumental acoustic guitar in a studio, sometimes a short composition and sometimes longer. Often there's a few layers of guitars on top of each other, but sometimes it's just solo guitar, and sometimes a few other instruments are playing along too. And at least once you hear a guitar recording being played backwards for a unique sound too. After a listen to this, you will probably be convinced that Phil Keaggy is a guitar master as he coaxes so many different, beautiful sounds out of the instrument. This album is a beautiful series of instrumentals that I never tire listening to. It looks like the streaming version is a bit of a "Deluxe" version and includes 4 bonus tracks that I'm not sure even I've listened to yet, but the original 19 tracks are what I have on CD.

Release Year: 1996
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Album Of The Day: The Violet Burning by The Violet Burning

Album Art of The Violet Burning's self-titled album - On a red and black background, a vertical photo of a young girl is in the middle. It's a young black girl wearing pigtails and a purple bathing suit, I think. She's also got what looks like wire and cloth angel wings attached to her back. She's holding a bright red ball in her right hand out towards the camera and has he left hand up behind her head. She's looking down at the camera in a quizzical way. On top of the photo, about three quarters down vertically, a black line goes across and printed in it is the band's name in white text. Behind that black line is the band's name also scribbled in aqua blue paint or thick pen.

Released 30 years ago yesterday is this third album from alternative rock band The Violet Burning. Like many albums from this era, it has a lots of distorted guitars and that "grunge" sound. The band started in the early '90s as a bit more of a modern worship band for Vineyard Music, but quickly became much more than that, though Michael Pritzl's lyrics often contain religious imagery and blend them with language of love. Honestly, this band isn't one I listen to often, but when I do give them a listen like today, I like it. The music is mixed higher than Pritzl's vocals sometimes, which some might not like, but I think it fits. I think I song I remember the most from previous listens is "Low" and "Arabic Trremolo Radio", partially because they're some of the best songs on this album, but also probably because they re-recorded them on later albums. This album is definitely more the underground rock scene of that era and cemented the band as a rock powerhouse, not just an early modern worship group. The band continues to make music and I've not really kept up with their recent, independent works.

EDIT: See comments below for a response from The Violet Burning where I got a number of my facts wrong. They were never a church worship band, as I thought. Thanks to them for letting me know I was mistaken!

Release Year: 1996
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