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Album Of The Day: TOPxMM by Twenty One Pliots & Mutemath

Album Art of Twenty One Pilots and Mutemath's TOPxMM EP - The background is a dark, blurry photo of a few mixers, keyboards, and other electronic gear in a dark room. Around the edges is a red border. Above the image is printed what looks to be some sort of sound wave, and in the middle 'TOPxMM' in white. Towards the top there's a line two white dots, an 'x', then four black dots with a white outline. It then says in printed handwriting-style font the band name with 'The Mutemath Sessions'.

Released 9 years ago today as a free download and a YouTube video, this digital EP captured the musical duo performing 5 of their songs in a studio with the help of the band Mutemath. They start off with the song "Heathens" from The Suicide Squad soundtrack, and perform some of the best songs from their Blurryface album. The members of Mutemath provide guitar, effects, keyboards and much more to recreate much of the sounds Twenty One Pilots had put down in the studio, with some definite variations and extended jams in a few songs too. This was a complete surprise when it was released and it's probably my favorite recording from Twenty One Pilots, maybe at least partially because of my love of Mutemath, but primarily because these live arrangements are so energetic and dynamic.

Release Year: 2016
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Album Of The Day: Smile In The Mystery by John Mark McMillan

Album Art of John Mark McMillan's Smile In The Mystery album - The background looks like a bunch of shiny paper slightly curved in a circle and with a bit of depth to it. In the middle is a darker shiny, glimmering paper that is in the shape of a stained glass window in a church with a pointy top. At the top, in a classic calligraphy font that's pretty small, it has the artist's name and the album title all on one line in a dark grey.

This seventh album from John Mark McMillan is a bit of a seasonal affair. This mini-album combines a number of new and old Christmas tunes with a few standards that are not really Christmas, but they fit well. Songs like "Baby Son" and "Lights" are new, original songs celebrating the season of Christ's birth. "Make You Feel My Love" and "What A Wonderful World" are not really Christmas songs in my opinion, but they fit here and are well-done covers. "Silver & Gold" from the "Rudolph The Red-Nosed Reindeer" TV special of old is sung here by Sarah McMillan and it's beautiful. "Silent Night" has a special coda to with the "Smile In The Mystery" new ending reminding us of the magic of Jesus coming to earth. And this album of slow rock songs ends with "Joy To The World". I love John Mark McMillan's unique musical style and this is a fun collection of songs to listen to in this special season.

Release Year: 2018
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Album Of The Day: Happy Christmas Vol. 3 by Various Artists

Album Art of the Happy Christmas Vol. 3 album - The top third is a red color, and the bottom two third is a green color. Both have some paint brush lines making a variation in color, and the green part has some handwritten text faintly through it. Above it all is the painted outline of two ornaments in white on the left. In the place where the red and green meet on the write it has 'happy christmas' in white and 'vol. 3' in a larger, grey font to the right.

Released 24 years ago this past October, this is Tooth & Nail/BEC's third volume of Christmas recordings from their rock/alternative artists and other friends of the label. The O.C. Supertones kick it off with a rousing version of the ballad "Heaven's Got A Baby", a cover of a bit softer version written and recorded for Happy Christmas Vol. 1 just 3 years before by Sarah Masen. Kendall Payne, Cadet, Hangnail and Poor Old Lu offer up versions of classic Christmas carols. Earthsuit, Starflyer 59 and Skyline Drive offer up their covers of more modern Christmas classics. Bleach, Joy Electric, Ace Troubleshooter and Dension Witmer pen brand new songs about the Christmas season and do a good job to add to the variety. I love Aaron Sprinke's cover of Randy Stonehill's classic "A Christmas Song For All Year Round" too—It's a nice nod to the CCM genre's roots. And then, well, Relient K must have been in a very Debbie Downer mood this year, because there's two songs of very snarky original Christmas tunes from them, "Santa Claus Is Thumbing To Town" and "I Hate Christmas Parties" (not actually by Relient K, but by their lead singer's other band, Matthew Thiessen & The Earthquakes). It's a good collection of rock/pop Christmas songs new and old with a bit you might not expect, and it's unfortunately not available on streaming, so you might have to find a used CD copy out there if you want to give it a listen.

Release Year: 2001

Album Of The Day: Advent by Rachel Wilhelm

Album Art of Rachel Wilhelm's Advent EP - On a rough, bumpy blue paper, an illustration in black ink of a lantern in a rectangular frame, with the hand holding the the lantern coming out of the frame. The lantern is lit and there's rays of light emanating from the flame. Next to the hand it has the EP title printed in red, and below the frame is the artist's name in smaller, also red print.

Released 5 years ago this month, this is an EP by independent singer-songwriter and worship leader Rachel Wilhelm. She takes traditional church texts and classic hymn texts and sets them to a bit more modern, contemplative music. These are fairly simple arrangements, with guitar, banjo, cello and vocals. These songs were recorded during the 2020 COVID-19 pandemic as a way to give those not gathering in their church buildings music to reflect on, and they still are great music for reflecting on the mysteries of the Advent season before celebrating the joy of Christ's birth on Christmas. Thanks, Rachel, for providing such music for this time of preparation and waiting.

Release Year: 2020
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Album Of The Day: Fielder by Fielder

Album Art of Fielder's self-titled album - Lit mostly from behind through a curtain, two young women with blonde-brown hair and wearing brown colored tops are photographed from the chest up. The left one has shoulder-length hair, while the right one has a bit shorter. They both are wearing glasses and are looking towards the camera. Above their heads, printed in a golden brown color is a diamond design and the band name in a large, serif font.

"Don't overthink it baby." Released this past August, this is the first album from Fielder, a duo of young women—Skye Peterson and Addison Agen—who, despite their age, have both been performing as solo artists for many years. They craft chill indie pop tunes with beautiful harmonies and lots of songs about friendship and relationships. These two also sing about the unexpected things in life and that they don't have all of it figured out. It's a nice album for some quiet contemplation on a dark winter night, i think. This is a pretty good album and I think it will be fun to see these young women improve their craft over time.

Release Year: 2025
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Album Of The Day: Here I Am To Worship by Tim Hughes

Album Art of Tim Hughes's Here I Am To Worship album - A young man with short brown hair and a long-sleeve grey turtleneck has an acoustic guitar on his right hip with the neck facing down, and he's smiling and looking down to the right of the frame. The background is brown mottled texture with some white paint thrown on top of it, and two vertical brown lines printed above that. The brown lines stop at the start of the album title, printed a bit above center in black block test, and below it the artist's name in a slightly larger brown.

Released 24 years ago this month, this is the first studio album from UK worship leader and songwriter Tim Hughes. He does sound a bit like Matt Redman, who was a mentor of his and writes very similar songs, but there is still some uniqueness to his music and he definitely has a heart that longs to praise God. Songs like "Maker Of All Things" and "Jesus, You Alone" were pretty well-known songs written and performed by Hughes here. The one song that he is most known for is the title track, "Here I Am To Worship", which has been sung at many churches in the last 25 years and has been recorded by dozens of Christian artists, and it definitely is a highlight of this album. But after listening to this album today, the album is full of solid songs of praise and worship like "May The Words Of My Mouth", "Day After Day" and "The Eyes Of My Heart". It sounds beautiful thanks to a great team of musicians and producers in both the UK and in Nashville.

Release Year: 2001
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Album Of The Day: Third Verse by Smalltown Poets

Album Art of Smalltown Poets's Third Verse album - On a red background, a simple drawing of four men in a rock band in the front with a road, a few small town buildings, and a pond with a horse are in the background above them. The illustration could have been done by a child or maybe just someone who has not practiced their art craft well, but it's colorful and unique. Around the drawing is a small back border and then a wide yellowish-gold frame, in which on the top is printed the band's name and the bottom the album title in a hand-drawn-style font.

Released 25 years ago this past September, this is the aptly-titled third album from rock band Smalltown Poets. It's maybe not the band's most beloved album, but I really like these songs. "Every Reason", "Any Other Love" and "That Line" are quality rock with a Christian message. Some of the best songs on this album are covers of '90s Christian rock you may not have heard, "Beautiful, Scandalous Night" and "The Lust, The Flesh, The Eyes, And The Pride Of Life". And well, I love a great all-out rock closing track, and "100 Billion Watts" definitely does that here. Smalltown Poets is not one of my favorite bands, but whenever I do give their music a listen, I wonder why I don't listen to it more often because it's good. They also recently put out an EP a month or two ago, which is good too.

Release Year: 2000
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Album Of The Day: Unclassified by Robert Randolph & The Family Band

Album Art of Robert Randolph And The Family Band's Unclassified album - The top and bottom have a golden brown, blurry background. In the middle, a photo of four men standing in front of some sort of metal gate. The one in front is looking to the left side of the frame and clearly excited and exclaiming about something, with his hand about to clap together. He's also wearing a black leather jacket and a black brimmed hat. At the top above the photo, it has the band's name printed in a reddish brown, and on top of the upper right corner of the photo is printed the words 'Unclassified' in uppercase in a black, stamp-like font.

"I need more love every day of my life." It's the weekend, so I needed some rock jams to kick it off. Robert Randolph started playing the pedal steel guitar in church as a kid, and by the time I first heard this album from him and his Family Band, Randolph was jammin' in New York City at clubs playing a mix of R&B, rock, funk, soul and Gospel. Half the songs on this album are just instrumental jams, and his band of longtime relatives and friends are excellent musicians as well. Unclassified always puts me in a good mood and is an excellent vibe from start to finish. If you haven't heard this album, you should give it a listen. They hit it out the park with this first studio album, and I'm not sure they did any better than this later, though I like all their albums.

Release Year: 2003
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Album Of The Day: Straightjacket by Steven Delopoulos

Album Art of Steven Delopoulos's Straightjacket album - A drawing of a gray sky with white clouds. In the middle, two white birds are carrying a white straightjacket by the collar up into the sky, and a few other birds are flying nearby. Written by hand above is the artist's name and below in the sky is the album title.

Released 18 years ago this past November, this is the second solo album from Steven Delopoulos, the New York-based folk musician and lead singer of Burlap To Cashmere. On this album, Steven gets very experimental, with songs like "Ruin Of The Beast" and "As If Love Was A Sword" having Gregorian chant/choirs, and songs like "May I Always Keep My Feet On The Ground" and "Halt" having very percussive clapping and/or yelling. Even though it's a bit odd musically, I love his lyrics and melodies, they sound like something Paul Simon might have come up with though a bit more Mediterranean in feel. Songs like "Work To Be Done" and "She Held My Hand" are beautiful acoustic guitar ballads. This man is one of my favorite singer-songwriters ever, and it's terrible that he and his band are not more well-known. This album isn't as stellar as his solo debut, but I definitely love it a lot.

Release Year: 2007
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Album Of The Day: Ethan Luck & The Intruders by Ethan Luck & The Intruders

Album Art of Ethan Luck And The Intruders's self-titled album - Towards the bottom, a black-and-white photo of a city skyline, buildings that are pretty tall in front of each other. Above that, instead of a sky is a different photo of men marching in a few lines, or well, their legs only, not their upper body, and the ground. Above that it has 'Ethan Luck' written in large green text on a red background, with 'And The Intruders

Released 10 years ago yesterday is this third EP from Ethan Luck. You might not know Ethan by name, but he's played music in bands like The O.C. Supertones, Relient K, The Dingees, Demon Hunter, and more. He was taking photos on a Switchfoot tour recently and has played many different instruments and roles in the bands, but this his own, independent music. This is good rock with a bit of a punk ethos to it, and it's only 5 songs, but I like his style. These songs are mostly love songs and some songs about love lost. Ethan's got decades of experience playing rock music and that shows in the quality of this EP and his other works.

Release Year: 2015
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