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Album Of The Day: Original Sountracks 1 by Passengers

Album Art of Passengers's Original Soundtracks 1 album - On the starfield of space as the background, a bunch of circles and boxes are interconnected making up a colorful, very modernist space port or something. A few people can be seen on the exterior of the building in space suits, and a few ships may be flying around too. It's busy and also looks like it is still being assembled. At the top, it has printed in white the band name and the album name.

Released 30 years ago this Thursday, this is a side project of the band U2 with Brian Eno. Many of the songs are just instrumentals, some of them a lot of electronic beeps and bloops with the band's guitars, drums and bass. The band saw this as a soundtrack to a movie that was never released, and it's definitely very diverse and experimental compared to U2's other albums. The lyrics, when there are some, are pretty random and don't really make much sense. The only single on this album was "Miss Sarajevo" with Luciano Pavarotti singing a beautiful opera part. It's definitely a unique album from a band who was finding their place in the '90s music landscape.

Release Year: 1995
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Album Of The Day: The Mission Bell by Delirious?

Album Art of Delirious?'s The Mission Bell album - A very detailed collage of different graphics. The top corner is a bright blue, but the bottom left is a golden brown and most of it is a gradient between that. Across the middle is the black silhouette of a walled city with trees on the left and buildings of various types on the right. some industrial and some more public-oriented like a church or office tower. Queued up in the gates to the city are the silhouette of many people. And drawn on top of all this is many circles and lines of various colors, an illustration of a flower, and more. In the top left, in black it has the band's artist name in its rectangular word-mark, and below it the album title in black as well.

Released 20 years ago this coming Friday, this is the sixth studio album from British Christian rockers Delirious?. (Yes, they have a question mark at the end of their name.) The band that started out as a modern worship band had spent a time being a rock band, and by this time, they blended a bit of both, having the sound of a rock band but the lyrics of a modern worship band for the most part. While this album wasn't as exciting as their rock band albums in my opinion, it's quality music and I still love listening to this band, no matter which album it is. "Now Is The Time", "Paint The Town Red", and "Here I Am Send Me" are excellent rock 'n' roll songs with a good message. "Our God Reigns" and "All This Time" are a bit more chill and excellent anthems of faith. And songs like "Miracle Maker" and "Take Off My Shoes" bring some of that epic worship rock like "Obsession" and "Investigate" did on previous albums. Lyrically, it's not just songs of praise to God, as some talk about social issues around the world and the imperfections of this world God gave us. I do feel like I loved and were more affected by their earlier lyrics while these seem a bit more safe and predictable, but musically, the band kept pushing themselves on albums like this. There's a reason they're one of my top bands and it's hard to believe it's already been 20 years since this was released.

Release Year: 2005
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Album Of The Day: Feedback by Derek Webb

Album Art of Derek Webb's Feedback album - A grid of 9 different squares, each one has some sort of modern art in it. Most of them seem to be lines that are vertical and some squares, and most in the orange, yellow or levels of gray colors, with a bit of pink or purple in there.

Released 15 years ago today, this is Derek Webb's sixth solo, studio album and his only instrumental album. This recording is 37 minutes of instrumental, electronic music built as a reflection on The Lord's Prayer from The Bible. It's sometimes slow and sometimes fast, sometimes lots of electronic elements at once, and sometimes just quiet piano or acoustic guitar. The physical CD package also includes with it modern art prints for each track by painter Scott Erickson and photographer Jeremy Cowart to make the whole album presentation much more than just an audio recording. When I'm looking for some instrumental music, I do enjoy this album and listen to it regularly.

Release Year: 2010
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Album Of The Day: Instruments Of Mercy by Beautiful Eulogy

Album Art of Beautiful Eulogy's Instruments Of Mercy album - On a light brown background that looks like some sort of rough paper or wood particle board, a double hairline border is around the edges. In the middle of the cover, it says the album title, 'Instruments' and 'Of' in pretty small text, with 'MERCY' being very large and not actually a font, but instruments and other musical accessories illustrated in the shape of the letters. Below that, in small text, is the group name.

Released 12 years ago this past Wednesday, this is the second album by Beautiful Eulogy, a collective of Portland, Oregon-based rap/hip-hop artists. Braille, Odd Thomas, and Courtland Urbano have decades of experience in underground/independent hip-hop, but they also are involved in their churches. Beautiful Eulogy is them mixing those worlds, creating a hip-hop album that draws heavily on the influences of folk music and hymns to be kinda a hip-hop/worship album. I love that many of the sounds in the mix of this album are sounds of nature mixed in with instruments, and I'm pretty sure some of the elements sound like beeps and bloops from programming, but they might be human voices making those noises and being sampled instead. Friends of the group like Propaganda, Jackie Hill Perry and Josh White also lend their musical talents on a few tracks. I love what the Beautiful Eulogy crew did on this album and their other two albums, and you should check it out.

Release Year: 2013
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Album Of The Day: No Name Face by Lifehouse

Album Art of Lifehouse's No Name Face album - A painting or a photo of a painted face, maybe found on some sort of carnival ride or something. The face is round and white and there's green/black curls on the top and sides that kinda look like hair, and also look like decorative, curly edges to an ornate design. Below the face is a plaque that has the album title stamped on it in small, uppercase print. Across the top the band's name is printed in golden orange in a boxy font with some more golden edging making a rough drop shadow.

Released 25 years ago today, this is the first album by Lifehouse, a moderately successful rock band from the 2000s. "Hanging By A Moment" and "Sick Cycle Carousel" from this album were often played on various radio formats around the album's release. Singer Jason Wade had a bit of an Eddie Vedder/Scott Stapp gravelly tone to his voice, which fits well with the post-grunge, alternative rock sound of the band's music. Lyrically, the songs are generally about the struggles of life with some love songs and some religious language. And well, the closing track "Everything" is a good and long closing track, but I'm not sure how I feel about churches using it for various dramatizations over the years. Lifehouse has never really been a favorite band of mine, but it's not a bad album. The band definitely had staying power, though, with singles getting Adult Contemporary or other radio play throughout the decade following this release.

Release Year: 2000
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Album Of The Day: Westfield by Thom Daugherty

Album Art of Thom Daugherty's Westfield album - On a blood red background, a black-and-white photo of a man and women cut out with no background in outfits from mid-20th century, a man in a suit and a tie and a woman in a dress with an apron over the front. The man is holding the wife and they are about to kiss, it seems. Their eyes are not visible due to a large scribble of black marker across the top of the photo at eye level. To the left of the duo in smaller black text is the artist name, and in large white outline with a white drop shadow is the album title over the top of the photo.

Released 5 years ago this past Sunday, this is the first full-length album from Thom Daugherty, a musician and producer best known as the guitarist for The Elms. Like The Elms, this music represents and speaks to the middle class, midwest American well and features excellent guitar and a classic rock sound, though it's definitely not exactly the same sound as The Elms. I like Thom's vocals as they are kinda deep and go really well with the rest of the rock sound. Lyrically, Westfield discusses Thom's views of social issues and how those relate to politics and religion. Some might not like that, but I find it makes me think about these issues and decide what I think, which is one of the things good music should do. It closes with a great song, "Porch Light", which is about visiting family and the places you came from. This album isn't one I have listened to much because I can't find a way to buy in lossless audio formats or physical media, but when I have access to streaming I give it a listen on occasion. It's definitely worth a listen to this independent release.

Release Year: 2020
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Album Of The Day: Coming From Somewhere Else by Kennedy, Kirkpatrick, Madeira & Sprague

Album Art of Kennedy, Kirkpatrick, Madeira and Sprague's Coming From Somewhere Else album - A photo with a very yellow hue to it is showing a series of wooden steps and and there are four pairs of legs on standing the middle step. The two on the left have very shiny, maybe sparkly or shimmering pants, the first red and the second yellow. Then on the right some bright red pants and on the far right some black pants. The shoes seem to be mostly a black or brown, but the color of the photo seems to be only yellow, black and red so it's hard to tell. Below their feet, it has the artists's last names, and then the album title, all in lowercase in black. In small print at the bottom it also says 'rocketown writers series'.

Released 25 years ago this past Friday, this is an album of four songwriters performing their own versions of the songs they wrote, many of which were popular songs by other artists. Most well-known by a wide audience is the album closer, "Change The World", which Gordon Kennedy wrote with Wayne Kirkpatrick and Tommy Sims and was a big hit for both Wynonna and Eric Clapton. Wayne Kirkpatrick gets to perform his own version of "Place In This World" which was a hit single by Michael W. Smith. Phil Madeira is a songwriter who wrote "Everywhere I Look" made popular by Phil Keaggy and "Hunger And Thirst" recorded by Susan Ashton. And Billy Sprague and Wayne Kirkpatrick wrote "Man After You Own Heart" which was recorded by Gary Chapman, and Sprague also co-wrote "Via Dolorosa" for Sandi Patty. They also recorded one new, original song, "Coming From Somewhere Else", written by all four together. While most of these were '80s and '90s Christian pop radio singles, here they find much more of a Nashville folk-country, somewhat jazz-y vibe with more acoustic guitars and the vocals of the songwriters themselves, which is cool to hear. Recording their own versions of these hits is not always something these songwriters get to do, and it's fun to give it a listen especially if you are familiar with the original recordings of some of these songs. The album cover says "Rocketown Writers Series" on it, but unfortunately, I don't believe that Rocketown Records ever released another album in this so-called series, though I certainly would have given it a listen had they done so.

Release Year: 2000
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Album Of The Day: Learning To Breathe by Switchfoot

Album Art of Switchfoot's Learning To Breathe album - On a somewhat pastel blue background with a hint of purple hue, an graphic of three stick figures with just one short arm each. Their heads are squares and look kinda like TVs, each with the same dot pattern on them. Behind them, in the background, is the outline of a TV screen with the dot pattern as well. The TVs have a white screen and 15 dots, all grouped together, with one near the middle colored red and the rest are black. At the top, the band's name is printed in large red, block-y font with a hairline thin black edge, and then the album title is in smaller letters below the band's name.

Released 25 years ago last month, this is the third album from Switchfoot, and though it's a quick 43 minutes, it's one of my favorite albums from them. Around this time, the band was still a three-piece officially, but the band started to have extra people on tour to fill out their sound. On this album, it's still very simple guitar, vocals, drums and bass on most songs. "I Dare You To Move" became a worldwide hit when it was re-recorded for their fourth album, but it first showed up here as the opening track. "Learning To Breathe" is another solid song about personal growth. "Poparazzi" and "The Loser" are really fun ones too. One of my all-time favorite Switchfoot songs is "Love Is The Movement", an excellent reminder that the most radical thing we can do is love others, plus the song has a bit of a Gospel flair and epic-ness to it. Speaking of epic, the closer "Living Is Simple" reminds us of the joys of life. Switchfoot has grown and expanded their sonic palette over the last 25 years, but I still love these early days as a bit more of a scrappy little rock band.

Release Year: 2000
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Album Of The Day: Tree63 by Tree63

Album Art of Tree63's self-titled album - A collage of photos of various colors and subjects. On the right, a tall, slender photo of a beach and the sea above it, with some dock or land on the horizon beyond and cloudy sky above. On the left, three columns of smaller images in 6 rows, one of which is a picture of the band, but other pictures of a video game controller, a bike tire, a flower, an interior of a bus, a few different streets, and a wall with geometric painting on it, among other things. At the bottom of the big photo on the right, it has the band's name printed in blue with white circles behind it.

Released 25 years ago this past Friday, this is the first album released in the USA by Tree63, a South African rock band with Christian lyrics. In the late '90s, the band was known as "Tree" and released two albums, Overflow and 63, and this album is a compilation of the best songs from those first two albums and the first album to use their new name, Tree63. If you didn't get the imported albums on CD like I did 25 years ago, you didn't hear the other songs, though all those old songs are currently available on streaming if you want to now access the classic songs you never heard. But the band took "Joy", "Look What You've Done" and "Worldwide" from the Overflow album and re-recorded them to sound more like the production style of their 63 album. And then half of the tracks from 63 were joined with those three new recordings to make this 10-song best of early Tree63 self-titled album that introduced the band to the North American market. John Ellis and his bandmates created great rock music with honest and sometimes worshipful lyrics. Songs like "1*0*1", "Treasure" and "Can I See Your Face?" are excellent rock music with quality Christian lyrics. If you're a fan of Tree63, I recommend you check out the original two albums and their 26 tracks, but this 10-track compilation is a great look at the band's early songs and works well together as an album.

Release Year: 2000
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Album Of The Day: Transform by Rebecca St. James

Album Art of Rebecca St. James's Transform album - On a bright red background with a more orange spot on the left, a white woman with curly brown hair is pictured off to the left, with the left edge of her head and body off the edge of the frame. She is wearing a shiny black jacket and colorful pants, and her left hand is outstretched off towards the right, kinda like she's flying. She has a bit smile and is looking at the camera. Above her head, at the top is a gray bar stretching across the top, with the artist name printed in white letters and the album name right after in smaller red letters. In the top right, there are also a few squares printed in various colors.

Released 25 years ago yesterday, this is the sixth studio album from Rebecca St. James and it might be my favorite album of hers. Though there's definitely a bit of rock guitars on this album, it's mostly a dance/pop album. Songs like "Reborn", "One" and "All Around Me" are Gospel lyrics with a heavy dance vibe. "Lean On" is even co-written with electronic rock band Earthsuit, though the programming seems to be provided by Producer Matt Bronleewe. Rebecca St. James was a bit more rock 'n' roll than some other female Christian music back in the '90s, and I was drawn to that, but even though this is mostly pop/dance, it still is an album I enjoy. The lyrics aren't particularly groundbreaking, but they present Christian views with quality music that still holds up, in my opinion.

Release Year: 2000
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