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Album Of The Day: The Me That Remains by Amy Grant

Album Art of Amy Grant's The Me That Remains album - A mixed-media collage that looks to be hung on a orange and red painted wall or maybe canvas. On the right side is a drawing of Amy Grant, most of it colored in, with the right side only a black-and-white rough sketch, but still made up of various scraps of handwritten text and and drawings. Looking closely at her dress, though, you can also see photos of Amy Grant and Vince Gill, a Tennessee state-shaped magnet, and other paper snippets as well as fabric making up the dress. Behind Amy is a landscape also made up of photos, tickets stubs, and other pieces of cloth, wire, sea shells and more. In the middle of the sky there's an aqua blue sheet that has the album title written on it with cloth or foam clouds above and below it.

Released today, this is the twentieth album by singer-songwriter and pop superstar Amy Grant. Mrs. Grant has been making music for almost 50 years now, and is most well-known for '80s and '90s pop like "Baby Baby", "Every Heartbeat" and "Takes A Little Time". Her first album of new, original songs in 13 years, The Me That Remains finds a bit slower, a bit more country-tinged and more reflective on life and society than in-our-face Christian messages and pop hooks. After a few listens today, I'm really liking this album a lot. Looking at the album writing credits, I love the collaboration here: "Please Don't Make Me Beg" co-written with Jon Foreman of Switchfoot, "How Do We Get There From Here" written and sung with Ruby Amanfu, and "The Saint" co-written by long-time friend and pop songwriter Michael W. Smith. Some fans of the Christian artist may find less spiritual, religious language than they might expect here, but there's still some if you're looking for it. And Amy Grant definitely speaks up for those less fortunate and dwells on her struggles in life a bit, as one who has been somewhat of a celebrity for nearly 50 years might do—I think it fits her well as her current role as the queen of Christian music and elder stateswoman of American music.

Release Year: 2026
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Album Of The Day: Mercy by Natalie Bergman

Album Art of Natalie Bergman's Mercy album - A grainy black-and-white photo of a white woman with blonde hair standing in front of a black background with a large white cross. The woman is wearing a white coat with a V-neck and a strap across the neck, and her arms are held out in front of her together, palms facing up. She is looking up towards the sky in the direction of the light, as the hands strike a shadow on her chest.

Released 5 years ago today, this is the first album by singer-songwriter Natalie Bergman. She performs a very unique combination of folk pop with soul and Gospel elements. Her falsetto vocals with very Gospel-centric lyrics and pop sensibilities is very unexpected but definitely worth a listen. It's not exactly what I would expect from Jack White's Third Man Records, though then again I would not expect the norm from that label either. Lyrically, you'd expect the music to be sung by a Gospel quartet or maybe some older white lady, but instead this is an attractive woman in her 30s. And musically, you expect it to be music about making love to a partner and the frivolities of life, but instead it's songs about a relationship with Jesus. It's just not what I would expect all around, but I think I like it. Check this out and you might like it too.

Release Year: 2021
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Album Of The Day: Carry Us Through by Sarah Masen

Album Art of Sarah Masen's Carry Us Through album - On a black background, a black-and-white photo of a woman in a black shirt with a dark grey or iridescent print on it is photographed in profile, with her facing to the left of the frame. Most of the light is coming from the direction of the camera, so the features of the white woman with short hair really pops from the black background and the black shirt. To the right of her, at about the level of her neck, is the artist name in bold white text and the album name to the right of that in thinner white text.

Released 28 years ago today, this is the third album by pop/rock singer-songwriter Sarah Masen. Produced by Charlie Peacock for his short-lived re:think label imprint, Sarah Masen's vocals soar over some simple, jazz-tinged indie pop. Her music wasn't something I listened to when this was released, but in the last few years I've been listening to her '90s albums more and I'm really liking them. The songs are well-done and catchy and her sound is fairly unique. I should check out her more recent, independent music too.

Release Year: 1998
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Album Of The Day: Point #1 by Chevelle

Album Art of Chevelle's Point #1 album - On a black background, the middle is a light green color and looks like either a green marble or some sort of rug, though there's dark gouges/cracks in it and a few holes. On the left edge there is the tops of two feet poking into the frame, which is why I think it's a bit of floor, carpet, or maybe a bathtub? With the rest of it black, it's hard to tell. Printed above the green in a darker green text is the band's name, with the second 'e' turned around to mirror the 'e' on the other side of the 'v'. And in the blackness in the bottom left is printed the album title in small, white text.

Released 27 years ago today, this is the first album by Chevelle, a hard rock/metal band by two brothers for almost 30 years now, though actually at this moment a third brother was playing bass too. This album really hits hard, and by that I mean that this three-piece creates a lot of noise and lets out a lot of anger on this album. Guitarist, lead vocalist and songwriter Pete Loeffler passionately sings and sometimes screams poetic lyrics trying to understand the complexities of life and questioning the things he's been taught. The highlight for me is still the title track which opens the album with six minutes of excellent metal, including a two-minute intro. But it doesn't stop from there; throughout it's 42 minutes of grunge-y guitars with thundering bass and drums as well as Pete's dynamic vocals. Producer Steve Albini and Chevelle kept the instrumentation and the production sparse and it keeps the energy up and probably sounds more like their live show, which I think was a very good choice for this band's debut. The band has continued to make music, but I haven't listened to much of their music except for this album in the last 20 years, honestly, as I found their few albums after this less and less compelling to me personally.

Release Year: 1999
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Album Of The Day: Pro Pain by Mars ILL

Album Art of Mars ILL's Pro Pain album - A drawing of a two-door sedan car in a crash test setting, with the whole front of the car crumpled and mid-explosion. On top of the line drawing is painted blues, yellows and reds in various large swaths of color, with the paint not hitting the white edges. In the top left it says 'manchild and dust' in small black text, then the artist name in much larger white text with a black outline. At the bottom left, the album title is printed in brighter colors, with a white outline. In the bottom right is a Mars ILL word mark, where the 'ILL' kinda becomes part of the letter 'm'.

"Twenty years from right now my words are still grabbing your nature" Released 20 years ago tomorrow, this is the third major studio album by Atlanta hip-hop duo Mars ILL. DJ Dust puts together intricate hip-hop beds from classic records and other sources, and I love how each time I hear something new I missed on previous listens. Emcee ManChild does fast-moving rap about life, love and the rap game. Mars ILL is my favorite rap/hip-hop artist of all time, and their three albums are so, so fun to listen to. Yes, it's a bit of an underground/indie rap sound, but it's so well-made and the words and music have so much meaning to them. These two spent about 10 years in the underground hip-hop scene and this album was their final major release, as they moved on to other creative and professional pursuits, and only a few new songs have been released by them since. Seriously, if you like rap at all, check this duo out and I hope you like it.

Release Year: 2006
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Album Of The Day: Films For Radio by Over The Rhine

Album Art of Over The Rhine's Films For Radio album - A color photo of a woman wearing a bright red coat with her hands in the pockets takes up most of the space. It looks like she is sitting and her hands are stuffed in the pockets, though we cannot see her shoulders, head or legs. It's mostly just a lot of folds of the coat in light and shadow, with a bit of white skin on the left arm just outside the pocket. On top of the photo is printed in large, light gold text the band's name on the left side. At the top, there's a large horizontal black space above the photo, and printed right above the photo is the album title in a gold, handwriting-style script.

"Everybody's story is more / Interesting than mine / It took me twenty-some-odd-years / To see I'd been born blind" Released 25 years ago last month, this is the sixth studio album by Over The Rhine. This folk duo is at their most rock 'n' roll on this album with a full backing band and top-notch production. Most of these songs are songs of love, from "The World Can Wait" to "The Body Is A Stairway Of Skin". There's also talk of the divine as well on songs like "I Radio Heaven", "Give Me Strength", and the epic 8-minute mid-album track "Little Blue River/In The Garden". Films For Radio is beautiful poetry set to excellent folk/rock music by seasoned musicians, one of the band's best releases, and it's well worth a listen.

Release Year: 2001
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Album Of The Day: Clouds Echo In Blue by Clouds Echo In Blue

Album Art of Clouds Echo In Blue's self-titled album - A color photo of some branches and some shriveled, brown bits of flowers and leaves hanging off those branches, with a very out-of-focus landscape in the area behind these. Towards the top, printed in white, lowercase text is the band name, with the word 'echo' repeated above and below mostly transparent to the background, for a ghostly echo effect.

Released 15 years ago earlier this month, this is an ambient, instrumental music album by Derri Daugherty, lead singer of The Choir and member of The Lost Dogs and other bands. It's about 40 minutes of instrumental rock with a mostly quiet, reflective tone. It's the kind of stuff I like to have on in the background while reading a book, though it's also engaging enough to listen to as the focus too. It's definitely different than most of Derri's other work, but I really like it.

Release Year: 2011
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Album Of The Day: The Hunger by Seven Day Jesus

Album Art of Seven Day Jesus's The Hunger album - On an off-white background, a grainy photo of some colors of yellow, blue and red are shown. It can't tell if it's a blurry photo of some paint, or maybe even outer space or something, it's just so distorted and blurry. Around the photo is a very rough, black background which seems hand-drawn. In the very middle, on top of the photo is printed the band's name in white, all-lowercase text in a typewriter font. And towards the bottom of the photo, the album title is printed in a thinner, taller font in yellow.

Released 30 years ago yesterday, this is the debut album from Christian rock band Seven Day Jesus. Less than two years later they would release a much more poppy album on a bigger record label, but on this album, the band was squarely in the world of mid-'90s grunge rock. The guitars are loud and distorted and it's a well-made record from a band that shows lots of promise. Lead singer Brian McSweeney's lyrics are those of a young Christian struggling to follow God and find his role in the world. I was first introduced to the band during their second album which I still like better, but there are many who liked this one more and saw that second album as too much of departure in style. Both albums do have the same grunge rock sound throughout, but their second, self-titled album definitely had catchy hooks and more of a pop-rock sensibility. No matter which you like better, if you like '90s Christian rock, check out this short-lived band.

Release Year: 1996
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Album Of The Day: Old Church Basement by Elevation Worship & Maverick City Music

Album Art of Elevation Worship & Maverick City Music's Old Church Basement album - Sitting on a floor in a darkly lit, empty room, the only source of light is an overhead projector box that has s light inside and spills out light from the top, projecting whatever is on the clear plastic sheets placed on top of it onto a wall via a mirror hanging above it. This mostly obsolete technology used to be used in schools for lessons and at churches for communal music before projectors and larger screens became economical. The light from the project in this photo doesn't really illuminate anything visible; it seems the room is a bit smoky, probably for a cool image effect.

"The most segregated hour in American life is high noon on Sunday." - James Baldwin & others before him. This is still a problem today in most churches across America; we join churches that think and look like we do. There's not many churches that do this well, but I'm happy to find that some are trying, and modern worship albums like this seem to make the case that it can work sometimes. Released 5 years ago this coming Thursday, this is the 15th album from Elevation Worship and the third album from Maverick City Music. This recording captures nearly two hours of live music at Elevation Church from these two church worship collectives based out of Charlotte and Atlanta coming together. These groups manage to infuse the mostly white, American modern worship sound with a bit of black Gospel feel, and the videos of the recording session shows a melting pot of races and ages both in the combined bands and worshiping in the congregation. A deep bench of worship leaders lead the crowd in songs and also sometimes share their personal stories during their praise to God. At 8⅔ minutes per song on average, there's lots of impromptu praise breaking out throughout and these songs are certainly not designed to be radio singles. I'm still not sure I am comfortable with the slickly-produced, arena rock style of the megachurches in America today like this, but I like the fusion of musical styles here and this album is a pretty good listen. On the other hand, it's a very long album and there's mostly slower songs.

Release Year: 2021
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Album Of The Day: All The Hype Money Can Buy by Five Iron Frenzy

Album Art of Five Iron Frenzy's All The Hype Money Can Buy album - In the middle, a brightly colored print of a man jumping and holding a basketball over his head is shown with a large, black border. The same image is repeated six more times horizontally across the backdrop, with minor variations in the coloring, though the copies are only faded into the background. The background is mostly orange, with lines of green, purple, red and aqua blue near the bottom. To the right of the person's legs and above the colored stripes on the right is the album title in black all-caps, with 'Hype' bigger than the other words. Across the top is printed in large, red letters the band name with white and black borders. Around the edge is a red border with white edges.

Released 26 years ago today, this is the third album from ska/punk band Five Iron Frenzy. This Denver-based punk band with horns has never been a band I've really listened to a lot, but I've always had friends who were big fans and I've always respected them a lot. So it's been fun to give them a closer listen, mostly decades after their albums released. Like most ska/punk bands, these songs are short, so 14 songs is only 45 minutes. But it's a fun, driving run of an album, and a close listen to the lyrics finds some interesting things that you do not expect from a band distributed to Christian bookstores. Songs like "World Without End" definitely include lyrics of praise to God, but many other songs deftly critique much of American Christianity's main tenets: capitalism, consumerism and creating a safe sub-culture. There's also some references to American Christianity's checkered past on loving your neighbor and predicting a grim future if changes are not made. But there's also lots of humor and fun in here too, with songs like "Phantom Mullet", "You Probably Shouldn't Move Here", and funny lines throughout the songs. It's a solid album of ska music, and I should have checked out this band a lot earlier. I saw them play their 2003 farewell tour, but I get to see them live for the second time tonight and I'm looking forward to it.

Release Year: 2000
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