Blog Archive for January 2025

Album Of The Day: The Night We Called It A Day by Deepspace5

Album Art of Deepspace5's The Night We Called It A Day album - The majority of the cover is a photo of the spines of vinyl record cases, probably stuck together on a shelf or in a crate. The sleeves of the records look well-used and are very worn, especially on the corners. Below the records, an area of just a black background with the band name in a bluish-green, blocky font, and the album title in smaller letters in a deep orange/brown.

Released on this day 23 years ago, this is one of my favorite albums in underground hip-hop. Deepspace5 is a collective of rappers and producers, and having so many voices and producers from song to song keeps the sound fresh and varied. The producers provide great beds for the rhymes and the different rappers create brilliant wordplay. Between most tracks on this album, there is a few seconds of freestylin' from one of the rappers, too, which brings a loose, underground vibe throughout. Underground hip-hop may be an acquired taste, as it is more about unique sounds and rhymes instead of highly memorable, poppy songs like you might hear on the radio. But I find albums like this to be fun as I pick up something new that I didn't catch before with every repeat listen.

Release Year: 2002
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Album Of The Day: Slow Parade by Gileah Taylor

Album Art of Gileah Taylor's Slow Parade album - The top half is a black background with the words 'Gileah Taylor's' in small beige text centered near the top, then 'Slow Parade' in bigger text below it. On the bottom half, a photo of a a white woman with bright green eyes from the shoulders up on a dark background, with the top of her head, the middle of her face (the cheeks and the nose) as well as her neck are in bands of dark shadow.

A number of people who I highly respect on music listed this album in their top albums of 2024, and so I'm catching up on this artist. Gileah Taylor worked with a few producers to create a beautiful, slow indie pop album. To quote Josh Balogh's review, "This is music for the dark night of the soul yearning for the relief of daylight. The album explores themes of loneliness, dark vs. light, and hope amid grief." This was my first listen to this album today, but it was an interesting listen on a cold, dark winter night. I'm not sure it has immediately grabbed me, but it is well-done music. I will definitely give it a few more listens and maybe it will become a favorite of mine.

Release Year: 2024
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Album Of The Day: Silence by Blindside

Album Art of Blindside's Silence album - On the bottom third, some sort of a photo of a shack or a few structures built in or near a flooded pond, where most of the visible portion is the reflection in the pond, and maybe a paper or photo or something floating in the pond. At the top, faded in a dark gradient is a picture of four white men, white, with various haircuts and outfits that look like a rock band. In the middle, atop everything else is a honeycomb pattern, some of the six-sided nodes whiter than others. The off-white blob in the center is punctuated by a few fully white nodes that spell the band name, with the 's' rotated ninety degrees. Below that, in white is the album title in a thin san-serif font.

Blindside is a hard rock/metal band from Sweden, though their lyrics are in English. They were given their big break when their friends in P.O.D. brought them on tour and signed them to their label. This album is a masterpiece of great drums and bass, intense guitars, plus singing and screaming, if you ask me. Although they've released a number of albums since then, I think it's probably still one of their best albums, if not their best. "Pitiful" and "Sleepwalking" are still some of their most popular songs on streaming and are definitely my favorites as well. Lyrically, the band seems to be talking about relationships and knowing yourself. With all that energetic metal and screaming, you don't really expect this album to close with a five-minute, acoustic song called "Silence" either, but it's a perfect ending to have a moment reflect on the music you've just heard.

Release Year: 2002
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Album Of The Day: These Christmas Lights by Matt Redman

Album Art of Matt Redman's These Christmas Lights album - A photo of what looks like small balls of fire dropping from a black sky in a large group, with a glow of smaller sparks near the bottom until the bottom is pretty much all a gold white of burning light. Printed above that is the artist name in a flowing white script-like font, with the album title in white, all-caps, block letters below the name in the center.

OK, the Christmas season is nearly over, so here's my last Christmas album for the year. Nearly all the albums celebrating the Christmas holiday are comprised of carols and other standards. However, on These Christmas Lights, worship leader Matt Redman decides to do something more original. Some lyrics from old Christmas hymns are present, but Matt Redman and team decide to put them to new melodies and write new worship lyrics to go with them. Honestly, I'm not sure it was the best choice for the artist, as many want to hear their favorites along with a few new songs. And none of these songs really keep me singing them days later, unfortunately. But I do think it's not bad and is worth a listen to this album from an accomplished artist who has been doing worship music for over 30 years now and has written many songs that are sung in churches around the world.

Release Year: 2016
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Album Of The Day: Christmas by Michael W. Smith

Album Art of Michael W. Smith's Christmas album - It looks like paper artwork, with a base background of a gray forest branches, and a printout of a gold frame in the bottom and right halfway up, and the look of a burlap cloth in the middle. In the middle, a few torn-out reproductions of sacred art with three kings, a stable and Mary with a baby in a manger on three separate pieces of paper layered on top of each other. To the bottom left, a bit of the biblical passage of the birth of Jesus from a bible is torn out and placed there. At the top, a white piece of paper with the artist name and at the bottom, individual letters spelling 'Christmas', each on their own bit of paper.

As I said a few weeks ago, the Christmas season for me is traditionally full of choirs and orchestral music as well as the pop/rock in my collection. In Michael W. Smith's first Christmas album, he leans into the choral and orchestral sounds so hard, there's almost no pop music sensibilities left, and I love it. Though "Lux Venit" and "Christ The Messiah" sound like they could be adapted from some classical piece, they are actually original songs by Smith and friends, like most of the others on this album. "Gloria" and "All Is Well" are probably the most pop of all of them, and they are excellent '80s pop, though there's definitely a full choir in these songs too. It's a beautiful album to listen to in a quiet moment or, as I prefer, to play it loud and better hear the quiet parts as well as fill the house on the loud parts just like you're at church for a Christmas mass.

Release Year: 1989
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Album Of The Day: Let It Snow Baby... Let It Reindeer by Relient K

Album Art of Relient K's Let It Snow Baby... Let It Reindeer album - It looks like paper artwork, with first a background of various shaed of light blue with regular creases vertically and near the center horizontally. On top of that is a cutout of two deer on brown paper, one with antlers and the other without, and their round red noses are touching in the middle. At the top, cut out of paper is the band name in large white letters, with the words 'Let It Snow...' in the bottom left and 'Let It Reindeer' in the bottom right in smaller letters.

Relient K is the biggest pop-punk band in Christian music history, I think. In 2001 they released rather dark and brooding holiday-themed songs, "Santa Claus Is Thumbing To Town" and "I Hate Christmas Parties". In 2003, they released the first version of this Christmas album as Deck The Halls, Bruise Your Hand, adding mostly quick punk-pop versions of classic carols, their masterful version of "12 Days Of Christmas", and a few slower carols leading into the piano-based ballad "I Celebrate The Day", one of the best original songs about Christmas in the past few decades. Deck The Halls... was originally a bonus disc on a re-release of their latest album, so not really a full-fledged, widely-available album. But in 2007, they added a few more holiday standards, a song that originally appeared on a The Chronicles Of Narnia: The Lion, The Witch & The Wardrobe-related album, and a few more originals including one about "Boxing Day", to make a real album of all this Christmas fun. I love Relient K because they always have a variation in styles, both musically and lyrically. One moment, you've got a silly song, the next minute an earnest song, and then a punk rock version of the "Hallelujah Chorus". This album ends with a choral version of "Auld Lang Syne" with a personal message from the band styled after The Beach Boys' Christmas album. Or maybe there's a hidden track of a silly version of a more obscure carol there too? (In 2008, three new recordings of holiday standards were released and appear on the vinyl double album as well, though you have to look harder to find them on streaming.)

Release Year: 2007
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Album Of The Day: This Is Our Christmas Album by Switchfoot

Album Art of Switchfoot's This Is Our Christmas Album album - A photo of a fir tree decorated with a star and tinsel and a banner that has written on it 'this is our Christmas album' that is on a beach and laying on its side in the sand, with the red tree stand attached to the bottom on the right. Behind the sandy beach can be seen ocean waves. At the top, in a dark red, is printed the band name. A dark red border is also around the photo.

Switchfoot is mostly known as a rock band, but this is definitely not their normal rock album. On this album celebrating Christmas and New Year's, the band for the most part is a lot more laid-back and chill. There are definitely guitars, but no guitar solos and the rest of the band gets to shine. They do let loose the rock on "Scrappy Little Christmas Tree", though, which is a fun punk rock song about a sad tree at the tree lot. Other original songs ponder the meaning of Christmas, celebrating the new year, and there's also some celebrating of southern California's style of celebrating Christmas with surfing, avocados, and beautiful harmonies. The band then also delivers some classic carols and Christmas standards in mostly a more acoustic, stripped-down style. There's two experiences of this album available: if you are listening on streaming, the originals and standards are mixed together, while on CD and vinyl the first half/side is the new songs, and the second side is the classic songs. It's definitely not my favorite Switchfoot album, but it's fun to celebrate the holidays with one of my favorite bands.

Release Year: 2022
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