Blog Archive for March 2025

Album Of The Day: The Lone Bellow by The Lone Bellow

Album Art of The Lone Bellow's self-titled album - In a black-and-white photo, three white people are sitting on the front steps of a New York City brownstone, from the looks of it. On both the right and left are men wearing boots, the one on the left with lighter hair and a black shirt, and the one on the right with black hair and a grey shirt with vest and black pants. In the middle is a woman with probably brown hair coming down over her right shoulder. She's wearing a light-colored dress with no sleeves and beadwork on the chest area. They look really classy and somewhat timeless, though I think their clothing is modern. Above them, printed in white is the band name, with 'The' being smaller and built into a decorative line art above the rest of the name, with a similar line art right below the name.

It's not too often that I hear of a country artist and think, "I need to check that out." But at the time, I had a friend who lived in New York City and was a huge country fan, and they told me about a country band from NYC and said, "You've got to hear this band's album!" I also then noticed that this album was produced by Charlie Peacock and I was intrigued. Zach Williams (not the Christian artist, though they share the same name) is a great songwriter and this band is oh-so-talented. To call The Lone Bellow a "country" band is not accurate, though; their music blends country, alternative rock, indie folk, and even soul. There's so many good songs here, from the up-tempo "Bleeding Out" and "Green Eyes And A Heart Of Gold", to the slower "Looking For You" and "Two Sides Of Lonely" and every tempo in between. They have gone on to release 4 more albums since then, but this may still be my favorite album of theirs still. (I need to listen to their last few albums a bit more; I haven't listened to them as much as this for sure.)

Release Year: 2013
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Album Of The Day: Let There Be Wonder by Matt Redman

Album Art of Matt Redman's Let There Be Wonder album - On a dark blue background, an illustration of what looks like a fingerprint is in the middle. Upon closer inspection, it is a graphic where the top part looks somewhat like a fingerprint printed in gold, with mostly horizontal lines. We can see that a bit below the center these gold lines do circle, making it out to be a sky of gold with the sun just over the horizon. And below the sun, large ocean waves of blue and gold are crashing. At the top, in white handwritten-style font is the artist name, and in smaller sans-serif letters at the bottom is the album title.

Matt Redman is still one of the best songwriters of modern church music, and this is one of his most recent albums of his, released just over 5 years ago. I read an article recently which claimed that Matt Redman's earlier works were great for congregational praise and worship and that in the last 10 years or so he's lost some of that, making the more complex, less sing-able styles of the mega-church/arena pop/rock that is most popular in Christian Music today, and that might be a fair criticism. But I still think he is one of the best songwriters and that these songs can still be sung by congregations—I've heard songs from this album played by local worship bands and sung along with by congregations. Matt Redman does better than many other church groups on making sure that there's scripturally-based, theologically-sound lyrics and writes beautiful melodies to go with them. I think this is a good addition to his over 30 years of songwriting and recording. Some of my favorites here are "All Praise (Sing Praise)", "The Same Jesus", and "Jesus Your Name".

Release Year: 2020
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Album Of The Day: The Everglow by Mae

Album Art of Mae's The Everglow album - A drawing of a forest behind a metal fence with vines growing over it. In the middle, there's a path with a an open gate and a man with a suitcase is standing looking into the gate, and there is a bit of a glow from the forest behind him. The colors may be painted with watercolors or something, because the edges are not fully colored out of the grass, the path, the sky. The man in the middle also is black-and-white only, not in color. On the top of the gate, the metal spells out 'The Everglow' and there's a hanging piece of wood with 'by mae' written on it.

Released on this day 20 years ago, this is a concept album on relationships and love by the band Mae. The packaging and the recording does a really good job of reinforcing the fact that it's a concept album, as the booklet with the CD looks like a book and has an image associated with each song that shows a man on a journey to finding love. And on the first and last track, a narrator opens and closes the "audio portion" of the album and encourages the listener to "read along" with the booklet. Musically, it's an alternative/rock album that is not too innovative, but works really well as a cohesive whole thanks to their passionate musicianship and vocals, plus the emotional and easy-to-identify-with lyrics. This may still be Mae's most-revered album, and I get to see them play live tonight for the first time too, so I may come back as an ever bigger fan of this band.

Release Year: 2005
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Album Of The Day: Stereo by 4th Avenue Jones

Album Art of 4th Avenue Jones's Stereo album - A drawing that is red in the background, with the lines and rings of a notebook look across it. At the top, the band name is written in a very blocky font. At the bottom, hand-written is the word 'Stereo' in white, with 'the evolution of Hiprocksoul' scribbled in black next to it. In the middle, black and white sketches of a small, slumping man on the left, a young, skinny kid to the right of them, a punk with spikey hair and a big jacket, and then larger than all of them by far, a muscled man with bulging abs, a mohawk, and a large jacket a cook satellite man on it, and the man is holding a large boombox with both hands. The band name and the largest man with the stereo are the only parts in white, the rest is red.

In 1994, Ahmad released "Back In The Day" and it was a hit single, I'm told. In 2000, he started a hip-hop band called 4th Avenue Jones, and they were definitely doing hip-hop, but it was a live band and had guitars and even a violinist. From 2000 to 2005, they kept playing shows in the Los Angeles area and beyond and opened for many big acts, plus recorded a number of albums that never got released by the big labels and they released independently. Released 20 years ago tomorrow, Stereo: The Evolution Of Hiprocksoul was their first album released by a label and their last album as a band. I love this album as well as most of their other albums. Ahmad's wife at the time, Tena Jones, sings and raps as well, and the band mixes rock, R&B and hip-hop styles throughout. Sadly, for reasons unknown, this album is not able to be found on the streaming services, so you might have to track down a CD or something to give this album a listen. And also sadly, I feel this band did not get enough attention and was very talented but overlooked by the industry.

Release Year: 2005

Album Of The Day: The Abbey Road Sessions by Steven Curtis Chapman

Album Art of Steven Curtis Chapman's The Abbey Road Sessions EP - On a gray background with a bit of a white glow in the middle, a white man is strolling on the right towards the camera, with a guitar slung on his back, towards the camera and looking down. Behind him, in black are the rectangular shapes of a crosswalk. Above that is printed the EP title and 'The Walk' in black in large letters, with between those two the artist name in smaller, red letters.

Steven Curtis Chapman grew up in Kentucky and became an early leader in Christian pop/contemporary music with a dash of country. In 1997, preparing for his first Greatest Hits album, he and his band recorded a number of tracks in the famed Abbey Road Studios in London. Also, a documentary of his life and career was produced called The Walk. Two of the best tracks from the session were on the compilation album, but little did we know that a few more tracks were recorded. Released this week 20 years ago, five tracks from The Abbey Road Sessions were released on CD, accompanied with the DVD of the 1997 documentary. These are very fun, energetic versions recorded live in the round with Chapman and his band. The songs definitely sound different from their original studio album versions, and a few have a bunch of fun jammin' moments where it's clear the band is enjoying themselves. It's a short EP that does demonstrate why he's an amazing artist, and I'm glad we go to hear these recordings even though they took nearly 8 years to be released.

Release Year: 2005
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Album Of The Day: Spring by Jon Foreman

Album Art of Jon Foreman's Spring EP - On what looks to be yellow notebook paper with thin black horizontal lines and wear on the top and a vertical crease near the edges is drawn a stick drawing of a tree on the right, with the sprouts of grass just barely visible in its shadow to the left of the tree. The tree has little stubby shoots on the branches. Also, the yellow paper has a stain of what might be a coffee mug in the top left too.

Jon Foreman of Switchfoot continues to write songs with the band, but also writes plenty of music with others and on his own. Released on this day 17 years ago, this is the third of his four EPs titled after the seasons, and I think it's my second favorite after the Fall EP. "March (A Prelude To Spring)" is a beautiful little intro song, and "Love Isn't Made" and "Baptize My Mind" are great acoustic pop. "Your Love Is Strong" is still my favorite Jon Foreman solo song, as it's a beautiful song of praise and thanks to God. And "Revenge" is a great reflection on Christ's death from the point of a criminal executed with him. It's great to celebrate one of the most beautiful times of the year with Jon, and I definitely listen to this every year, at least.

Release Year: 2008
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Album Of The Day: Chase The Kangaroo by The Choir

Album Art of The Choir's Chase The Kangaroo album - A thick border of black with blue drawings making an indecipherable pattern surrounds the main photo. The main photo is one man on the left leaning in towards the camera and his hair is in front of his eyes. The second person is off to the right further away, and is holding his own shoulders and lookng down. Both people are slightly blurry like they were photographed in motion. In the top left of the photo is the album title and the artist name written in a handwritten manner in a mustard yellow.

The Choir is an ambient alternative rock band that's been active for over 40 years now. Released on this day 37 years ago, this is their third studio album. The first half of the album is just 4 tracks, the last 2 of the 4 running at 7 minutes each, for an epic, meandering rock album. They're one of the few rock bands I listen to that has a saxophone player in the band too, and that adds a fun element to their music from this era. Despite being from the '80s, it actually sounds a lot less dated than some of the rock albums of that time period, and it's a good listen that's a bit new to me. Note that on streaming, tracks 11-15 are from an EP released a few years before this when the band was known as Youth Choir, and that does sound a bit more '80s.

Release Year: 1988
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Album Of The Day: Even When My Heart Is Breaking by Matthew Smith

Album Art of Matthew Smith's Even When My Heart Is Breaking EP - On a background that looks like rough, brown paper, in a dark brown a rough heart shape is on the left in the middle. To the right of it, in the same dark brown color is the artist's name in large, lowercase letters. Then below that in a handwritten pen style is the EP title.

Matthew Smith has spent decades taking old hymn texts and either giving them new melodies, or just recording them in a more contemporary style. He has worked with the Indelible Grace artist collective a lot too. One of his earliest solo artist releases is this EP, a collection of five hymns. These renditions are beautiful and can bring new life to these hymns because it's very different than the church choir backed by an organ or piano. Somehow, I have both the 2004 CD and the 2011 CD re-release; I made that mistake because the 2011 re-release has much different artwork, I think. But on the other hand, i guess it's not a mistake to support independent artists, so let's just say I'm a collector, then.

Release Year: 2004
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Album Art of Matthew Smith's Even When My Heart Is Breaking EP 2011 edition - Towards the top in the center, the artist's name is printed in grey, with a hand-drawn double line below it, and then the hand-written EP title in white pen. The rest of the artwork is an illustration of a man in shorts and a T-shirt huddled in a rowboat, being tossed and turned in the large waves all around him.

Album Of The Day: Drawing Black Lines by Project 86

Album Art of Project 86's Drawing Black Lines album - In the top right, the word 'Project' in white in uppercase block letters, with '86' below it aligned to the right. Below that, scribbled in black is the album title, and to the left of that is a white dragon icon. The rest of the album cover is 16 geometric symbols in a grid, semi-transparent of a photo too blurry to tell what it is portraying.

If you've been following me, you may have noticed I like lots of styles of music. For example, yesterday was a Sara Groves album (adult contemporary/folk), but today's a nu metal album that was actually released around the same time, but had mostly a different audience, I expect. Released on this day 25 years ago, this is the second album by Project 86, which has been fronted by Andrew Schwab for nearly 30 years now. As with most of Project 86's albums, there's lots of emotion, anger and angst to Schwab's vocals and lots of screaming over the roar of guitars. The vocals are pretty dark and bleak, but there is some light and hope hidden deep in there, I think. I don't listen to this band very often and I don't know this album well, but it's pretty good, and I remember hearing "One-Armed Man (Play On)" and "Me Against Me" on Christian rock radio/TV a bunch back when this came out. If you ask me, there's something to music like this that amps you up and questions authority a bit, and it's fun to rock out sometimes. If it's not your cup o' tea, come back tomorrow for something different and maybe you'll like that more.

Release Year: 2000
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Album Of The Day: Conversations by Sara Groves

Album Art of Sara Groves's Conversations album - A close-up, grainy photo of the right side of this white woman's face from the front. Her nose and most of her mouth is on the left side of the frame, and her ear in the middle of the photo, so her face takes up most of the left half of the photo. It's just very bright behind her face and over her shoulder, which is just visible at the bottom. Printed in uppercase black letters to the right of her face is the album title, and in a bright red is the artist's name in lowercase.

Sara Groves is one of the best songwriters in Christian music, in my opinion. This is the first album of hers I heard and is one of her many albums that I love. Released independently in 2000 and then re-released on INO Records on this day in 2001, Conversations is a very good title for this look into the many conversations Sara is having in song with God primarily, but also with friends and family. Musically, Sara's sound is contemporary folk-pop. and the band along with producer Nate Sabin do a great job with the sound here, making every song unique and fresh and working perfectly with Sara's gorgeous vocals. Lyrically, Sara's songs wrestle with faith and doubt, listening to God, but also proclaim God's love and grace. And it ends with a fun live recording of her singing about an old-timey revival "Tent In The Center Of Town". It's a great hour of music and I can't believe it's been 24 years now of enjoying and learning with this album.

Release Year: 2000 / 2001
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