I'm definitely a bit conflicted about the state of modern worship today. Ideally, the music made by churches would be easy to be sung by congregations. However, much of today's modern worship music is made by mega-churches with huge music teams making arena pop/rock anthems that maybe could be performed by ambitious church music teams, but are not simple hymns or melodies that can be easily be picked up by a congregation or a lone worship leader. Still, I do somewhat find them fun and engaging to listen to, I guess. As an example, this recording of live worship from Jesus Culture church in Sacramento, California, is maybe the group's magnum opus; a sprawling 100-minute session of anthems of prayer and praise to God. And as the album title suggests, many of these songs are aspiring to living with the guidance of God's Holy Spirit. The music is meticulously crafted and rehearsed, but there's also a level of spontaneity as the worship leader and band riff on a song for sometimes upwards of 10 minutes. And having a large bench of worship leaders throughout keeps the sound fresh but still pretty consistent. This album is maybe a bit too long for even my tastes, or maybe it's just right for a long play for a Sunday afternoon or evening of reflection. It's definitely not a collection or hymns, though you may find that a good or bad thing depending on your point of view.

Release Year: 2018
Listen on Apple Music
Listen on Spotify

"There are some weird people out there." Released today, this is the 8th album from Nashville-based independent singer-songwriter Andy Gullahorn. I love his music because often his lyrics mix the humorous, the events of daily life, and the profound—usually all in one song. For example, on the song "Weird People", he says that there's lots of weird people, gives some fun examples, and sings that maybe believing in God isn't the weirdest thing. Musically, this album is just pretty simple acoustic pop with a tinge of country, but these simple songs do hold some worthwhile insights on the nature of life and spirituality. I really like his man-next-door vibe and his talent of tying a somewhat mundane moment of his life to some simple truth. It's been 7 years since his last album, and it's great to have new songs finally from this excellent songwriter and performer.

Release Year: 2025
Listen on Apple Music
Listen on Spotify
Buy from Andy on CD or Vinyl

Released 5 years ago last month, this is the fourth album from Anchor & Braille, the solo pop pseudonym of Stephen Christian. Christian has been doing music for about 25 years, most notably the lead singer of alternative rock band Anberlin for many years. But this is his 2nd-most prolific outlet for songwriting, and this time Anchor & Braille has a 10-song album of rhythmic synth-pop. Lyrically, these lyrics seem to be about love and personal relationships. Each Anchor & Braille album is a bit different in style as Stephen Christian works with different producers, but I think this might be the most catchy, poppy release of this artist so far. I might have just been dancing a bit in my chair while listening to this album. Give it a listen if you're looking for something you haven't checked out yet.

Release Year: 2020
Listen on Apple Music
Listen on Spotify

Robert (Bob) Briner was mostly known as an experienced sports manager and TV producer, but to the Evangelical Christian world, he was also known for his writings, like the book Roaring Lambs which encouraged Christians to be "salt and light" to the world—to be in the world and a part of the culture's conversation and formation. Released 25 years ago yesterday, this album brought some of music's most prominent Christian artists who were inspired by Briner's writings to write new songs on this theme, and for at least a few years, these songs were only available on this album. The only song co-written and co-performed by Christian pop kings Michael W. Smith and Steven Curtis Chapman is on here, plus excellent songs from Jars of Clay, PFR, Burlap To Cashmere, and Sixpence None The Richer. The album has a lot of variety, from the classic rock of Ashley Cleveland signing with Michael Tait, the African sounds of Ladysmith Black Mambazo, and a rare song from Steve Taylor, who was much more busy running the record label that put this album out at this time to record a new album. It was also cool to see some artists not traditionally known in Christian music circles like Over The Rhine and Bill Mallonee & Vigilantes Of Love on the album as well. And one of my favorite bands, delirious?, has recorded three versions of their track "Touch" and I think this is my favorite version on this album. It's one of the best multi-artist albums I own, in my opinion, with pretty much every song being good. Like many multi-artist albums from this era, this album is not available on streaming, so you might have to find a CD or some bootleg stream or something to give this a listen.

Release Year: 2000