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Album Of The Day: Drawing Black Lines by Project 86

Album Art of Project 86's Drawing Black Lines album - In the top right, the word 'Project' in white in uppercase block letters, with '86' below it aligned to the right. Below that, scribbled in black is the album title, and to the left of that is a white dragon icon. The rest of the album cover is 16 geometric symbols in a grid, semi-transparent of a photo too blurry to tell what it is portraying.

If you've been following me, you may have noticed I like lots of styles of music. For example, yesterday was a Sara Groves album (adult contemporary/folk), but today's a nu metal album that was actually released around the same time, but had mostly a different audience, I expect. Released on this day 25 years ago, this is the second album by Project 86, which has been fronted by Andrew Schwab for nearly 30 years now. As with most of Project 86's albums, there's lots of emotion, anger and angst to Schwab's vocals and lots of screaming over the roar of guitars. The vocals are pretty dark and bleak, but there is some light and hope hidden deep in there, I think. I don't listen to this band very often and I don't know this album well, but it's pretty good, and I remember hearing "One-Armed Man (Play On)" and "Me Against Me" on Christian rock radio/TV a bunch back when this came out. If you ask me, there's something to music like this that amps you up and questions authority a bit, and it's fun to rock out sometimes. If it's not your cup o' tea, come back tomorrow for something different and maybe you'll like that more.

Release Year: 2000
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Album Of The Day: Conversations by Sara Groves

Album Art of Sara Groves's Conversations album - A close-up, grainy photo of the right side of this white woman's face from the front. Her nose and most of her mouth is on the left side of the frame, and her ear in the middle of the photo, so her face takes up most of the left half of the photo. It's just very bright behind her face and over her shoulder, which is just visible at the bottom. Printed in uppercase black letters to the right of her face is the album title, and in a bright red is the artist's name in lowercase.

Sara Groves is one of the best songwriters in Christian music, in my opinion. This is the first album of hers I heard and is one of her many albums that I love. Released independently in 2000 and then re-released on INO Records on this day in 2001, Conversations is a very good title for this look into the many conversations Sara is having in song with God primarily, but also with friends and family. Musically, Sara's sound is contemporary folk-pop. and the band along with producer Nate Sabin do a great job with the sound here, making every song unique and fresh and working perfectly with Sara's gorgeous vocals. Lyrically, Sara's songs wrestle with faith and doubt, listening to God, but also proclaim God's love and grace. And it ends with a fun live recording of her singing about an old-timey revival "Tent In The Center Of Town". It's a great hour of music and I can't believe it's been 24 years now of enjoying and learning with this album.

Release Year: 2000 / 2001
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Album Of The Day: The Cannonballers by Colony House

Album Art of Colony House's The Cannonballers album - A photo of a pool from above, with an aqua blue hue and parts of it are whiter than others from the light bending through the water. In the top right, above the water is the torso and arms and legs of a white kid in red swim trunks, with his legs tucked under his chest. In the bottom left, you can see his shadow on the water. In the middle, printed above the photo is 'The Cannonballers by Colony House', in an off-white color and a jaunty font, with the album title bigger and the band name smaller.

Colony House is the band I've seen play live most in the last 10 years, I think. (I fact checked myself and this is correct. Colony House 9 times, Switchfoot only 7.) This is Colony House's latest album, a short but quality set of new songs. The album starts out sounding like a surf rock album, but after a few songs it seems to go back to just standard indie rock. Though I certainly don't mind. Many of the songs are just fun celebrations of life, while some others are encouragement and commiserating through hardship. And there's of course a few love songs as well. These four guys put on a great live show, and I enjoy all their albums a lot. Give them a listen if you haven't yet.

Release Year: 2023
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Album Of The Day: Seven Swans by Sufjan Stevens

Album Art of Sufjan Stevens's Seven Swans album - On a marble brown background, a black-and-white pencil drawing of a swan takes up most of the space, with the head of the swan nearly touching the top and the wingspan of the swan just off the edges. The swan looks like it's either walking with its wings spread out or flying, but it's hard to tell since there's no background or ground to place it on. On each side of the swan's long neck, the artist name and the album title is printed in black in a hand-printed script.

Along with the Album Of The Day highlighting albums I love, it's also a chance to listen to albums I don't listen to much, like today's album. I really enjoyed Sufjan Stevens's Illinois album, but didn't give his earlier works too much of a chance. Released yesterday 11 years ago, this is Sufjan's 4th album and the album between Michigan and Illinois, his two albums about different states. I've only listened to this a few times and found I didn't like it as much as some of his other albums; I found it very mandolin-heavy and a bit slow. But upon today's listening, I found I liked it a bit more than I remember. There's lots of Biblical references here, from reflections on Jesus's life and death to some interpretations on the Book of Revelation. And it's not as slow as I remember. In fact, "Sister" in the middle of the album has an extended rock portion. Sometimes I'm not a fan of Sufjan's somewhat melancholic style, but his songwriting is excellent and I probably should listen to his catalog more.

Release Year: 2004
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Album Of The Day: Bright City by Bright City

Album Art of Bright City's self-titled album - On a marble gray background, a thick neon green line cuts from bottom left to top right. Above that, the band name is printed in thick white letters with a dark drop shadow and a light gray inner shadow as well. The empty space inside the uppercase 'BR' are also just white and not cut out like normal.

Released on this day 10 years ago, this is the first album from Bright City, the worship team at St. Peter's Brighton in England. More than most modern worship teams today, this album has a pop/dance feel, though the lyrics certainly are worshipful praise and conversation with God. "Force Field" and "Forever Yours" are definitely dance praise and are really fun. As the songs get a bit slower deeper into the album, it feels a bit more like a normal modern worship album, though there's a very high level of musicianship. This team has many songwriters and worship leaders, so they switch off on lead vocals, which also keeps the songs from sounding the same throughout this album. It's a solid debut from a quality new band, and I hope they are able to continue to make great new music.

Release Year: 2015
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Album Of The Day: Paper Horses by Paper Horses

 Taylor Leonhardt, Leslie Jordan, Jess Ray, Sandra McCracken. The middle is mostly a photo of the the four white women's faces, lit from a window to the left of them so that the ride side of their faces are in shadow. Just above the photo is the band name in large print with two circles over it. This name overlaps with the photo, and it's orange on top of the photo, but black on top of the orange.

This isn't an album, but a debut EP from folk music collective Paper Horses. Four accomplished songwriters (Taylor Leonhardt, Leslie Jordan of All Sons & Daughters, Jess Ray and Sandra McCracken) recorded this EP of songs together and released it early last year. The instrumentation is simple but beautiful, with acoustic guitars, strings and other beautiful instruments. But the highlight of this is the vocals of the women, with different persons taking lead on different songs, and very deeply felt, tight harmonies making each song something really special. Lyrically, these songs speaking of Jesus's saving love and calling on Christians to love their neighbor better, among other things. But even if you're not looking for a spiritual reflection, you probably still will enjoy the musicianship and heartfelt vocals.

Release Year: 2024
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Album Of The Day: Shimmer by Luna Halo

Album Art of Luna Halo's Shimmer album - It's really hard to tell what is pictured here. It's a blue-colored photo of what looks to be a series of doors or windows, but warped and flipped via a series of mirriors or something. Also, some parts that don't look like that just look like random lines and shapes. Above this photo or illustration is layered in the top left some semi-transparent Chinese characters. In the middle, in a yellow sans-serif font is the band name in all caps without the horizontal line on the 'A' letters. In smaller text next to it is the album title in brackets. Both have a large motion blur above them, such that it looks like maybe the letters are falling from above.

Released on this day 25 years ago, this is the debut album by rock band Luna Halo. Nathan Barlowe's ethereal vocals mix really well with Jonny MacIntosh's spaced-out guitars, and the two wrote great lyrics that touch on the divine as well as personal, down-to-earth relationships. All 12 tracks are solid songs, in my opinion. This was an album I loved immediately and listened to often for years after it came out, and I still listen to it somewhat regularly. Nathan Barlowe continues to create music with a band called Luna Halo, but none of the other band members from this album remain and their sound has changed a bit over the years.

Release Year: 2000
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Album Of The Day: The Road To OneDay by Passion

Album Art of Passion's The Road To OneDay album - At the bottom, a photo of a large crowd of young people, mosdtly with their eyes closed, heads looking up, and some with hands raised in the air. In the middle, semi-transparent, is a few more people with hands clasped together prayerfully or with hands raised, and they look like they're singing. The picture at the bottom continues to be the background, with a woods and the blue sky stretching across the album cover. In the middle, an orange circle with 3 scoop edges has a red, italic 'p' inside it, and on top of it is written the album title, with 'oneday' being bigger than the rest, and 'one' is much more bolder than 'day'. At the top, 'passion' is written in lowercase in a very soft white transparent of the rest of the sky and the orange circle.

For nearly 30 years now, pastor Louie Giglio has put on Passion Conferences that gathered young, mostly college-aged Christians from across America and the world. In the spring of 2000, they had a very big event planned called OneDay 2000. Released 25 years ago tomorrow, this is the first studio album from Passion, the modern worship collective that usually records live at the conference events. This was released in preparation for their OneDay event as a way to get those attending some new music to prepare with. Like on many of their live albums, it contained a mix of original, new songs by the Passion worship leaders, plus covers of other worship songs written by people like Martin Smith (delirious?) and Paul Oakley and performed by the Passion team. It is fun to hear the Passion crew in a studio setting, and Producer Nathan Nockels does a good job adding some of those touches you don't usually get from a live recording like strings and programming. I love the instrumental interlude before Christy Nockels sings "Holy Roar", and it's kinda fun to hear Matt Redman sing "Did You Feel The Mountains Tremble?" If you want to hear some of the best of the early days before modern worship took over Christian music, this is a good snapshot of it.

Release Year: 2000
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Album Of The Day: Discovery by Daft Punk

Album Art of Daft Punk's Discovery album - On a black background, what looks like drops of silvery-chrome material are suspended above the black in the shape of the words 'daft punk', with a few drops of it not making up the letters. The silvery-chrome stuff has a shadow of rainbow colors that glows, kinda like the bottom of the letters is emitting light and that's showing on the black.

Released on this day 24 years ago, this is the second album by French electronic music duo Daft Punk. Notoriously private, the two men in this group almost always wear robot helmets at any public appearances and prefer to let the music speak for itself instead of do interviews. This is one of their best albums, with hits like "One More Time" and "Harder Better Faster Stronger". Unlike their later hit album Random Access Memories, this doesn't feature many collaborations with pop/R&B industry music makers, though they do definitely collaborate with their peers in the electronic music scene. Daft Punk came up with very unique sounds for this album, using instruments in ways that no one tried before and using instruments like guitars that you don't usually expect to hear in electronic/dance music. This album is a modern classic, and is on many lists of top albums, although it's not something I listen to that often. Still, it's a fun listen full of a lot of energy and style.

Release Year: 2001
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Album Of The Day: New Way To Be Human by Switchfoot

Album Art of Switchfoot's New Way To Be Human album - The top quarter of the artwork is black background, with the band name in Orange all caps text taking up the full area. The bottom tenth is also black and has the album title in much smaller orange text. The middle portion between them is a bright red background with a black thumb print line art in the middle.

Released on this day 26 years ago, this is the second album from rock band Switchfoot. This was the first album of theirs I heard and purchased, thanks to the "New Way To Be Human" music video, and I got to see them play live for the first time later that fall. At this time, the band was still a lean three-piece band and the simple production of guitars, bass and drums lets the simple but brilliant songs shine through. Folks might be drawn to this album for the pop/rock jams like the title track, "Company Car", or "Something More (Augustine's Confession)", but it's the slower songs like "Let That Be Enough" and "Only Hope" that bring a very personal touch to Jon Foreman's songwriting and vocals and keep me coming back to this album. This album cemented Switchfoot as a band to watch in the 2000s, and a few decades later, they're still putting out music just as good or even better. Fun fact: The album artwork is designed by Shepard Fairey, years after his "Obey" giant sticker but years before his Barack Obama "Hope" posters.

Release Year: 1999
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