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Album Of The Day: Intimate Portrait by Caedmon's Call

Album Art of Caedmon's Call's Intimate Portrait EP - On a light blue background, a photo of the right half of a woman's face is shown with a red heart cutout next to it. Over the photo, a dotted arrow points to the text '(ip)' to the right. At the top, the band's name is printed in uppercase in a dark red, serif font. Below that in blue-green is the album title in lowercase.. At the bottom, it says '5 song enhanced CD'.

This is one in my collection that is not available on streaming, and you'll need to find a used CD copy to give this one a listen. This EP had a few B-sides and alternate recordings of songs from their 1997 self-titled album, plus the Enhanced CD provided low-quality digital videos of the band as well. (Everything from that era that could be played on a computer is terribly low-quality today.) It's a rare early item from the Christian folk-rock band, and it shows their great musicianship and songwriting even only a few years into their career. The band would go on to record many other releases, and even recently re-recorded their self-titled album and played a few reunion shows after a long hiatus.

Release Year: 1997

Album Of The Day: 2 Edged Sword by Faith Massive

Album Art of Faith Massive's 2 Edged Sword album - Most of the area is a dark green photo of a sword hilt that seems to be suspended in a green liquid, with bubbles around it. In the top right, a circular logo with a backwards 'F' and an 'M' is next to the text FM and the title '2edgedsword' without the spaces.

I'm trying to remember how I got into this artist. It was maybe mp3 dot com free downloads back in the day or a recommendation from a dance music fan on an e-mail list or something, but I can't remember. Faith Massive is an electronic, drum and bass artist. It's mostly all instrumental sounds mixed electronically with the occasional lyric, as much sampled as sung. It's an interesting vibe, sometimes pounding and sometimes more chill. It's not the pop dance hits you might hear at a club, I imagine, but more distilled beats for those that are really in the dance genre. It's definitely not what I listen to too often, but I enjoy mixing it up and listening to something different from time to time, as you've probably noticed.

Release Year: 2002
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Album Of The Day: Crimson & Blue by Phil Keaggy

Album Art of Phil Keaggy's Crimson And Blue album - From above, a photo of a man looking up at the camera is the main focus. The person is also pointing the index finger of their left hand up at the camera, near his face. The background is colorful, mostly red and blue, but it not really distinct enough to make out. In the top write, the artist's name is painted in the middle of a circle with the album name circling around it in white color.

Phil Keaggy is known to many as an instrumental guitarist on electric or acoustic guitars, but he's also done many albums as a vocal solo artist. Crimson & Blue is maybe my favorite Phil Keaggy vocal album. The guitar work is stellar, and the backing band is firing on all cylinders as well. The end of the album really brings out the epic, extended jams, with his version of the Gospel/blues song "John The Revelator" and original song "Doin' Nothin'" clocking in over 8 minutes each. "Everywhere I Look" and "I Will Be There" are beautiful, laid-back pop/rock tunes where Keaggy's vocals really shine. Lyrically, Phil is focused on God's love and joy, though other topics like friendship and class disparities make appearances as well. Phil Keaggy's soaring guitar solos are a highlight, but I love every minute of this album.

Release Year: 1993
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Album Of The Day: Barton Hollow by The Civil Wars

Album Art of The Civil Wars's Barton Hollow album - A black and white photo of two young white people, on the right a man with curly hair, a beard and mustache in a suit coat with a bowtie, and on the left, a woman with darker, long hair and a sleeveless dark top. They are sitting in a corner booth with a marble tabletop sitting in front of them and glasses of water on the table. The man is looking at the camera and has his right arm behind the woman and the woman is looking away from the man to the left. There is lots of light behind them as the area has many windows, it seems. It seems like they also may be photographed through a window, because there's a reflection of another window overlaid in front of the couple.

Released on this day 14 years ago, this album won "Best Folk Album" at that year's Grammy Awards. Joy Williams and John Paul White, both accomplished musicians, joined forces as folk/country/Americana duo The Civil Wars. This album is defined by the duo's powerful vocals, plus very sparse but effective, simple instrumentation. Lyrically, this album is mostly love songs, even though both in the duo are married to other people. It's a beautiful album and is top-notch music throughout, though definitely a bit darker in tone and less energizing than most other albums I listen to. For a moment The Civil Wars were thought to be the next big thing in music, but a year or two later they stopped performing together due to creative differences. They have individually released solo music since then, but have not reunited.

Release Year: 2011
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Album Of The Day: Cover Story by Russ Taff

Album Art of Russ Taff's Cover Story album - A black and white photo of an older white man with shoulder-length dark but graying hair slicked back, a beard and mustache, wearing a dark T-shirt, on a gray background. In the bottom right is the album title in lowercase in a script font, and the artist's name in a bigger, blocky font in white.

Russ Taff is an artist from before my time, to some extent. He was a member of the christian vocal group The Imperials in the late '70s and early '80s, then performed as a solo artist for a few more decades, and that was mostly before I started listening to music in earnest. Away from the stage and studio, Russ had a hard life, coming from an abusive home and struggling with alcoholism, among other things. But at age 71, he's still got a good voice and a longing to sing. Released today, this album of covers finds this vocalist covering songs by Bill Withers, Bob Dylan, Prince and The National, among others. While his voice has a bit more rough edges than it did back in his younger days, Russ Taff can still belt out a tune, and he makes these classic songs his own, plus covers a few songs you might not know as well. Through these covers, he tells his own story of struggle, love and redemption over his 50+ years in music.

Release Year: 2025
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Album Of The Day: The Great American Midrange by The Elms

Album Art of The Elms's The Great American Midrange album - On a beige background that is more gold closer to the edges is a series of embossed lines coming from the top, and stopping to form an embossed frame around the middle of the artwork. In the middle in a decorative font is the album title, and below that frame is in smaller letters 'By The Elms'.

The Elms is still one of my favorite bands of all time. This rock band created great rock records championing hard-working, blue-collar Americans and celebrating both the highs and lows of life. This was their fourth and final album, released independently before deciding to call it quits a year later. Thom Daugherty's guitar work is iconic and Thom playing guitar at their reunion show in 2015 is still my phone's lock screen. This album is maybe best known in the band's home state of Indiana for the song "Back To Indiana", where lead singer Owen Thomas pines to return to his loved one as soon as possible. It's an excellent song for a road trip, and I've definitely played it on the way to Indiana a few times. "Thunderhead" and "A Place In the Sun", while not as rockin' as some other tracks, ends the album in a quieter note and are a fitting end to the band's epic 10-year, four-album run. (On some streaming services, the "Complete Edition" is available which has acoustic versions of every song on the album, but the first 12 tracks is the original album.)

Release Year: 2009
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Album Of The Day: From The Womb Of The Morning, The Dew of Your Youth Will Be Yours by Ronnie Martin

Album Art of Ronnie Martin's From The Womb Of The Morning, The Dew of Your Youth Will Be Yours album - On a beige background, at the top on black lettering is the artist name in large black letters, with the album title in smaller black letters. Below that, a line drawing of a white-gray background with an orange circle in the top left representing the sun, and at the bottom a number of intersecting triangles of green, red, yellow and gray colors, maybe representing trees or mountains.

For over 30 years, Ronnie Martin has been making music, much of it with Moog synthesizers, and much of it under the band name Joy Electric. But for the last few years, he's been releasing music under his name. Released on this day 3 years ago, this album features vocals by Mr. Martin and all other sounds are created on his Moog One. Some of it sounds almost like real drums in some spots, if you ask me. Lyrically, Ronnie provides some fantasy references like the old Joy Electric, but these songs are a bit deeper and the sound a bit more epic than the Joy Electric releases. Ronnie Martin's synth-heavy pop sound is not something I listen to all the time, for sure, but it's an interesting listen from time to time.

Release Year: 2022
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Album Of The Day: In The Name Of Love by Various Artists

Released on this day 21 years ago, some of the biggest artists in Christian music at the time honored Irish rock band U2, who was at the top of the world back then. In The Name Of Love: Artist United For Africa gave proceeds to Bono's charity and 13 artists got to cover a U2 song. It's a wide variety of artists featured, from pop/contemporary artists like Nichole Nordeman and Todd Agnew to rock bands like Pillar and Sanctus Real. My favorites are Sixpence None The Richer doing "Love Is Blindness" and Jars of Clay covering "All I Want Is You" because they're less the same as the U2 original and more of their own style. Sorry, but I don't really like that they tried to get some hip-hop/rap from TobyMac and GRiTS on here because it doesn't really work, but I guess that's the nature of a label-made compilation—trying to get a wide variety of label talent involved. It's not as good as most U2 albums, but if you're a fan of these artists, it's kinda a fun listen.

Release Year: 2004
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Album Of The Day: Split The Sky by Chris Quilala

A part of the Jesus Culture church/conference worship team, Chris Quilala has led worship on some of their songs or played as part of the band on others. This is his only solo album so far, a studio recording with beautiful keyboards and electronic programming to create a bit more of a dance vibe than most modern church music. Lyrically, it's definitely music to be sung to God at modern church services, but musically, it's a rich tapestry of sounds and beats that is a bit more complex than you would expect from the more common live, church worship release. It's also great to listen to real, live worship recordings, but I like it when artists are able to craft something even better in the studio like Chris Quilala and his team has done here.

Release Year: 2016
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Album Of The Day: Rubber Factory by The Black Keys

Album Art of The Black Keys's Rubber Factory album - On a red background with a hint of pink in the hue, a bunch of photos are cut together on top of each other. Black and white photos of cityscapes, industrial storage tanks, loading docks, and a few different shots of factories are layered on top of each other, and in the front is a pile of tires for cars and an old sedan behind it. In the middle is a tall set of smokestacks, and out of the right one is drawn a white cloud with a black border, and inside it is written the band name and album title in the same red in a hand-drawn font. To the right of the smokestack and nearly as tall is a cut-out, color photo of the two band members, both white men, one with black hair, glasses and a bucket hat, the other with brown hair.

Usually the blues is a full band thing: guitar and/or keyboards, bass and drums, vocals, etc. But The Black Keys stripped the blues to its core with just electric guitar and drums, and in the end they made their own, new brand of rock. They recorded this album Rubber Factory in a no-longer-used tire factory in their hometown of Akron, Ohio, USA. Most of the songs are new songs this two-piece band wrote, though a few are covers of older blues songs. I love these great guitar sounds that guitarist/vocalist Dan Auerbach gets out of his guitar setup and Patrick Carney's drums are solid too. This was my first exposure to The Black Keys back about 20 years ago, and since then I've been enjoying their brand of modern blues/rock, although most of their recent albums have failed to impress me as much as this and other early albums.

Release Year: 2004
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