Blog

Album Of The Day: Chase The Sun by The O.C. Supertones

Album Art of The O.C. Supertones's Chase The Sun album - Six young men are photographed standing on a city sidewalk with a theater marquee behind them and a metal door on the front of a shop off to their right. One of them is leaning against the metal door. They are all wearing white shirts and black ties, and suits and black pants that look a bit baggy. They're all looking at the camera with mostly blank expressions, a few slightly smiling. Above the photo the top fifth vertically is a bright blue, with 'The Orange County' printed in small, orange text, and then 'Supertones' printed in much larger white text in a stylized cursive-ish font. At the bottom of the photo it has 'Chase The Sun' printed in smaller, uppercase letters in the bottom right.

Released 27 years ago today is the third album from The O.C. Supertones and my favorite album of theirs. Some of their albums may be a bit more ska, a bit more rock 'n' roll, or other things, but I like this one. Don't get me wrong, songs like "Grounded", "One Voice" and "Sure Shot" are definitely rockin'. But songs like "Hallelujah" and "Chase The Sun" have a bit more of a surf rock mixed with reggae vibe. The instrumental track "Revolution" near the end goes full on surf rock jam too. As with all their albums, The Supertones keep the Christian message front and center with songs like "In Between" and "Old Friend". "Away From You" is a beautiful pop/rock song featuring excellent background vocals from Christian pop singer Crystal Lewis and is one of the best tracks of the band's career. It's not their most rock or ska release though it does have plenty of horns and rock music, but it's overall their best in my opinion and I highly recommend a listen.

Release Year: 1999
Listen on Apple Music
Listen on Spotify

Album Of The Day: Acoustic Sketches by Phil Keaggy

Album Art of Phil Keaggy's Acoustic Sketches album - The artwork is based on a black-and-white photo of Phil Keaggy playing an acoustic guitar. The original picture is shown in the area of his face and both left and right hands. But the rest of the photo is altered to be a light brown background, and what looks like the edges of the whole photo of him playing is embossed in the brown. In the top towards the right, there is a black box that says the artist name in smaller red text on the top and bottom, and the album title in larger, yellow text in the middle.

Released 30 years ago sometime this month to the Phil Keaggy Club and re-released a few years later on Sparrow Records, this is the fourth instrumental album by Phil Keaggy by my counting. It's an hour of Phil Keaggy playing beautiful instrumental acoustic guitar in a studio, sometimes a short composition and sometimes longer. Often there's a few layers of guitars on top of each other, but sometimes it's just solo guitar, and sometimes a few other instruments are playing along too. And at least once you hear a guitar recording being played backwards for a unique sound too. After a listen to this, you will probably be convinced that Phil Keaggy is a guitar master as he coaxes so many different, beautiful sounds out of the instrument. This album is a beautiful series of instrumentals that I never tire listening to. It looks like the streaming version is a bit of a "Deluxe" version and includes 4 bonus tracks that I'm not sure even I've listened to yet, but the original 19 tracks are what I have on CD.

Release Year: 1996
Listen on Apple Music
Listen on Spotify
Buy on Bandcamp

Album Of The Day: The Violet Burning by The Violet Burning

Album Art of The Violet Burning's self-titled album - On a red and black background, a vertical photo of a young girl is in the middle. It's a young black girl wearing pigtails and a purple bathing suit, I think. She's also got what looks like wire and cloth angel wings attached to her back. She's holding a bright red ball in her right hand out towards the camera and has he left hand up behind her head. She's looking down at the camera in a quizzical way. On top of the photo, about three quarters down vertically, a black line goes across and printed in it is the band's name in white text. Behind that black line is the band's name also scribbled in aqua blue paint or thick pen.

Released 30 years ago yesterday is this third album from alternative rock band The Violet Burning. Like many albums from this era, it has a lots of distorted guitars and that "grunge" sound. The band started in the early '90s as a bit more of a modern worship band for Vineyard Music, but quickly became much more than that, though Michael Pritzl's lyrics often contain religious imagery and blend them with language of love. Honestly, this band isn't one I listen to often, but when I do give them a listen like today, I like it. The music is mixed higher than Pritzl's vocals sometimes, which some might not like, but I think it fits. I think I song I remember the most from previous listens is "Low" and "Arabic Trremolo Radio", partially because they're some of the best songs on this album, but also probably because they re-recorded them on later albums. This album is definitely more the underground rock scene of that era and cemented the band as a rock powerhouse, not just an early modern worship group. The band continues to make music and I've not really kept up with their recent, independent works.

EDIT: See comments below for a response from The Violet Burning where I got a number of my facts wrong. They were never a church worship band, as I thought. Thanks to them for letting me know I was mistaken!

Release Year: 1996
Listen on Apple Music
Listen on Spotify

Album Of The Day: Journey Into The Morn by Iona

Album Art of Iona's Journey Into The Morn album - The background looks like a purple ground, an orange skyline, maybe a sunset, and greyish-purple clouds at the top. Over most of the background is a clear globe, which distorts things. Inside this globe can be seen a photo of six people, a woman on the left and 5 men, most looking off in the distance. The globe kinda distorts their photo as well. Behind the band can be seen a Celtic calligraphy design of some sort, maybe a cross.

Released 30 years ago today in North America and a few months earlier in the UK, this is the fourth album by Celtic progressive rock band Iona. It's a beautiful, cinematic 78 minutes of music, including guitar, drums, pipes, and of course singer Joanne Hogg's heavenly vocals. Most of the songs on this album contain some vocals and are not just instrumentals, but certainly not all. Many of the song lyrics contain religious themes, but also contain references to places and life in Ireland. It's a beautiful album, though nor my favorite album of theirs, and runs the gamut from serene instrumentals and vocals to a bit more raucous guitars, keys and all-out rock, sometimes even a choir. There's definitely some Gaelic lyrics too. The album ends with a beautiful, 8-minute version of "When I Survey The Wondrous Cross", a classic English hymn. This is often the soundtrack to reading a book on a Saturday or Sunday afternoon for me and I love this band's work. Included here is the original album art featuring a band photo and the newer artwork for the band's 2009 independent re-release.

Release Year: 1995
Listen on Apple Music
Listen on Spotify

Album Art of Iona's Journey Into The Morn album re-release - A photo of an ancient stone cross through a circular portal of some sort. The edges of the portal are blurry, and the color of the stone seems to be shades of purple somehow. Printed on top of the photo in the center towards the top is the band's name in a white, handwritten-style font, their normal word mark. And printed at the bottom middle is the album title in a sans-serif font, thin and white, all in lowercase.

Album Of The Day: Bloom by Audio Adrenaline

Album Art of Audio Adrenaline's Bloom album - The background seems to be some sort of shiny, brushed steel surface. In a font that looks like scratched metal, the band's name is at the top with a bit of a dark shadow around the lettering. In the bottom vertically and centered in the middle horizontally, a red sunflower graphic is over the background with a muted drop shadow. In the middle of the sunflower in lowercase is the album title in white, with the last 'o' bigger than the rest of the letters.

Released 30 years ago tomorrow, this is the third album by Christian rock/pop band Audio Adrenaline and my favorite album of their discography. Nearly 2 years after this released, I heard the bluesy, mid-tempo track "Man Of God" from this album on Wow 1998 and thought it was worth checking out their full album, and it was a big part of jumping on the trampoline while listening to music as loud as possible in the back yard that summer. At this point, the band who was known for cheesy Christian pop like "Big House" were deep in a rock groove. "Never Gonna Be As Big As Jesus" is probably their most well-known song from this album and a good one. The songs all point to Jesus in subtle or not-so-subtle ways, like "Secret" starting the album out with a good groove and not exclaiming what the secret is, while "I'm Not The King" just exclaims it. The only song not written by the band is a cover of Edgar Winter's "Free Ride", which fits very well with the rest of the album and seems like it could be a song about Jesus and not some '70s song about some other type of spiritual awakening. And I know some hate non-musical interludes, but I've always had a soft spot for "Jazz Odyssey", a funny bit where a jazz radio DJ starts playing a song and it gets a bit too rock—it's hilarious every time. The band wears their Christianity on their sleeve, but they still put together a good classic rock album with hints of grunge. It's really the only album from Audio Adrenaline I listen to every year or two.

Release Year: 1996
Listen on Apple Music
Listen on Spotify

Album Of The Day: Days Of Ash by U2

Album Art of U2's Days Of Ash EP - Four men are silhouetted by purple and white artwork above them, looking down at a camera from the edges. Behind them, the edges are purple and the middle is white, and there's a fairly simple line drawing of angels shown. At the top, printed is 'U2 Days Of Ash EP' in all uppercase, black text.

"We love you more than hate loves war." Released today, this is the surprise new release from Irish rock band U2, a 6-track EP released on Ash Wednesday and containing the most new songs they've released in over 8 years. As they often do, Bono and the band get political, in this case honoring and celebrating people from across the world who fought for truth and freedom. "American Obituary" notes Renée Good's death as a sad day, but reminds Americans that the people have the power, not our leaders. A poem called "Wildpeace" by Israeli poet Yehuda Amichai is also recited by Nigerian journalist Adeola Fayehun over a bed of music by U2 and producer Jacknife Lee. The final song, "Yours Eternally", features the vocals and writing of Ed Sheeran and the vocals of Ukrainian singer Taras Topolia. And "The Tears Of Things" is a heartfelt song finding Bono struggling with the world's injustices and his role in the world, which is my early pick for the best song on the EP. It's a beautiful set of rock/pop songs and finds the band making new music with purpose to shine light on the good people of this world in troubling times. Fans and critics seem to be liking this new music, and not just because it wasn't forced into their iTunes account.

Release Year: 2026
Listen on Apple Music
Listen on Spotify

Album Of The Day: Temptation Come My Way by The Showdown

Album Art of The Showdown's Temptation Come My Way album - The artwork is all black, with a black-and-grey snakeskin pattern covering it. Across the middle vertically, it says the band's name in big black letters with a grey outline, the letters taller than they are wide and with spikey corners at the bottom of the letters. Just above the band name, the album title is printed in small grey text.

Released 19 years ago this coming Friday, this is the second album by Tennessee-based metal band The Showdown and their only album I listen to regularly. Unlike most of their albums before or since, this album doesn't have a lot of screaming and plays a lot like a classic metal album in sound, in my opinion. The guitars, drums and bass are big and loud, and the vocals are intense and growling but not screaming except for the last song. Many may know their cover of Kansas tune "Carry On Wayward Son" from this album, and it is an excellent version, but I like their original songs that fit well right along side that cover. I saw them play a bunch of these songs before the album release and the band were all whipping their long, blond curly hair in time to the music while playing, so they had lots of showmanship performing this music as well. Lyrically, there's a few religious references, but this album is mostly just about the everyday struggles in life. I never really got into their other music, but I really, really love rockin' out to this album.

Release Year: 2007
Listen on Apple Music
Listen on Spotify

Album Of The Day: Departures by Jon Foreman

Album Art of Jon Foreman's Departures album - On a light brown paper background, the center is a black-and-light-brown photo of a man with blonde hair, just his face. He has a blank expression and light brown color is painted across his eye level. Below the photo, it says the artist name in black, and the album title 'Departures' in a hand-written lowercase.

Released 5 years ago this past Thursday, this is the first solo album from Foreman though he has been releasing solo EPs for many years, has been the lead singer of Switchfoot and has had a few other collaboration recordings in his nearly 30-year career. Jon's solo style is definitely less rock 'n' roll than Switchfoot, and is a bit more acoustic in general, though there are exceptions, of course. Jon has a great skill in exploring everyday life as well as philosophy and theology through songs. He echoes the Psalmist with "Jesus, I Have My Doubts", an admission of losing faith in God, and then follows it up with "Thanks Be To God", a song of thanks in hard times. "The Ocean Beyond The Sea" opens the album with a very epic and cinematic sound, and "A Place Called Earth" is a beautiful duet with Lauren Daigle. And "The Valley Of The Shadow Of Planned Obsolescence" may be about an old cell phone, but it's also about relationships, both in person and online. I highly recommend this album for anyone looking for good, thoughtful music with some spiritual leanings.

Release Year: 2021
Listen on Apple Music
Listen on Spotify

Album Of The Day: Big Town by Ashley Cleveland

Album Art of Ashley Cleveland's Big Town album - The background looks like some sort of pink and white marble stone. Across the bottom of the middle is a wide photo of a young woman with long, light brown curly hair. he's wearing a black coat and and has her eyes closed and has a contemplative look on her face. She seems to be sitting next to a wall with some odd horizontal holes in it. At the top, on top of the marble it has the artist's name printed in large, black letters, and then a hairline with the album title in much smaller letters in the center of the line.

Released 35 years ago today, this is the first album from Christian rocker Ashley Cleveland. She's known for her powerhouse vocals as well as mixing genres, as there are elements of Gospel, country, and more in her rock music. I bought my first Ashley Cleveland album about 20-25 years ago, and at least a decade or two ago, I went to Ashley Cleveland's website and she said this album was out of print, but then had a link to the full download of this album. And I immediately loved this album! Reading about it later, Cleveland was signed to Atlantic Records, but was dropped after this album for her music being "too Christian". On the other hand, Christian music audiences found the music "not Christian enough". Frankly, I love this kind of music that mixes honest songs about struggling with love and relationships right in with other songs about religious themes. Ashley Cleveland talks about her struggles with men in songs like "Willy", "Tentative Man" and "I'll Call You". Songs like "Angel", "We Can Dance" and "Walk To The Well" and the opening title track definitely have more of a Gospel flair than other songs. And well, "I Could Learn To Love You" might be about a man or about God; I'm really not sure. Another thing I love on all of Ashley's albums is the stellar guitar work from Kenny Greenberg, whom Ashley married only a few months after this album was released. It's an excellent debut from an all-time favorite rock artist of mine. She went on to release nine more albums and has appeared on many albums by other artists as a background vocalist. I think she has mostly retired from regular performances.

Release Year: 1991
Listen on Apple Music
Listen on Spotify

Album Of The Day: Testify by P.O.D.

Album Art of P.O.D.'s Testify album - A photo that is completely black, white and green. It shows a green grass in front of a green-hued sky with a light on the left edge of a hill or something where the grass meets the sky. On the edge of the hill is a silhouette of four men, the one on the left with a cane in his right hand, and the one to the left of him with his fist in the air. Above their heads, taking most of the sky area, is the album title in a very decorative black, graffiti-style writing, with the middle 'T' being the shape of a cross. Below the title in much smaller print is the band's 'P.O.D.' word mark with the symbol of the Holy Trinity in the middle of the 'O'.

Released 20 years ago last month, this is the 6th album by nu metal band P.O.D. and their last album on Atlantic Records. The band is known for lots of heavy guitars and screaming and some rap-style delivery on some of the vocals. Some songs get a bit reggae as well, especially the opening track "Roots In Stereo", which features guest vocals from Matisyahu along with P.O.D.'s lead singer Sonny. The Internet says "Goodbye For Now" was a pretty successful single for the band, and well, it may have been the last most of the world heard from P.O.D., despite that they have released another 6 albums in the last 20 years. Honestly, I picked up this album about 20 years ago because I liked their previous Atlantic releases, but I've almost never listened to it. It's definitely a dozen songs from the band, but most of them are just not that exciting or memorable. I do now remember hearing "This Time" on Christian rock radio a lot, I think, and it's a pretty good song. Their albums released after this I never even bothered to listen to, though I do like their earlier albums a lot and listen to them on occasion. Maybe my interests in music changed, or maybe the band changed; I'm really not sure which.

Release Year: 2006
Listen on Apple Music
Listen on Spotify

Pages