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Album Of The Day: Vitals by Mutemath

Album Art of Mutemath's Vitals album - A photo of a large rock face that is cut out from the rest of the photo, maybe it's Half Dome, and the rest of the landscape has been replaced by colored lines of various shades. At the top in the left in white is the band name, and in the right the album title.

Released 10 years ago today is the fourth studio album from electronic rock band Mutemath. This band is one of my favorite bands and they put on such a great show for the tours supporting this album in late 2015 and early 2016. The lyrics are sometimes love songs, sometimes reminiscing on the good times of the past or even the hurt in their lives. But even with some dark themes in the lyrics on occasion, the music is still upbeat and positive. The title track is a fun instrumental jam, and the whole album is full of even more synths and electronic elements. Their previous albums had more guitar, but I feel like the electronic vibe makes it a more dance-y than their previous albums which is cool. Many remixes of "Monument" were released around this time, and songs like "Light Up", "Joy Rides" and "Used To" are definitely highlights of this album. This is my favorite album after the band's excellent debut, I think, though I really like all their albums. I can't believe it's already been 10 years!

Release Year: 2015
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Album Of The Day: Soundtrack To A Revolution by The Insyderz

Album Art of The Insyderz's Soundtrack To A Revolution album - On a brown background, there's a thick gold line starting on the middle left and angling up towards the right top corner, and the band's name is printed just above that line. Below it is three gold stars of various sizes and the illustration of a forearm and clenched fist in gold and brown. To the right of the fist is the album title in small gold text.

Released 22 years ago today is my favorite release from the Christian ska band The Insyderz. I love Joe Yerke's gutteral vocals and the band has a great ska-punk sound with lots of guitars and the occasional horns. A few songs like the title track and "Call To Arms" definitely refer to the Christian life as a battle against some sort of evil forces. Other songs have more of an element of praise to God. It's definitely been a few years since I've listened to this album, but it's a lot of fun to revisit this ska-punk band and their quality music again.

Release Year: 2003
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Album Of The Day: EP by Astronaut Pushers

Album Art of Astronaut Pusher's EP album - On a red background with a very large, black border around the edge, it just says the band's name in a bold white about 25% down the left side, with the letters 'ep' in thin white text next to it.

Released 20 years ago this past Saturday, this is the only EP release from this rock super-group, and it's just called "EP". Sam Ashworth is the lead singer and is a producer and songwriter, Lindsay Jamieson has done drums for Ben Folds and others, Matt Slocum is the primary songwriter for Sixpence None The Richer, and John Davis was the lead singer of Superdrag. They released this 4-song EP of quality rock with lots of variety in the sound. In 2022, the EP was released on vinyl and a 5th song that was recorded in 2005 was added to the digital version. It's a quick but quality collection of songs and worth a listen.

Release Year: 2005
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Album Of The Day: Original Soundtracks 1 by Passengers

Album Art of Passengers's Original Soundtracks 1 album - On the starfield of space as the background, a bunch of circles and boxes are interconnected making up a colorful, very modernist space port or something. A few people can be seen on the exterior of the building in space suits, and a few ships may be flying around too. It's busy and also looks like it is still being assembled. At the top, it has printed in white the band name and the album name.

Released 30 years ago this Thursday, this is a side project of the band U2 with Brian Eno. Many of the songs are just instrumentals, some of them a lot of electronic beeps and bloops with the band's guitars, drums and bass. The band saw this as a soundtrack to a movie that was never released, and it's definitely very diverse and experimental compared to U2's other albums. The lyrics, when there are some, are pretty random and don't really make much sense. The only single on this album was "Miss Sarajevo" with Luciano Pavarotti singing a beautiful opera part. It's definitely a unique album from a band who was finding their place in the '90s music landscape.

Release Year: 1995
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Album Of The Day: The Mission Bell by Delirious?

Album Art of Delirious?'s The Mission Bell album - A very detailed collage of different graphics. The top corner is a bright blue, but the bottom left is a golden brown and most of it is a gradient between that. Across the middle is the black silhouette of a walled city with trees on the left and buildings of various types on the right. some industrial and some more public-oriented like a church or office tower. Queued up in the gates to the city are the silhouette of many people. And drawn on top of all this is many circles and lines of various colors, an illustration of a flower, and more. In the top left, in black it has the band's artist name in its rectangular word-mark, and below it the album title in black as well.

Released 20 years ago this coming Friday, this is the sixth studio album from British Christian rockers Delirious?. (Yes, they have a question mark at the end of their name.) The band that started out as a modern worship band had spent a time being a rock band, and by this time, they blended a bit of both, having the sound of a rock band but the lyrics of a modern worship band for the most part. While this album wasn't as exciting as their rock band albums in my opinion, it's quality music and I still love listening to this band, no matter which album it is. "Now Is The Time", "Paint The Town Red", and "Here I Am Send Me" are excellent rock 'n' roll songs with a good message. "Our God Reigns" and "All This Time" are a bit more chill and excellent anthems of faith. And songs like "Miracle Maker" and "Take Off My Shoes" bring some of that epic worship rock like "Obsession" and "Investigate" did on previous albums. Lyrically, it's not just songs of praise to God, as some talk about social issues around the world and the imperfections of this world God gave us. I do feel like I loved and were more affected by their earlier lyrics while these seem a bit more safe and predictable, but musically, the band kept pushing themselves on albums like this. There's a reason they're one of my top bands and it's hard to believe it's already been 20 years since this was released.

Release Year: 2005
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Album Of The Day: Feedback by Derek Webb

Album Art of Derek Webb's Feedback album - A grid of 9 different squares, each one has some sort of modern art in it. Most of them seem to be lines that are vertical and some squares, and most in the orange, yellow or levels of gray colors, with a bit of pink or purple in there.

Released 15 years ago today, this is Derek Webb's sixth solo, studio album and his only instrumental album. This recording is 37 minutes of instrumental, electronic music built as a reflection on The Lord's Prayer from The Bible. It's sometimes slow and sometimes fast, sometimes lots of electronic elements at once, and sometimes just quiet piano or acoustic guitar. The physical CD package also includes with it modern art prints for each track by painter Scott Erickson and photographer Jeremy Cowart to make the whole album presentation much more than just an audio recording. When I'm looking for some instrumental music, I do enjoy this album and listen to it regularly.

Release Year: 2010
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Album Of The Day: Instruments Of Mercy by Beautiful Eulogy

Album Art of Beautiful Eulogy's Instruments Of Mercy album - On a light brown background that looks like some sort of rough paper or wood particle board, a double hairline border is around the edges. In the middle of the cover, it says the album title, 'Instruments' and 'Of' in pretty small text, with 'MERCY' being very large and not actually a font, but instruments and other musical accessories illustrated in the shape of the letters. Below that, in small text, is the group name.

Released 12 years ago this past Wednesday, this is the second album by Beautiful Eulogy, a collective of Portland, Oregon-based rap/hip-hop artists. Braille, Odd Thomas, and Courtland Urbano have decades of experience in underground/independent hip-hop, but they also are involved in their churches. Beautiful Eulogy is them mixing those worlds, creating a hip-hop album that draws heavily on the influences of folk music and hymns to be kinda a hip-hop/worship album. I love that many of the sounds in the mix of this album are sounds of nature mixed in with instruments, and I'm pretty sure some of the elements sound like beeps and bloops from programming, but they might be human voices making those noises and being sampled instead. Friends of the group like Propaganda, Jackie Hill Perry and Josh White also lend their musical talents on a few tracks. I love what the Beautiful Eulogy crew did on this album and their other two albums, and you should check it out.

Release Year: 2013
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Album Of The Day: No Name Face by Lifehouse

Album Art of Lifehouse's No Name Face album - A painting or a photo of a painted face, maybe found on some sort of carnival ride or something. The face is round and white and there's green/black curls on the top and sides that kinda look like hair, and also look like decorative, curly edges to an ornate design. Below the face is a plaque that has the album title stamped on it in small, uppercase print. Across the top the band's name is printed in golden orange in a boxy font with some more golden edging making a rough drop shadow.

Released 25 years ago today, this is the first album by Lifehouse, a moderately successful rock band from the 2000s. "Hanging By A Moment" and "Sick Cycle Carousel" from this album were often played on various radio formats around the album's release. Singer Jason Wade had a bit of an Eddie Vedder/Scott Stapp gravelly tone to his voice, which fits well with the post-grunge, alternative rock sound of the band's music. Lyrically, the songs are generally about the struggles of life with some love songs and some religious language. And well, the closing track "Everything" is a good and long closing track, but I'm not sure how I feel about churches using it for various dramatizations over the years. Lifehouse has never really been a favorite band of mine, but it's not a bad album. The band definitely had staying power, though, with singles getting Adult Contemporary or other radio play throughout the decade following this release.

Release Year: 2000
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Album Of The Day: Westfield by Thom Daugherty

Album Art of Thom Daugherty's Westfield album - On a blood red background, a black-and-white photo of a man and women cut out with no background in outfits from mid-20th century, a man in a suit and a tie and a woman in a dress with an apron over the front. The man is holding the wife and they are about to kiss, it seems. Their eyes are not visible due to a large scribble of black marker across the top of the photo at eye level. To the left of the duo in smaller black text is the artist name, and in large white outline with a white drop shadow is the album title over the top of the photo.

Released 5 years ago this past Sunday, this is the first full-length album from Thom Daugherty, a musician and producer best known as the guitarist for The Elms. Like The Elms, this music represents and speaks to the middle class, midwest American well and features excellent guitar and a classic rock sound, though it's definitely not exactly the same sound as The Elms. I like Thom's vocals as they are kinda deep and go really well with the rest of the rock sound. Lyrically, Westfield discusses Thom's views of social issues and how those relate to politics and religion. Some might not like that, but I find it makes me think about these issues and decide what I think, which is one of the things good music should do. It closes with a great song, "Porch Light", which is about visiting family and the places you came from. This album isn't one I have listened to much because I can't find a way to buy in lossless audio formats or physical media, but when I have access to streaming I give it a listen on occasion. It's definitely worth a listen to this independent release.

Release Year: 2020
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Album Of The Day: Coming From Somewhere Else by Kennedy, Kirkpatrick, Madeira & Sprague

Album Art of Kennedy, Kirkpatrick, Madeira and Sprague's Coming From Somewhere Else album - A photo with a very yellow hue to it is showing a series of wooden steps and and there are four pairs of legs on standing the middle step. The two on the left have very shiny, maybe sparkly or shimmering pants, the first red and the second yellow. Then on the right some bright red pants and on the far right some black pants. The shoes seem to be mostly a black or brown, but the color of the photo seems to be only yellow, black and red so it's hard to tell. Below their feet, it has the artists's last names, and then the album title, all in lowercase in black. In small print at the bottom it also says 'rocketown writers series'.

Released 25 years ago this past Friday, this is an album of four songwriters performing their own versions of the songs they wrote, many of which were popular songs by other artists. Most well-known by a wide audience is the album closer, "Change The World", which Gordon Kennedy wrote with Wayne Kirkpatrick and Tommy Sims and was a big hit for both Wynonna and Eric Clapton. Wayne Kirkpatrick gets to perform his own version of "Place In This World" which was a hit single by Michael W. Smith. Phil Madeira is a songwriter who wrote "Everywhere I Look" made popular by Phil Keaggy and "Hunger And Thirst" recorded by Susan Ashton. And Billy Sprague and Wayne Kirkpatrick wrote "Man After You Own Heart" which was recorded by Gary Chapman, and Sprague also co-wrote "Via Dolorosa" for Sandi Patty. They also recorded one new, original song, "Coming From Somewhere Else", written by all four together. While most of these were '80s and '90s Christian pop radio singles, here they find much more of a Nashville folk-country, somewhat jazz-y vibe with more acoustic guitars and the vocals of the songwriters themselves, which is cool to hear. Recording their own versions of these hits is not always something these songwriters get to do, and it's fun to give it a listen especially if you are familiar with the original recordings of some of these songs. The album cover says "Rocketown Writers Series" on it, but unfortunately, I don't believe that Rocketown Records ever released another album in this so-called series, though I certainly would have given it a listen had they done so.

Release Year: 2000
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