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Album Of The Day: Revisiting This Planet by Kevin Max

Album Art of Kevin Max's Revisiting This Planet album - A black and white photo of a white man in a trim beard wearing a black shirt and handkerchief around the neck is wearing sunglasses, a light-colored cowboy hat, and is standing on a rocky southern US landscape looking up at the camera. The cover has a purple hue on the edges and what looks like vinyl ringwear, where the record has been moved around so much that the case has been wearing out along the edges of the record. At the bottom is the artist name, a small yellow lightning bolt graphic, and the album name in smaller, white print.

In 1972, Larry Norman released Only Visiting This Planet, one of the most successful Christian rock albums of the '70s. On this day four years ago, Kevin Max (formerly of dc Talk) released a cover of the whole album in homage to his friend Larry Norman. Revisiting This Planet is lovingly recreated by some of Nashville's best musicians and Kevin's vocals bring the rock vibe to Norman's classic album. It's certainly interesting to bring modern production methods and quality to these sometimes dated lyrics, though in other moments the lyrics feel like they could have been written today. The album does include an original song, "God Part IV", in which Max comments on previous thoughts about God from John Lennon, U2 and Larry Norman.

Release Year: 2020
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Album Of The Day: Goliath by Steve Taylor And The Perfect Foil

Album Art of Steve Taylor And The Perfect Foil's Goliath album - Four men in black suits are sitting on a white background with a deer head and bear head behind them. Above them, in a flowing script, is the band name and below is the album title.

Released 10 years ago yesterday, this is the return of '80s Christian rocker/satirist Steve Taylor. This Steve Taylor spent a few decades being a record label executive, movie director, and songwriter and finally came back to writing and recording his own music with his friends. It's a guitar-based rock album with lyrics that takes a bit of dissecting. The lyrics include lots of references to religion and finding the humor in religion and culture. It culminates with "Comedian", an epic six-minute ode to God, the best comedian of them all. It's non-stop energy and entertainment from a master songwriter who tells you like it is.

Release Year: 2014
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Album Of The Day: Free At Last by dc Talk

Album Art of dc Talk's Free At Last album - On a white background, a black-and-white photo of three young men from above. A long-haired white man on the left, a short-haired man with a black hat on in the middle, and a black man with lots of dark hair sticking up on top but none on the sides and wearing multple crosses around his neck. The band name is in the top left, with an eye illustration above it with a cross inside the eye. At the bottom right below the photo is the album name.

Released on this day 32 years ago, this album made dc Talk a household name among Christian music fans. At this point, dc Talk was mostly Toby McKeehan rapping on the verses and Michael Tait and Kevin Max singing on the choruses. With Free At Last, this was definitely still the case, but the band experimented with sounds and repertoire. "Free At Last" veers into Gospel, while "Time Is..." gets a bit more rock edge. Covers of "Jesus Is Just Alright" and "Lean On Me" with new rapped verses are highlights as well as the original tunes. A number of the songs challenge mainstream cultural norms promoting abstinence and modest clothing, which was kinda weird to me both when I first heard this and still today. This album is definitely a time capsule of where Christian music was in the early '90s, for better and worse, and a lot of fun.

Release Year: 1992
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Album Of The Day: For All The Saints by Fernando Ortega

Album Art of Fernando Ortega's For All The Saints EP - On an orangish-red background, printed in gold color on the top is the artist name, and the EP title on the bottom. In the middle, what looks to be an old pointing of Jesus in heaven holding a flag and surrounded by the throng of people, most if not all women. The background is a shiny gold, and everyone of the people in the painting have a gold halo around their head.

Released just 2 days ago, this is a new EP from veteran singer-songwriter Fernando Ortega. On this 5-track release, Ortega leans into hymns and setting sacred texts to music. I like his version of "How Can I Keep From Singing" and the "Gloria" is classic-sounding Fernando Ortega with beautiful piano and vocals. And "Jesus, Bread of Life" is a great new song of praise. All of these songs are solid. It's been a number of years since he has released new music, so it's great to hear from him again.

Release Year: 2024
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Album Of The Day: Lesson Of Love by Ashley Cleveland

Album Art of Ashley Cleveland's Lesson Of Love album - A photo of a young, white woman's face. She has blonde-brown hair almost down to her shoulders and is photographed from above, it seems. Below her face, her name is written in dark blue, very handwritten-looking writing. On the left side vertically, the album title is also written in smaller but also handwritten text.

Ashley Cleveland is one of my favorite voices in music. She can really belt out a vocal and her deep alto is such a contrast to many other female artists. Ashley Cleveland's third album, Lesson of Love, is a rock album that mixes in a lot of Gospel influences and also includes a few hymns from other Christian traditions. But even though it's got a few hymns, it still is a rock album. Ashley's husband, Kenny Greenberg, does great guitar work throughout and songs like "He Is", "Revive Us Again", and "You Are There" keep the album energetic. I love all these songs and never tire of hearing Ashley's voice and her perspective on the world.

Release Year: 1995
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Album Of The Day: Everything As It Should Be by Andy Gullahorn

Album Art of Andy Gullahorn's Everything As It Should Be album - Some sort of art, maybe a watercolor or maybe some digital art. At the top, a black sky with a very large, white moon. The artwork continues below with mountains in the backgroud, then some trees, and then three buildings of various sizes and a tower with a streetlamp, like a little town. At the bottom, in the ground in front of the town is printed the artist name and the album title.

I love how Andy Gullahorn's lyrics go from serious to very tongue-in-cheek. If you're at home, you might not even notice, unless you're paying attention to the words. At an Andy Gullahorn concert, people at first nervously laugh and then keep laughing. For example, on this album, "Death Without A Funeral" talks about a tough break-up. And then the next song sounds much the same musically, a beautiful acoustic/folk/pop song, but it's "Teenagers", a hilarious lyric lamenting all the things that are annoying about parenting teens. Andy Gullahorn mixes the serious, the humorous, the spiritual and the communal on this, his latest album. I've gotten a chance to see him play a few times and it's full of life, stories, and lots of fun, just like this album.

Release Year: 2018
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Album Of The Day: Rivers In The Wasteland by Needtobreathe

Album Art of Needtobreathe's Rivers In The Wasteland album - On a brownish-gray background is printed what looks to be a cross-section of a piece of wood, with rings surrounding two points like to trees grown together. Most of the space between the rings are black, but a few on the right side are colored blue, like a river. The band's name is printed in small lettering in the bottom left and the album title is scribbled in the bottom right.

This is my favorite album from southern rock band Needtobreathe. It's got a bit of everything: southern rock, some gospel influences, and some real honestly about love and relationships. Brothers Bear and Bo Rinehart started this band over 15 years before, and at this time were struggling to have a good, healthy relationship. They tried to write through this struggle in songs like "Brother" and "Wasteland". This album, I think, has their best sound and the most variety of types of songs, and every song is a solid one. Most of these songs are still played at their shows regularly 10 years later, at least on occasion if not every show.

Release Year: 2014
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Album Of The Day: Mission House by Mission House

Album Art of Mission House's self-titled album - On a dark blue background, two large doors with a curved top are standing open. Above the doors is the band's name in small, bold print in a light brown color. Coming out of the open doors are flowers of all kinds. In front of the doors, a white hand holds on to one of the flowers.

Both Jess Ray and Taylor Leonhardt have their own solo careers doing singer-songwriter music, but sometimes they perform together as Mission House, a modern praise and worship duo. While their solo works are more personal, artistic songs in nature, Mission House is more about modern music for churches. Although a bit short for an album, this 7-track studio recording has some powerful songs of praise. Personally, I found that this music speaks to me a bit more than the stuff the mega-churches are churning out, for whatever reason.

Release Year: 2019
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Album Of The Day: I See Things Upside Down by Derek Webb

Album Art of Derek Webb's I See Things Upside Down album - A black and white photo that has, on the right, a profile of Derek Webb's face and the rest of the background is filled with what looks like an out-of-focus sky and clouds. On that background is written in lowercase white print the artist name and the album title, separated by three gold stars.

Singer Derek Webb was one of the original members of Houston-based folk-rock band Caedmon's Call. But in the early 2000s, he left the band and started his own solo career. I See Things Upside Down is his second album and my favorite of his albums. Released on this day 20 years ago, it's much more rock than most of his other albums, which are more acoustic or Americana. This albums an exquisitely-produced folk-rock album with a full band sound and lengthy songs full of beautiful instrumentation. Lyrically, Derek Webb calls the American church on to higher standards and loving our neighbor better while also speaking to our imperfect nature, which are things I've tried to take to heart. More recently, Derek has personally gone to places that don't resonate with me, but I definitely enjoy this album and his earlier works regularly.

Release Year: 2004
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Album Of The Day: Backbreakanomics by Mars ILL

Album Art of Mars ILL's Backbreakanomics album - On a beige background, at the top is outlines of the words 'mars ill' in a styled format. And above that in smaller letters, the works 'backbreakanomics' in a sans-serif font in black. At the bottom, there's two men, both wearing caps, in an illustration. Half of each of them is colored in like it was in a coloring book or something, and the other half is the outline and numbers, like the cover is a coloring book with numbers associated with colors. Also included in small blue pen is notes on how the cover could be improved in various spots.

Mars ILL is an underground hip-hop duo from Atlanta. DJ Dust creates amazing beats and intricate soundscapes including lots of obscure samples. Manchild delivers fast-paced raps with great rhymes and rhythm to them. This is their second major album and it's over an hour of top-notch music. I find that, for this album and their other albums, no matter how many times I listen to a Mars ILL album, there's still more nuance to the track and depth to the lyrics than I heard before. There's also a few great guest verses on this album too, from folks like Pigeon John, Bigg Jus, Jax and Flux. This is one of their top two albums from one of my favorite hip-hop groups of all time.

Release Year: 2003
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